Archive
MR. SKEFFINGTON – Franz Waxman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Executive Jack L. Warner of Warner Brothers decided that the popular American Book of The Month Club novel “Mr. Skeffington” (1940) by Elizabeth von Arnim could be successfully adapted to the big screen. He purchased the film rights and would manage production along with the Epstein brothers, Julius and Philip. A $1.521 million budget was provided, the Epstein brothers would write the screenplay, and Vincent Sherman would direct. Casting was a challenge in that studio stars Merle Oberon, Hedy Lamar and Paul Henreid all turned down offers. Eventually Bette Davis accepted the role of Fanny Trellis Skeffington. Joining her would be Claude Rains as Job Skeffington, and Richard Waring as Trippy Trellis. Read more…
ON DEADLY GROUND – Basil Poledouris
THROWBACK THIRTY
Original Review by Jonathan Broxton
An action thriller with an environmental protection theme, On Deadly Ground marked the directorial debut of action star Steven Seagal, who was hot off the unexpected critical and commercial success of his previous film Under Siege in 1992. Here Seagal plays Forrest Taft, an expert firefighter who gets involved in a conflict between an unscrupulous Alaska oil company and a local indigenous tribe, whose lands are being damaged by the oil company’s drilling methods and poor safety record. Things escalate when the head of the oil company orders his henchmen to eliminate anyone who knows about his company’s indiscretions, and the tribal leader is murdered; angered by the injustice, Taft teams up with the tribal leader’s daughter to take down the company. Despite an excellent supporting cast that included Joan Chen, John C. McGinley, R. Lee Ermey, a young Billy Bob Thornton, and Michael Caine chewing the scenery as the despicable head of the evil oil company, the film was unfortunately a critical disaster, appearing on many end-of-year ‘worst’ lists; much criticism was leveled at Seagal’s ham-fisted and amateurish direction, as well as the preachy tone of the film’s screenplay. Read more…
AVATAR: THE LAST AIRBENDER – Takeshi Furukawa
Original Review by Jonathan Broxton
I want to start this review by saying that, for the most part, I am coming to it from a place of complete ignorance. I am aware that there is a very well-loved and popular animated TV show called Avatar: The Last Airbender, which aired on Nickelodeon for three seasons between 2005 and 2008. This show was very loosely adapted into a live-action movie, The Last Airbender, by M. Night Shyamalan in 2010, which was a critical and commercial flop. There was also a sequel TV series, The Legend of Korra, which also aired on Nickelodeon for four seasons from 2012 to 2014. While I did see the Last Airbender movie, I have never seen any episodes of the original animated show, and while I very much liked James Newton Howard’s score for the movie, I have absolutely no experience with the scores for the animated shows, which are by Jeremy Zuckerman and Benjamin Wynn. Read more…
THE UNINVITED – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
During WWII Hollywood began to explore a new genre – paranormal or supernatural themed films. When Irish author Dorothy Macardle’s 1941 novel “Uneasy Freehold” was published in the United States as “The Uninvited” producer Charles Brackett believed he had found a story that needed to be brought to the big screen. He sold his vison to Paramount and would oversee production, Lewis Allen was tasked with directing, and the team of Dodie Smith and Frank Partos would write the screenplay. For the cast, Ray Milland would star as Roderick “Rick” Fitzgerald, joined by Ruth Hussey as Pamela Fitzgerald, Donald Crisp as Commander Beech, Cornelia Otis Skinner as Miss Holloway, and Gail Russel as Stella Meredith. Read more…
STORMSKERRY MAJA – Lauri Porra
Original Review by Jonathan Broxton
Stormskerry Maja is a new Finnish drama film directed by Tiina Lymi based on the acclaimed and famous ‘Stormskärs-Maja’ novels written by Anni Blomqvist in the 1960s and early 1970s. The film is set in the 19th century on the remote Åland Islands between Sweden and Finland and stars Amanda Jansson as the titular protagonist Maja. At the age of seventeen she is placed into an arranged marriage with a local fisherman, Janne, and immediately has to adapt to her new life as a fisherman’s wife, coping with her husband’s long absences at sea and taking care of her family alone. However, over time, Maja steadily grows into a strong-willed and independent woman who faces whatever life throws at her with strength and determination; the film follows the various hardships of her life, her triumphs and her tragedies, all against the atmospheric backdrop of this barren cluster of rocky islands in the Baltic Sea. Read more…
SHADOWLANDS – George Fenton
THROWBACK THIRTY
Original Review by Jonathan Broxton
