Archive
THE NAKED GUN – Lorne Balfe
Original Review by Jonathan Broxton
Sassafras Chicken in D. Make it extra lumpy, boys.
As much as I enjoy witty repartee and sophisticated but humorous observations about the human condition, there is something enormously satisfying about a comedy that is unashamedly, gleefully stupid. My favorite out-and-out comedy of this type is Airplane! from 1980, which was written and directed by Jim Abrahams, David Zucker, and Jerry Zucker, and my second favorite comedy of all time of this type is The Naked Gun from 1988, which ZAZ co-wrote with Pat Proft. The Naked Gun was itself a spinoff of the short-lived comedy TV series Police Squad, which aired on ABC for one season in 1982, and starred Leslie Nielsen as the inept LAPD detective Lt. Frank Drebin. Over the course of the show and the three subsequent films he investigates various murders, robberies, and extortion rackets – all of which are framing devices on which to hang all manner of goofy one-liners, ridiculous sight gags, and hilarious pratfalls, all centered around Nielsen’s unique brand of comedy. Read more…
Under-the-Radar Round Up 2024, Part 3
Original Reviews by Jonathan Broxton
I’m pleased to present the latest instalment in my on-going series of articles looking at the best under-the-radar scores from around the world.
This article, the third of 2024, covers seven scores from a wide array of genres and countries: a Chinese thriller about an autistic math genius, a French historical TV mini-series, a Spanish romantic thriller, a Japanese romantic survival horror movie based on a TV show, a French action comedy, a Japanese TV series about surrogate parenting, and a French swashbuckling TV series, all of which feature superb and memorable thematic writing! Read more…
BEVERLY HILLS COP: AXEL F – Lorne Balfe
Original Review by Jonathan Broxton
The 1984 action comedy Beverly Hills Cop was one of the cinematic cultural touchstones of the 1980s, a fish-out-of-water story about a motor-mouthed Detroit-based detective who comes to Los Angeles to investigate the death of a friend, and causes havoc amid the more straight-laced members of the Beverly Hills police department. It helped launch its star Eddie Murphy to global superstardom, grossed $234 million at the domestic box office – the highest-grossing film released that year – and spawned several sequels (although the less said about the risible Beverly Hills Cop III in 1994 the better). Now, thirty years later, director Mark Molloy and screenwriters Will Beall, Tom Gormican, and Kevin Etten bring us a third sequel, Beverly Hills Cop: Axel F. Read more…
ARGYLLE – Lorne Balfe
Original Review by Jonathan Broxton
Having already given the world a series of spy comedy/action-thrillers in the Kingsmen series, writer/director Matthew Vaughan is back with a new take on the genre with his latest film, Argylle. The film stars Bryce Dallas Howard as Elly Conway, the introverted author of a series of popular espionage novels featuring the protagonist Argylle. While on a train journey to visit her parents, Elly is saved from an ambush by an actual spy, Aidan Wylde (Sam Rockwell), who explains to her that a shadowy organization known as the Division is targeting her because her novels seemingly predict the future. The film co-stars Bryan Cranston, Catherine O’Hara, and Samuel L. Jackson, as well as Henry Cavill, John Cena, and Dua Lipa as the ‘film within a film’ protagonists of the Argylle stories, and it starts out as a fun, breezy, enjoyable action comedy – but as the film drags on, with plot twist after plot twist, double-cross after double-cross, some unexpectedly ropey special effects, and a large number of action set pieces which become increasingly ridiculous, it all falls apart. There is a really great film lurking within the mess that Argylle turned out to be, and it’s a shame because with this cast, and this director, it should have been so much better. Read more…
LIFE ON OUR PLANET – Lorne Balfe
Original Review by Jonathan Broxton
