Archive
THE DAM BUSTERS – Leighton Lucas, Eric Coates
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In the late 1940s, interest arose in bringing the historic Dam Busters raid of WWII to the big screen. It took the publication of two books, Enemy Coast Ahead by Guy Gibson in 1944, followed by The Dam Busters by Paul Brickhill in 1951, to catalyze production. Robert Clarke, the Head of Production at Associated British Picture Corporation, approached writer Paul Brickhill and the British Air Ministry. When the Ministry decided to support the project and offered four Lancaster bombers at low cost, Clarke purchased the screen rights from Brickhill for £5,000. Robert Clarke and W. A. Whittaker would oversee production with a £260,000 budget, Michael Anderson was tasked with directing, and R. C. Sherriff would write the screenplay, drawing inspiration from both books. A stellar cast was hired, with Richard Todd starring as Wing Commander Guy Gibson, joined by Michael Redgrave as Barnes Wallis, Patrick Barr as Captain Joseph “Mutt” Summers, Ernest Clark as Air Vice Marshal Ralph Cochrane, Basil Sydney as Air Chief Marshal Sir Arthur Harris GOC-in-C, Stanley Van Beers as David Pye, Air Ministry Director of Scientific Research, and Ursula Jeans as Mrs. Molly Wallis. Read more…
MARY REILLY – George Fenton
THROWBACK THIRTY
Original Review byJonathan Broxton
In the mid-1990s there were a series of big-budget Hollywood films which adapted classics of the horror genre to the big screen, with the most famous being Bram Stoker’s Dracula in 1992 and Mary Shelley’s Frankenstein in 1994. One of the films which is now somewhat forgotten is this one: Mary Reilly, an adaptation of a 1990 novel by Valerie Martin, which was itself inspired by Robert Louis Stevenson’s 1886 novella Strange Case of Dr Jekyll and Mr Hyde. The twist here is that this story is told from the point of view of Henry Jekyll’s housemaid, the Mary of the title, who falls in love with her master, but then makes an enemy in the form of Jekyll’s “assistant,” Edward Hyde. The film stars Julia Roberts as Mary, John Malkovich as Jekyll and Hyde, and has an excellent idiosyncratic supporting cast that includes Michael Sheen, Glenn Close, and Michael Gambon, plus British TV stalwarts like George Cole of Minder and Kathy Staff of Last of the Summer Wine. It was written by Christopher Hampton and directed by Stephen Frears, who had previously worked together on Dangerous Liaisons in 1988. Read more…
SEND HELP – Danny Elfman
Original Review by Jonathan Broxton
It’s probably a universal experience that everyone has dealt with at some point in their lives: a terrible boss. Maybe they are a micromanager. Maybe they take credit for others’ work. Maybe they are just jerks – misogynistic, sexist, or simply bullies who revel in public humiliation, criticizing or mocking employees in front of others. In Send Help, star Rachel McAdams has to put up with all these things and more from her boss, played by Dylan O’Brien, before she is able to get revenge in the most surprising – and violent – of ways. McAdams plays Linda Liddle, a corporate strategist who is constantly belittled by her male colleagues and denied the professional respect she believes she deserves. When a company plane crashes on the way to an international business trip, she and her smug, chauvinistic boss Bradley Preston are the only survivors, washing ashore on a desert island. Stranded together, their uneasy alliance soon turns into a disturbing battle of wills in which Linda’s survival instincts begin to blur into something far darker. Read more…
LUST FOR LIFE – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1946 MGM purchased the film rights to Irving Stone’s 1934 biographical novel Lust for Life, about the tumultuous life of Dutch painter Vincent van Gogh. The contract required production within ten years or ownership would revert to Stone, but the project languished until 1954, when actor Kirk Douglas purchased the rights with the intention of starring in and producing a film adaptation. Director Vincente Minnelli also sought to make a film about Van Gogh, which had long been a passion project of his. Eventually, all parties joined in common cause and the film proceeded to production by MGM, with John Houseman in charge and a $3.23 million budget. Minnelli was tasked with directing, and Kirk Douglas would star in the lead role of painter Vincent van Gogh. Joining him would be Anthony Quinn as Paul Gauguin and James Donald as Theo van Gogh. Read more…
WUTHERING HEIGHTS – Anthony Willis, Charli XCX
Original Review by Jonathan Broxton
Heathcliff, it’s me, I’m Cathy, I’ve come home…
Wuthering Heights is one of the undisputed classics of British literature. Written in 1847 by Emily Brontë, it is a vivid story of all-encompassing love, obsession, cruelty, and revenge, with more than a splash of the English class system and an exploration of the crushing effects of poverty thrown in for good measure. The story chronicles the ill-fated relationship between the spoiled but free-spirited Catherine Earnshaw and the handsome, rugged foundling Heathcliff, who was brought as a child by Catherine’s father to live with them at their ancestral home, the Wuthering Heights of the title, an imposing house sitting atop one of the bleakest parts of the Yorkshire moors. As they grow up, Catherine and Heathcliff’s relationship develops from childhood friendship to adult romance, but circumstances conspire to keep them apart – not least Catherine’s simultaneous relationship with the wealthy Edgar Linton, heir to the neighboring property Thrushcross Grange. Read more…