Shadowlands is a British romantic drama film which looks at the profound personal and intellectual relationship between C. S. Lewis, the author of The Chronicles of Narnia fantasy books series, and the American poet Joy Gresham. The film is set in the 1950s and finds Lewis, a reserved, middle-aged bachelor teaching at Oxford University. He meets Gresham and her young son Douglas while she is on an academic tour of England; she is unhappily married, but does not reveal her troubles. What begins as a formal meeting of two minds slowly develops into a feeling of connection and love, and after Gresham divorces they marry – but their relationship will be tested when Joy is diagnosed with cancer. The film is directed by Richard Attenborough from a screenplay adapted from the stage work by William Nicholson, and stars Anthony Hopkins as Lewis and Debra Winger as Gresham. The film is one of those quiet, reserved, impeccably well-mannered British costume dramas, but it was nevertheless an enormous critical success, receiving Oscar nominations for Best Actress and Best Screenplay, and winning the BAFTA for Best British Film of 1993. Read more…
ARGYLLE – Lorne Balfe
Original Review by Jonathan Broxton
Having already given the world a series of spy comedy/action-thrillers in the Kingsmen series, writer/director Matthew Vaughan is back with a new take on the genre with his latest film, Argylle. The film stars Bryce Dallas Howard as Elly Conway, the introverted author of a series of popular espionage novels featuring the protagonist Argylle. While on a train journey to visit her parents, Elly is saved from an ambush by an actual spy, Aidan Wylde (Sam Rockwell), who explains to her that a shadowy organization known as the Division is targeting her because her novels seemingly predict the future. The film co-stars Bryan Cranston, Catherine O’Hara, and Samuel L. Jackson, as well as Henry Cavill, John Cena, and Dua Lipa as the ‘film within a film’ protagonists of the Argylle stories, and it starts out as a fun, breezy, enjoyable action comedy – but as the film drags on, with plot twist after plot twist, double-cross after double-cross, some unexpectedly ropey special effects, and a large number of action set pieces which become increasingly ridiculous, it all falls apart. There is a really great film lurking within the mess that Argylle turned out to be, and it’s a shame because with this cast, and this director, it should have been so much better. Read more…
FIVE GRAVES TO CAIRO – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Director Billy Wilder conceived of WWII film adapted from the 1917 play Hotel Imperial: Színmú Négy Felovonásban by Lajos Bíró. He sold the idea to Paramount Pictures, and secured the film rights. B. G. DeSylva was assigned production with a budget of $855,000, Wilder would direct, and he and Charles Brackett would write the screenplay. Casting was problematic as Wilder’s choice of Cary Grant and Ingrid Bergman failed to materialize. So, he cast Franchot Tone as Corporal John Bramble/Davos, Anne Baxter as Mouche, Akim Tamiroff as Farid, Erich von Stromheim as Field Marshall Erwin Rommel, Peter van Eyck as Lieutenant Schwegler, and Fortunio Bananova as General Sebastiano. Read more…
THE MARK OF ZORRO – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Darryl F. Zanuck, vice-president of production at 20th Century Fox, decided to remake the popular 1920 silent film “The Mark of Zorro”, which starred Douglas Fairbanks. The story was first published in 1919 as a five-part magazine serialized novel called “The Curse of Capistrano” by Johnston McCulley, which after the film’s success was republished as a novel titled The Mark of Zorro. Zanuck would oversee production with a $1 million budget, Rouben Mamoulian was tasked with directing, and John Tainto Foote would write the screenplay. The studio’s star Tyrone Power would head the cast as Don Diego Vega AKA Zorro, joined by Linda Darnell as Lolita Quintero, Basil Rathbone as Captain Esteban Pasquale, Montagu Love as Don Alejandro Vega, J. Edward Bromberg as Don Luis Quintero, and Gale Sondergaard as Inez Quintero. Read more…
BATMAN: MASK OF THE PHANTASM – Shirley Walker
THROWBACK THIRTY
Original Review by Jonathan Broxton
Batman: Mask of the Phantasm is an animated feature film released in 1993 and is part of the DC Animated Universe. Directed by Eric Radomski and Bruce Timm, the film serves as a spin-off of the critically acclaimed Batman: The Animated Series, and was released between seasons one and two of the show. The story revolves around Bruce Wayne, the billionaire playboy who doubles as the vigilante Batman. A mysterious figure known as the Phantasm begins targeting Gotham City’s crime bosses, leading to speculation that Batman is responsible. As Batman investigates, he discovers that the Phantasm has a personal connection to his past, which leads him to explore his early years and the choices that led him to become the Dark Knight. Mask of the Phantasm is notable for being the first full-length animated theatrical Batman film, and was celebrated at the time for its sophisticated narrative, atmospheric animation, nuanced portrayal of Batman, and exceptional voice acting from Kevin Conroy, Mark Hamill, and Dana Delany. It faced challenges at the box office at the time it was released, possibly due to its marketing and the misconception that it was solely a children’s movie, but in the intervening years it has gained a cult following and is now considered one of the standout Batman films. Read more…
AMERICAN FICTION – Laura Karpman
Original Review by Jonathan Broxton