I don’t know whether it’s my imagination or not, but there seem to be more nature documentary series right now than ever before. When I was a kid, the only nature documentaries I saw were made by the BBC Natural History Unit, they were narrated by Sir David Attenborough, and they came out once every couple of years to great fanfare and acclaim. The first one I remember watching as it aired was The Living Planet in 1984, followed by The Trials of Life six years later in 1990. Now, everyone is getting in on the act; Attenborough and the BBC are still making them, of course, and they are doing them magnificently, but in recent years Netflix and National Geographic and Disney Nature and seemingly dozens of other companies are getting in on the act too, to the point where I wonder whether we might be getting a little over-saturated. What else is there really left to say about polar bears or blue whales? The latest such documentary to be released is Life On Our Planet, which will begin airing on Netflix at the end October 2023. It’s executive-produced by Steven Spielberg, is narrated by Morgan Freeman, and ambitiously attempts to look at the multi-billion year history of the world, from the time of the dinosaurs to the present day. It looks to feature some absolutely astonishing cinematography, and will include a hybrid of both computer-generated imagery and live-action film. Read more…
MISSION: IMPOSSIBLE – DEAD RECKONING – Lorne Balfe
Original Review by Jonathan Broxton
There aren’t many bonafide movie stars these days; actors or actresses who can will a film into production, attract top notch support, and get audiences flowing into cinemas, purely on the strength of their charisma and appeal. Tom Cruise is one of the few who can still do that in Hollywood, and his latest film – Mission: Impossible – Dead Reckoning, Part One – is an action blockbuster tailored to his unique blend of movie-making. Cruise returns for the seventh time as IMF Special Agent Ethan Hunt, the all-action leader of a team of spies saving the world from clandestine threats and evil super-villains. In this latest film, the threat is a piece of rogue artificial intelligence nicknamed ‘The Entity,’ which was designed to sabotage digital systems, but has since achieved sentience and ‘gone rogue’ with the capability to infiltrate all of the world’s major defense, military, and intelligence networks. Control of the Entity is obtained by way of a specific type of key, which various powers attempt to obtain, while Hunt and his team try to stop the key from falling into the wrong hands – one of whom is a shadowy figure from Hunt’s own past. Read more…
DUNGEONS & DRAGONS: HONOUR AMONG THIEVES – Lorne Balfe
Original Review by Jonathan Broxton
It’s been surprisingly difficult to make a good adaptation of Dungeons & Dragons. In the years since the classic table-top roleplaying game was released in 1974 there have been several attempts; the 1983 animated TV series was fun, but barely resembled the game itself, while the 2000 live action version starring Justin Whalin was critically reviled and commercially disastrous, although it did spawn a series of straight-to-DVD sequels. This new film, Dungeons & Dragons: Honour Among Thieves, is an attempt to finally – finally – convey the fun, excitement, and imagination of the game for movie audiences; it stars Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, and Hugh Grant, and was written and directed by self-proclaimed D&D nerds Jonathan Goldstein and John Francis Daley; it’s a classic fantasy story set in a medieval world full of knights, wizards, rogues and thieves, and features a quest for treasure, numerous battles, and wonderous creatures a-plenty. Read more…
BLACK ADAM – Lorne Balfe
Original Review by Jonathan Broxton
The latest comic book super hero film in the DC Extended Universe is Black Adam, directed by Jaume Collet-Serra, starring Dwayne Johnson, Aldis Hodge, Sarah Shahi, Bodhi Sabongui, and Pierce Brosnan. Johnson stars as the titular character, a man from the city of Kahndaq circa 2500 BC, who helps lead a rebellion against a tyrannical king, and is endowed with magical powers by the Council of Wizards (the same wizards who gave similar powers to Shazam in another DC film). Thousands of years later Adam is brought back to life by an archaeologist who believes he can help defeat the oppressive regime currently ruling present-day Kahndaq; however, Adam’s new presence in the modern world catches the attention of the Justice Society of America (which is, apparently, different from the Justice League), and a team led by super-heroes Hawkman and Doctor Fate is dispatched to Kahndaq to determine whether Adam is a friend or a foe. The film has some potentially interesting things to say about the nature of heroism, and has some fun depicting a contemporary north African culture not usually explored in films like this, but by the end it devolves into yet another massive fight sequence between CGI avatars hurling each other through walls… ho hum. Such is the way with most DC films, although this at least does have a vein of humor in it which stops it being so dreary and self-serious. Read more…