CITY HALL – Jerry Goldsmith
THROWBACK THIRTY
Original Review by Jonathan Broxton
An underrated movie co-written by Nicholas Pileggi, the former investigative journalist best known for his work on Goodfellas, City Hall is a political crime thriller directed by Harold Becker. Set against the murky political landscape of New York City, the film stars Al Pacino as Mayor John Pappas and John Cusack as his idealistic deputy mayor, Kevin Calhoun, alongside a supporting cast that includes Bridget Fonda, Danny Aiello, and then-recent Oscar winner Martin Landau. The story begins with a tragic shooting in which a young boy is killed during a botched police operation targeting a suspected Mafia figure. The incident appears to be a routine case of excessive force, but Calhoun begins to suspect that the circumstances surrounding the event are more complicated than they initially appear. As he digs deeper, Calhoun uncovers a tangled web of connections linking the police department, the district attorney’s office, organized crime figures, and even members of the mayor’s own administration. Read more…
SOLO MIO – Joy Ngiaw
Original Review by Jonathan Broxton
Considering that I finished my 2025 review schedule with a score by Joy Ngiaw, it’s perhaps only fitting that I start 2026 with one too. I said in my review of WondLa that ‘somebody needs to give Joy Ngiaw a Star War to score,’ and while I still absolutely stand by that sentiment, that hasn’t actually happened, and what has happened instead is that she has been given a lovely, sunny, romantic comedy drama to work on instead. Solo Mio was made by five of the eight filmmaking Kinnane brothers from Rhode Island – directors Chuck Kinnane and Dan Kinnane, writers John Kinnane and Patrick Kinnane, and editor Pete Kinnane – and it is the latest in several ventures involving actor and comedian Kevin James. In this film, James plays Matt Taylor, whose life is upended when he is ditched at the altar by his fiancée Heather in the middle of his dream wedding in Rome. Despite being crushed and heartbroken by the end of his relationship, Matt is convinced by his friends to take his honeymoon anyway – a tour around the most romantic locations in Italy that becomes an adventure he never expected. Read more…
WAR AND PEACE – Nino Rota
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
A film based on Leo Tolstoy’s epic 1869 novel War and Peace first surfaced in 1941 with aspirations by renown British producer Alexander Korda, but the project could not move into production because the Soviet Ministry of Culture would not cooperate. It would take thirteen more years for ambitious producer Dino De Laurentis to finally get the project off the ground. He would personally manage production using his own production company with a massive $6.0 million budget. Condensing the massive 1,225-page novel into a cogent screenplay for a 2.5 – 3.5-hour film was daunting with it going through several incarnations at the hands of eight writers, including director King Vidor. A stellar cast was assembled, including Audrey Hepburn as Natasha Rostova, Henry Fonda as Count Pierre Bezukhov, Mel Ferrer as Prince Andrei Bolkonsky, and Herbert Lom as Napoleon Bonaparte. Read more…
THE EMPEROR WALTZ – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In the late 1940s Billy Wilder was Paramount Pictures premier director, and Bing Crosby was the studio’s leading star. Wilder had always wanted to do a musical with Crosby, and found a story, which drew from an actual historical event, which eventually became this film: The Emperor Waltz. Valdemar Poulsen was a Danish inventor who demonstrated his magnetic recording device to Emperor Franz Joseph I of the Austro-Hungarian Empire, in an audacious effort to secure financing for his invention. Charles Brackett was assigned production with a $3.8 million budget, Wilder would direct and Brackett and Wilder would write the screenplay. Bing Cosby would star as Virgil Smith, joined by Joan Fontaine as Countess Johanna Augusta Franziska, with Richard Haydn as Emperor Franz Josef, Roland Culver as Baron Holenia, and Sig Ruman as Dr. Zwieback. Read more…
FLYING TIGERS – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
By 1942 the United States was fully engaged in WWII and Republic Pictures management decided making a propaganda film to support the war effort would be both patriotic, and profitable. They decided to tell the tale of the American Volunteer Group (AVG), American civilian pilots who shipped out to China for the purpose of flying American P-40F fighter aircraft to aid Chinese allies fighting Japanese aggression. Edmund Grainger was placed in charge of production with a $900,000 budget, David Miller would direct, and Kenneth Gamet and Barry Trivers would write the screenplay. A fine cast was assembled, with John Wayne starring as Captain Jim Gordon, joined by John Carroll as “Woody” Jason, Anna Lee as Brooke Elliot, Paul Kelly as “Hap” Davis, Gordon Jones as “Alabama” Smith, Edmund MacDonsald as Blackie Bales and Mae Clarke as Verna Bales. Read more…
