Archive
POMPEII – Clinton Shorter
Original Review by Jonathan Broxton
The Roman city of Pompeii, near Naples in what is now Italy, was almost entirely destroyed in the year 79 AD following the volcanic eruption of the nearby Mount Vesuvius. The city was drowned in up to 20 feet of rock and ash, which killed a large portion of its 20,000 inhabitants, but also preserved many of the objects it buried, leaving an archeological treasure trove which is now a UNESCO World Heritage Site. The movie Pompeii is a fictionalized re-telling of the story of the city’s destruction, told through the eyes of a slave named Milo, a Celtic tribesman who was captured in ancient Britain as a child and brought back to Rome to train as a gladiator. When Milo begins to catch the eye of Cassia, the daughter of a Roman senator, their forbidden love affair begins to cause ripples in the hierarchical circles in which Cassia moves, but before long they begin to have even more pressing problems when Mount Vesuvius begins to show signs of life… The movie stars Kit Harington from Game of Thrones, Carrie-Anne Moss, Emily Browning, Adewale Akinnuoye-Agbaje and Kiefer Sutherland, and is directed by Paul W. S. Anderson. Read more…
KANO – Naoki Sato
Original Review by Jonathan Broxton
Kano is a Taiwanese sports drama movie, about the Kano baseball team from southern Taiwan, which comprised of Japanese, Taiwanese and aboriginal players, and overcame extreme odds to represent the island in the 1931 Japanese High School Baseball Championship, at a time when Taiwan was still under Japanese rule. It’s an important and famous story in Taiwanese sporting culture – a classic example of an overachieving underdog – with a similar sense of ‘triumph over adversity’ to American films like Rudy, The Natural or Miracle. The film is directed by Umin Boya, and has a score by the popular and acclaimed Japanese composer Naoki Sato. Read more…
HER – William Butler, Owen Pallett
Original Review by Jonathan Broxton
It’s difficult to describe Her without it sounding stupid because, basically, it’s about a man who falls in love with his computer – but it’s actually about much more than that. It’s about how loneliness can drive people to great lengths in order to find companionship. It’s about how technology is changing the way humans connect with each other. It’s about many things – but, ultimately, it’s about love. Set in Los Angeles in the near future, it stars Joaquin Phoenix as Theodore, who is in a deep depression after the ending of a long relationship, but who displays a sensitive side in his job, writing emotional personal letters for other people. When a new computer operating system comes onto the market, Theodore is intrigued – it advertises itself as an intuitive entity in its own right, individual to each user, capable of learning. Upon initiating it, he meets Samantha (Scarlett Johansson), an upbeat and curiously sexy female voice, who immediately begins organizing his life for the better. Quickly, Samantha displays an insatiable desire for knowledge and to understand human emotion, and as Theodore starts to fulfill those needs, the unlikely pair begins to fall in love. Read more…
A PASSAGE TO INDIA – Maurice Jarre
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
A Passage to India is a novel by English author E. M. Forster, which unfolds against the backdrop of the British Raj and the Indian independence movement in the 1920s. David Lean became enamored after watching the stage presentation of the story and immediately sought and obtained the movie rights. He adapted the screenplay himself and secured a stellar cast, which included; Judy Davis (Adela), Alec Guiness (Godbole), James Fox (Fielding), Peggy Ashcroft (Mrs. Moore) and Victor Bannerjee (Dr. Aziz). The story revolves a fateful trip to the Marabar Caves where a recently engaged Adela finds herself captivated and aroused by the beauty and sensuality of Indian culture. One day on a day trek and while alone with Dr. Aziz in one of the caves, she experiences conflicting emotions towards Dr. Aziz, panics and flees. It is assumed that Dr. Aziz had attempted to assault her and he is brought up to trial for charges of rape. The trial serves as both a commentary and a volatile catalyst that unleashes the pent up racial tensions long simmering between the indigenous Indians and the British colonialists who rule India. When Adela finally relents and withdraws her charges, Aziz is set free, but friendships are ruptured and Aziz seems irreparably harmed. Years later Aziz and his dear friend James reconcile, which brings the sad tale to a pleasing closure. The film was both a critical and commercial success, earning eleven Academy Award nominations, which included a Best Score Oscar for Maurice Jarre. Read more…
Under-the-Radar Round Up 2013, Part 5
SUNFLOWER – Henry Mancini
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
Renowned producer Carlo Ponti and acclaimed actor-director Vittorio de Sica hired screenwriter Cesare Zavattini to create, in the finest traditions of Italian cinema, a tragic love story. For this grand effort they recruited the two iconic Italian actors of the day to play the principles; Sophia Loren (Giovanna) and Marcello Mastroianni (Antonio). After many incarnations and disputes between Ponti and De Sica, a final screenplay was finally achieved. It reveals the story of two lovers caught up and swept away by the unforeseeable and irresistible currents of history. Sunflower, known in its original Italian as I Girasoli, is set in a small town in the southern Calabria region of Italy in the waning months of World War II. Read more…
ROBOCOP – Pedro Bromfman
Original Review by Jonathan Broxton