TOP GUN: MAVERICK – Lorne Balfe, Harold Faltermeyer, Lady Gaga, and Hans Zimmer
Original Review by Jonathan Broxton
In the summer of 1986 the world fell head over heels in love for Maverick, Goose, Iceman, and the men and women of Top Gun – the Strike Fighter Tactics Instructor program of the United States Navy, which trains some of the best military combat pilots in the world. With its combination of intense jet fighter action, macho camaraderie, and steamy romance, the film was a massive box office blockbuster, and cemented its star Tom Cruise as one of Hollywood’s premiere leading men – a position he continues to hold, more than 35 years later. Fans of the film have been clamoring for a sequel for decades, and production on it finally began in May 2018, with an intended release date of July 2019 – but it was pushed back and back and back, initially to June 2020, then December 2020, then July 2021, then November 2021, due to the combined impact of re-shoots, the COVID pandemic, and then a clogged schedule. It eventually hit cinemas at the end of May 2022 – almost four years to the day since they started making it – but it was more than worth the wait: reviews were stellar, both from audiences and critics, and at the time of writing it has already grossed $291.6 million at the US box office alone. Read more…
RUMBLE – Lorne Balfe
Original Review by Jonathan Broxton
Rumble is a CGI animated action comedy based on the graphic novel ‘Monster on the Hill’ by Rob Harrell, directed by Hamish Grieve. The film is set in a world where monsters and humans peacefully co-exist, and where one of the most popular sports is monster wrestling. After the shark-monster Tentacular, who represents a small town called Stoker, becomes the new world champion, he suddenly announces his retirement. The townspeople are later told if they do not find a new wrestler to represent Stoker, they will lose the town’s stadium and its resultant revenue. This prompts a wrestling enthusiast named Winnie Coyle to search for a new monster representative for her town – which ultimately brings her into contact with Steve, the son of former champion wrestler Rayburn, who despite being a talented athlete in his own right lives in his late father’s shadow. Circumstances lead to Winnie and Steve eventually teaming up, training, and fighting, culminating in the underdog Steve having a shot at Tentacular’s title, with the future of the town on the line. The film features a voice cast including Will Arnett, Geraldine Viswanathan, and Terry Crews, and was supposed to premiere in cinemas in July 2020, but it was moved no less than four times due to the COVID-19 pandemic theatrical release debacle, and eventually premiered on the streaming channel Paramount+ in December 2021. Read more…
BLACK WIDOW – Lorne Balfe
Original Review by Jonathan Broxton
After what feels like an eternity, the fourth phase of films in the Marvel Cinematic Universe has finally begun with Black Widow. Chronologically it’s actually somewhere around 20th in the series – it takes place between the events of Captain America: Civil War and Avengers: Infinity War – and examines the backstory of the superhero Natasha Romanov, and looks at what she was up to in that intervening period. Scarlett Johansson returns to play the titular character for the ninth time, and sees her getting involved in a globe-trotting adventure as she reconnects with her adopted sister Yelena, and her “parents” Melina and Alexei – the latter of whom is a super soldier known as Red Guardian, the Soviet Union’s equivalent of Captain America. The mission involves Natasha returning to the ‘Red Room,’ the shadowy organization which conducted the training that turned her into a KGB assassin, and confronting those responsible. The film co-stars Florence Pugh, David Harbour, Rachel Weisz, and Ray Winstone, and is directed by Cate Shortland. Read more…
THE TOMORROW WAR – Lorne Balfe
Original Review by Jonathan Broxton