ONE BATTLE AFTER ANOTHER – Jonny Greenwood
Original Review by Jonathan Broxton
One of the most popular and critically acclaimed movies of 2025, One Battle After Another is a black comedy action-thriller written and directed by Paul Thomas Anderson, loosely inspired by Thomas Pynchon’s 1990 novel Vineland. The film stars Leonardo DiCaprio as Bob Ferguson, a former left-wing political revolutionary from an underground militant group called the French 75. Early in the film, the French 75 carry out a bold operation at the Mexico–US border, freeing apprehended immigrants and sparking conflict with ruthless military officer Steven Lockjaw (Sean Penn), who has a bizarre sexual obsession with Bob’s partner Perfidia Beverly Hills (Teyana Taylor). After Perfidia is arrested for murder, Lockjaw arranges for her to avoid prison in exchange for ratting out her comrades, forcing Bob to flee. Sixteen years later, Bob is living off-grid, paranoid, and raising his teenage daughter Willa (Chase Infiniti) far from the revolution. Things change for Bob when a still-obsessed Lockjaw discovers his location, and he and Willa are separated. Desperately trying to rescue his daughter, Bob is forced to get back in touch with his old French 75 compatriots – including Sergio St. Carlos (Benicio del Toro), a martial arts instructor who also runs underground support networks – before Lockjaw finds her. Read more…
SILVER QUEEN – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1942 Paramount Pictures decided to approve for production, a western by Forrest Halsey and William Allen Johnston, which offered a story about a woman gambler. To implement their vision the purchased a package deal from Warner Brothers, who loaned them actors Pricilla Land and George Brent, along with director Lloyd Bacon. Independent producer Harry Sherman was assigned production and writers Cecile Kramer and Bernard Schubert would write the screenplay. George Brent would star as James Kincaid with Priscilla Lane as Coralie Adams. Joining them would be Bruce Cabot as Gerald Forsythe and Lynn Overman as Hector Bailey. For reasons I could not discover, Paramount in the end did not distribute the film. Instead, United Artists is listed as the production company, which suggests the film was one of several sold to United Artists from 1942 – 1943. Read more…
Under-the-Radar Round Up 2025, Part 9
Original Reviews by Jonathan Broxton
I’m pleased to present the latest installment in my on-going series of articles looking at the best under-the-radar scores from around the world.
This article, the ninth and last of 2025, is a bumper crop, and covers another nine scores released last year from a wide array of genres and countries, including a short film from the Netherlands about magical paintings, a short film from Canada that makes the directorial debut of an Emmy-winning composer, a comedy-drama film from Denmark about a bank robber with dissociative identity disorder, a supernatural murder mystery from Vietnam about a 19th-century detective, and a short film from Mexico about a little girl and a heroic horsewoman who wields a magical lasso.
Then there’s an Australian sci-fi action horror film about a group of American soldiers encountering dinosaurs during the Vietnam war, an animated sex comedy from Norway about two sperms on an epic adventure trying to find their way to an un-fertilized egg, a Spanish TV series about a detective investigating a series of murders in a rural community, and an action horror film from Norway about a pair of gargantuan trolls terrorizing the fjords!
FACKHAM HALL – Oli Julian
Original Review by Jonathan Broxton
The lives of the British aristocracy, and those who serve them, have been an endless source of fascination for decades, through films and books and television. The ITV drama series Upstairs Downstairs, which premiered in 1971, was enormously popular when it first aired, but this was then eclipsed by Downton Abbey, which debuted in 2010 to massive Emmy-winning acclaim and global fame. The British have always excelled at these types of soapy period costume dramas, where stiff collars and even stiffer upper lips mask all kinds of shenanigans and debauchery behind closed doors. The British are also exceptionally good at poking fun at themselves with parody, which brings us to Fackham Hall. Read more…
HOLD BACK THE DAWN – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The genesis of Hold Back the Dawn was writer Ketti Frings’ story, “Memo to a Movie Producer”. Paramount executives decided that the romantic drama would translate well to the big screen, and so paid $5,000 for the film rights. After the novel was published and well received, the working title of the movie was changed to the novel’s title, “Hold Back the Dawn”. Arthur Hornblow Jr. was assigned production, Mitchell Leisen was tasked with directing, and Charles Brackett, Billy Wilder and Richard Mailbaum wrote the screenplay. A stellar cast was hired, which included Charles Boyer as Georges Iscovescu, Olivia de Havilland as Emmy Brown, Paulette Goddard as Anita Dixon, Victor Francen as Van Den Lueken, and Walter Abel as Inspector Hammock. Read more…
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