American Fiction is a brilliant satire on literature, race, and family dynamics in contemporary society. Written and directed by Cord Jefferson, who is making his directorial debut here, and based on the 2001 novel ‘Erasure’ by Percival Everett, the film stars Jeffrey Wright as African-American author and English professor Thelonious “Monk” Ellison. Monk is having quite a few problems; his novels receive academic praise, but sell poorly, and publishers reject his most recent manuscript for not being “black enough”. His mother is developing Alzheimer’s disease, his extended family is highly dysfunctional, and he is increasingly annoyed by a fellow writer whose recent bestselling novel apparently panders to ‘ghetto’ black stereotypes but is feted by white literary critics. Frustrated, and needing to raise money for his mother’s medical bills, Monk swallows his pride, adopts the pseudonym ‘Stagg R. Leigh,’ and intentionally writes what he considers a ‘bad novel’ called My Pafology, which also panders to the same black/urban stereotypes of gang violence, drugs, and estranged families. To his increasing shock and exasperation, My Pafology becomes enormously popular and critically acclaimed, and Monk is forced to adopt the ‘gangbanger’ persona of Leigh to maintain the ruse, while also trying to juggle his personal and family issues. Read more…
GULLIVER’S TRAVELS – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Following the enormous success of the first animated film, Walt Disney’s “Snow White and the Seven Dwarfs” in 1937, Paramount Studios decided to cash in with its own film. It decided to base the new film on Part One of Jonathan Swift’s classic 1726 novel “Gulliver’s Travels”. In a joint venture, Paramount and Fleisher Studios placed Max Fleisher in charge of production with a $700,000 budget, his brother Dave Fleisher would direct, and the team of Dan Gordon, Cal Howard, Ted Pierce, Edmond Seward and Isadore Sparber would write the screenplay. The voice cast would include Sam Parker as Gulliver, Pinto Colvig as Gabby and Snitch, Jack Mercer as Prince David, King Little, Twinkletoes, Snoop, Horses and the Royal Chef, and Ted Pierce as King Bombo and Sneak. Read more…
Under-the-Radar Round Up 2023, Part 8
Original Reviews by Jonathan Broxton
I’m pleased to present the latest instalment in my on-going series of articles looking at the best under-the-radar scores from around the world. This article, the eighth and last of 2023, is a biggie, a bumper crop, a last hurrah of outstanding music, and it covers ten scores from a wide array of genres and countries: a German documentary about an acclaimed artist, a World War I horror film, a British re-imagining of a horror classic, an Irish political thriller, a Norwegian horror movie about killer elves, a Spanish horror film about creepy children, another Spanish horror movie about creepy grandparents, a religious horror movie about cloning Jesus’s DNA, a British Christmas comedy, and Israeli drama about the power of hope!
IRON WILL – Joel McNeely
THROWBACK THIRTY
Original Review by Jonathan Broxton
Iron Will is a Disney-produced historical family adventure film, directed by Charles Haid from a screenplay co-written by John Michael Hayes, who wrote four of Alfred Hitchcock’s films in the 1950s (Rear Window, To Catch a Thief, The Trouble with Harry, and The Man Who Knew Too Much). The film is set in 1917 and tells the true story of a teenage boy named Will Stoneman who is left to take care of his mother after his father dies, and who enters a grueling 500-mile dog-sled race from Manitoba to Minnesota in order to raise money for her. Mackenzie Astin stars as the intrepid musher Will, and there is excellent support from future A-listers and stalwart character actors like Kevin Spacey, David Ogden Stiers, August Schellenberg, and Brian Cox, but the film did not set the box office alight and is unfortunately mostly forgotten today. Read more…
THE HUNGER GAMES: THE BALLAD OF SONGBIRDS AND SNAKES – James Newton Howard
Original Review by Jonathan Broxton
A somewhat belated fifth film in the massively successful Hunger Games franchise, The Ballad of Songbirds and Snakes is a prequel set decades before the events of the first four films, which explores the rise to power of Coriolanus Snow, the Donald Sutherland character who would eventually become the dictatorial president of Panem. Here Snow is played by Tom Blyth as an ambitious 18-year-old member of the Panem aristocracy, who is hired to be a mentor for the upcoming 10th Hunger Games, a compulsory televised battle royale in which children from each of Panem’s districts compete to the death. Snow’s mentee is Lucy Gray Baird (Rachel Zegler), a tribute from District 12, the same district that Katniss Everdeen would come from 60 years later; problems arise for Snow when he starts to fall in love with Lucy, and then when he discovers that his best friend Sejanus Plinth may be secretly involved with a revolutionary movement intended to topple the government. The film co-stars Peter Dinklage, Jason Schwartzman, Hunter Schafer, Josh Andrés Rivera, and Viola Davis, and is again directed by Francis Lawrence, who directed the previous three Hunger Games films. Read more…
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