The Tomorrow War is one of those big, eye-popping, spectacular sci-fi action movies that Hollywood does so well. Set a couple of years in the future, it stars Chris Pratt as Dan Forester, a high school science teacher and US military veteran, whose life changes – along with everyone else’s – when time-travelling soldiers from the future appear during the 2022 World Cup final and declare that, thirty years in the future, humanity is on the brink of extinction following an alien invasion. Dan is drafted into the new military and, using a special technology called a jumplink, he and his fellow draftees are transported forward in time to join the battle against the aliens – vicious, carnivorous creatures nicknamed ‘white spikes’. What follows is an all-out action extravaganza as Dan becomes deeply involved in the effort to defeat the aliens. The film is the live action debut of Lego Batman Movie director Chris McKay, was written by Zach Dean, and co-stars Yvonne Strahovski, J. K. Simmons, Betty Gilpin, Sam Richardson, and Edwin Hodge. Read more…
JUNGLELAND – Lorne Balfe
Original Review by Jonathan Broxton
Jungleland is a low-budget boxing-themed drama written and directed by Max Winkler, the son of legendary comedy actor Henry Winkler. It stars British actors Jack O’Connell and Charlie Hunnam as Walter and Stanley Kowalski, working class brothers who endure menial jobs to make ends meet, and then spend their evenings in the underground bare-knuckle fight scene of their tough Massachusetts home town. Seeking one last shot at fame and redemption, Walter learns of a bare-knuckle prize fight contest worth $100,000 taking place in the back-alleys of San Francisco’s Chinatown – but they don’t have the money to get there. In desperation the brothers throw their lot in with a local gangster, who agrees to fund their trip, with one proviso: they must transport a mysterious young woman to Reno, Nevada, along the way. The film co-stars Jessica Barden and Jonathan Majors, and was released briefly in cinemas in November 2020 before heading off to streaming services. Read more…
BAD BOYS FOR LIFE – Lorne Balfe
Original Review by Jonathan Broxton
Back in the spring of 1995, director Michael Bay and producers Don Simpson and Jerry Bruckheimer brought the world Bad Boys, a buddy-cop action comedy starring Martin Lawrence and Will Smith, who at that point was still best known for his role in the TV sitcom The Fresh Prince of Bel-Air, and was making his ‘leading role’ debut. Lawrence and Smith played Marcus Burnett and Mike Lowrey, hotshot Miami detectives who leave a trail of bullets, bodies, and profane one-liners wherever they go. The film was a massive financial success at the time, and spawned a sequel in 2003, but no-one expected the boys to return for a third outing – and yet here we are, 25 years removed from the original, with Bad Boys For Life, directed by Adil El Arbi and Bilall Fallah. Lawrence and Smith return to the roles which made them famous; the plot revolves around Burnett, who wants to retire from police work, teaming up with Lowrey one final time as they investigate the murders of numerous people involved in an old drug cartel case. Read more…
MISSION: IMPOSSIBLE – FALLOUT – Lorne Balfe
Original Review by Jonathan Broxton
When actor/producer Tom Cruise got together with director Brian De Palma in 1996 to make a brand new big-screen version of the classic 1960s spy TV series Mission: Impossible, I doubt that even he expected that he would still be playing the role of action hero Ethan Hunt 22 years later – yet, here we are. We’ve gone through multiple director changes in the intervening two decades – John Woo, J. J. Abrams, Brad Bird – but for the time being the series appears to have settled on Christopher McQuarrie, who with this film becomes the first director to make two Mission: Impossible films. Fallout is, in many ways, a continuation of the story established during Rogue Nation in 2015, as it sees Hunt and his IMF compatriots again locking horns with the shadowy villain Solomon Lane, whose sinister Syndicate organization continues to be a threat to the stability of the world. The globetrotting adventure sees the action moving from Berlin to Paris to London to the foothills of the Himalayas – and what action it is! The staggering set-pieces in the film include a HALO jump over Paris which Cruise did for real, a brutal three-way fight sequence in a bathroom, a high-speed motorbike chase around the Arc de Triomphe and beyond, an epic foot chase through the streets of Britain’s capital that contains a scene where Cruise smashed his ankle – for real – jumping from one building to another, and an exhilarating helicopter dogfight weaving between the towering peaks of the Kashmir. The film co-stars Henry Cavill, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Angela Bassett, and Alec Baldwin, and has been widely acclaimed as one of the best action movies in recent years. Read more…
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