Archive
A STAR IS BORN – Harold Arlen, Ira Gershwin, and Ray Heindorf
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In December of 1952 producer Sid Luft approached director George Cukor and proposed that he remake the Selznick International Film’s “A Star Is Born” (1937) with his wife, Judy Garland making a comeback to star in the lead role. Cukor agreed and the two men received the green light to proceed from Warner Brothers. Luft would produce the film, whose budget soared to $5 million due to 41 sick days and a two-week drug rehabilitation withdrawing from all the medications she had become addicted to, which extended filming to nine months. George Cukor took the reins to direct, and Moss Hart was hired to write the screenplay, which was adapted from the screenplay of the 1937 film. For the cast, Judy Garland would star as Esther Blodgett, in her first film in four years. Joining her would be James Mason as Norman Maine, Jack Carson as Matt Libby, and Charles Bickford as Oliver Niles. Read more…
COVER GIRL – Jerome Kern, Ira Gershwin, Morris Stoloff, and Carmen Dragon
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Columbia Pictures wanted to showcase their star Rita Hayworth, the most popular pinup girl for American soldiers in WWII, and chose a musical romantic comedy to be adapted from the story “Cover Girl” by Erwin Gelsey. Arthur Schwartz was assigned production, Charles Vidor was tasked with directing, and Virginia Van Upp was hired to write the screenplay. Gene Kelly was on loan from MGM and was given creative control and would also manage choreography. Rita Hayworth would star as Rusty Parker. Joining her would be Gene Kelly as Danny McGuire, Lee Bowman as Noel Wheaton, Phil Silvers as Genius, and Jim Falkenburg as Jinx Faulkenberg. Read more…
AN AMERICAN IN PARIS – George Gershwin, Ira Gershwin, Saul Chaplin, and Johnny Green
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Producer Arthur Freed took in a Hollywood Bowl performance of George Gershwin’s music from the Jazz Age and was inspired by the show’s “An American in Paris” number. For the next three years he sought support in bringing his film version to fruition. He found a partner in Gene Kelly who sold MGM executives on the concept of a dance film by screening the film “The Red Shoes” (1948). Arthur Freed was assigned production with a $2.7 million budget, Alan Jay Lerner was hired to write the screenplay, Gene Kelly would manage the choreography, and Vincente tasked with directing, with assistance from Gene Kelly. Kelly had seen Leslie Caron performing a ballet in Paris and he personally recruited her for the role of Lise Bouvier. Joining her would be Gene Kelly as Jerry Mulligan, Oscar Levant as Adam Cook, George Guétary as Hank Baurel, Nina Foch as Milo Roberts and Eugene Borden as Georges Mattieu. Read more…
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