Posts Tagged ‘Harold Faltermeyer’

TOP GUN – Harold Faltermeyer

April 28, 2016 1 comment

topgun-soundtrackTHROWBACK THIRTY

Original Review by Jonathan Broxton

Top Gun was the highest grossing film of 1986, made a global superstar of its leading man Tom Cruise, and paved the way for a series of testosterone-soaked action-dramas helmed by über-producers Don Simpson and Jerry Bruckheimer that would dominate American cinema for years to come, and virtually define the look, feel, and sound of an entire decade. The film, which was directed by Tony Scott and written by Jim Cash and Jack Epps, follows the fortunes of Pete “Maverick” Mitchell, a brash and cocky young fighter pilot in the US Navy who – despite his disdain for authority and overall recklessness in the air – is given the chance to attend the Navy’s elite school in California, colloquially known as ‘top gun’. Once enrolled in the school, Maverick and his wingman ‘Goose’ Bradshaw (Anthony Edwards) annoy the senior officers, and come close to being thrown out on multiple occasions, but continue to excel, much to the disgust of Maverick’s rival, the arrogant but talented ‘Iceman’ Kazanski (Val Kilmer). Further complicating matters is the fact that Maverick has begun a relationship with Charlotte Blackwood (Kelly McGillis), despite the fact that she is a brilliant astrophysicist, and one of his instructors at the Academy. Read more…

COP OUT – Harold Faltermeyer

February 26, 2010 Leave a comment

Original Review by Jonathan Broxton

Nostalgia for the 1980s is all the rage these days. As someone who actually grew up in the 1980s I often find myself forgetting that it all happened almost 30 years ago, and that I remember all the new-nostalgia crazes and trends the first time around. In film music circles, the 1980s is remembered with both fondness and incredulity in equal measure, the latter due primarily to the popularity and success of a number of synth-pop composers. Harold Faltermeyer was one of those; over a six-year stretch he wrote music for box office smash after box office smash, with the likes of Beverly Hills Cop, Top Gun, Beverly Hills Cop II, Fletch and Tango & Cash. His music remains incredibly divisive, and he has as many detractors as fans who laud his creative synth programming and (at the time) cutting edge electronics. In many ways he was the Hans Zimmer of his day, and he can legitimately be considered the source of Zimmer’s über-heroic anthemic style, which originated from Faltermeyer’s collaborations with Jerry Bruckheimer and the late Don Simpson. However, for a multitude of reasons, his music fell out of fashion, and as a result he hadn’t scored an American feature film since Kuffs in 1992 – until now. Read more…