One thing I really love to see is when a young, new composer gets his first chance at the big time, scoring a major movie with huge box-office potential. Brazilian composer Pedro Bromfman is the composer getting that chance in the early months of 2014, having been hired to score the big-budget reboot of one of the great classic 1980s action movies, Robocop. 38-year old Bromfman is best known internationally for his scores for the popular Brazilian action movies in the Tropa de Elite series, which were directed by his old friend José Padilha; when Padilha was hired to helm the new Robocop, he brought Bromfman with him, and – shockingly – the executives at Sony Pictures gave the green light to allow this absolutely unknown composer to score their $130 million investment. This is the stuff that dreams are made of, where careers are launched and great new talents emerge – except, that in this case, the dream turns into a nightmare once you actually hear the music. Read more…
QUA TIM MÁU/VENGEFUL HEART – Christopher Wong, Garrett Crosby
Original Review by Jonathan Broxton
Vengeful Heart is a Vietnamese supernatural thriller directed by Victor Vu, starring Phuong Nha, Hoang Bach, and Thai Hoa, one of Vietnam’s most popular and successful comedians. It tells the story of Linh, a young woman who, after almost being killed in a car accident, survives after receiving a heart transplant. During her recovery Linh begins to have nightmares and hallucinations about a mysterious house in a forest. Tortured by her dreams, Linh eventually finds the house, which she finds inhabited by a very unusual Addams-esque family; worse still, it starts to become apparent that the recently deceased daughter of the family is Linh’s heart donor, and the family is becoming more and more attached to Linh. The film was massively successful in its home country, taking in more than 90 billion đồng, making it the all-time highest grossing domestic film in Vietnamese box office history. Read more…
THE MONUMENTS MEN – Alexandre Desplat
Original Review by Jonathan Broxton
The Monuments Men is a World War II action-drama-comedy, directed by George Clooney, based on the real-life escapades of a group of art history scholars who were assigned to find and protect the priceless artworks of central Europe, and stop it from falling into the hands of the Nazis. With an all-star supporting cast that includes Matt Damon, Cate Blanchett, John Goodman, Bill Murray, Jean Dujardin, Bob Balaban and Downton Abbey’s Hugh Bonneville, the film certainly has pedigree, but many people have complained about the unusual tone the film adopts, veering from comedy to serious drama and back again, often within the same scene. The deliberate pacing and intentionally old-fashioned style of the film has also been criticized for being out of touch with modern audiences, but these were some of the reasons I felt the film succeeded: the film is less about moving from one action sequence to another and is more about the camaraderie between the men at the center of the story, and about the importance of the art they are tasked with protecting. Read more…
STAR TREK: NEMESIS – Jerry Goldsmith
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
Sadly, the beloved Star Trek franchise took its final voyage with this tenth installment. For the storyline we are presented with yet another morality play, which explores the interplay of upbringing, fate and self-realization in seeking one’s destiny. Following a wedding between Will Riker and Deanna Troi, Picard receives startling orders from Star Fleet Command to proceed to Romulus as the Federation’s peace emissary. Evidently a coup d’état had ushered in a new leadership that wished to reset relations after centuries of unremitting animosity. Upon their arrival Picard discovers that the new leader Shinzon is not a Romulan, but instead a human, a clone of himself. Eventually he realizes a sinister deception as Shinzon’s true motives manifest. Shinzon desires to gain glory first by killing his genetic progenitor, Picard, and then by destroying Earth, a final repudiation of his humanity. Thus from a shared genetic template we see a duality, the polarity of goodness embodied in Picard and the polarity evil with Shinzon. What unfolds is a classic battle between light and darkness, a contest of wills with both Picard and Shinzon using their knowledge of the other and themselves to prevail. In the fateful final encounter, the Enterprise joined by Romulan loyalist ships battle Shinzon’s Scimitar, a cloaked mega vessel with superior shields and weapons of mass destruction. We witness Picard and Shnizon match wits with the most impressive battle scenes of the franchise. The film, while not embraced by critics, performed well and was profitable. The decision to end the franchise was very disappointing. Read more…
Under-the-Radar Round Up 2013, Part 4
Under-the-Radar Round Up 2013, Part 3
Under-the-Radar Round Up 2013, Part 2
Under-the-Radar Round Up 2013, Part 1
GUNSHI KANBEE – Yugo Kanno
Original Review by Jonathan Broxton
The annual NHK Taiga drama is a year-long television series broadcast on Japan’s main television network, NHK, and has been a staple of Japanese television since the first one was broadcast in 1963. It is widely considered to be one of the most prestigious television events of the Japanese calendar, attracting the dream of Japan’s dramatic talent, actors, writers, directors and composers – recent previous Taiga dramas have included Clouds on the Slope scored by Joe Hisaishi, Yae No Sakura scored by Ryuichi Sakamoto, and Ryōmaden scored by Naoki Sato. The 2014 NHK Taiga drama is Gunshi Kanbee, an epic story of a young man finding his way through the war-like and feudal Japanese society of the 16th century. Directed by Kenji Yanaka, it stars Junichi Okada in the title role, and has an original score by 37-year-old Japanese composer Yugo Kanno. Read more…
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