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Golden Globe Winners 2024

January 5, 2025 Leave a comment

The Golden Globe Foundation (GGF) has announced the winners of the 82nd Golden Globe Awards, honoring the best in film and American television of 2024.

In the Best Original Score category composers Trent Reznor and Atticus Ross won the award for their upbeat electro-pop inspired score for Challengers, director Luca Guadagnino’s spicy drama starring Zendaya, Josh O’Connor, and Mike Feist, about a love triangle that develops over several years in the world of professional tennis. This is the third Golden Globe win for Reznor and Ross – they previously won for The Social Network in 2010, and for Soul in 2020. In the acceptance speech Ross, speaking on behalf of both men, said:

“Thank you to Golden Globes, this really means a lot, particularly in this special moment. First I’d like to thank my best friend, my musical partner, the great talent Trent Reznor. The music that revealed itself as the voice to Challengers never felt like a safe choice, but it always felt like the right one. I’d like to thank the maestro, the visionary director, and our friend Luca Guadagnino – where is he? – for his unwavering support and commitment to the idea. In fact I’d like to thank everyone that helped bring this film to life, and to acknowledge Amy Pascal, Rachel O’Connor, and the fabulous Zendaya, for their encouragement. To be honest we always we thought we’d get the call – ‘can you just turn it down a little bit’ – but it never came, and here we are. Lastly, we want to thank the most important people in our lives, our wives and our children. Mariqueen [Maandiq], Trent loves you. Claudia [Sarne], I love you. And all the kids, we love you. Thank you! ”

The other nominees were Volker Bertelmann for Conclave, Daniel Blumberg for The Brutalist, Kris Bowers for The Wild Robot, Clément Ducol and Camille Dalmais for Emilia Pérez, and Hans Zimmer for Dune: Part 2

In the Best Original Song category, the winners were Clément Ducol, Camille Dalmais, and Jacques Audiard for “El Mal” from the audacious Mexican drug cartel musical drama Emilia Pérez.

The other nominees were Brittany Amaradio (Delacey), Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, and Ali Tamposi for “Kiss The Sky” from The Wild Robot; Clément Ducol and Camille Dalmais for “Mi Camino” from Emilia Pérez; Trent Reznor, Atticus Ross, and Luca Guadagnino for “Compress/Repress” from Challengers; Robbie Williams, Freddy Wexler, and Sacha Skarbek for “Forbidden Road” from Better Man; and Andrew Wyatt, Miley Cyrus, and Li Lykke Zachrisson (Lykke Li) for “Beautiful That Way” from The Last Showgirl.

CHALLENGERS – Trent Reznor and Atticus Ross

May 7, 2024 1 comment

Original Review by Jonathan Broxton

The first truly buzzy film of 2024, Challengers is a sexy drama set in the competitive world of professional tennis. It stars Zendaya as Tashi Duncan, a tennis prodigy who finds herself in the middle of a menage-a-trois with two other junior players, Patrick Zweig (Josh O’Connor) and Art Donaldson (Mike Faist), both of whom are attracted to Tashi, and who are also attracted to each other. Shockingly, Tashi’s career is ended by a devastating knee injury, and over the next few years she marries Art, becomes his coach, and transforms him from a mediocre tour player into a world-famous grand slam champion. However, to help jolt him out of a recent losing streak, Tashi enters Art into a second-tier challenger event… which brings them back into the world of the burnt-out Patrick, who is now an unknown player living out of his car, scraping by on winnings from the lower circuits, and whose presence threatens Art and Tashi’s already feisty relationship. The film is directed by Luca Guadagnino and has already been the recipient of a great deal of acclaim, but also some notoriety, both for its raw emotions, and for the sizzling sexual chemistry between its three leads. Read more…

Golden Globe Winners 2020

February 28, 2021 Leave a comment

The Hollywood Foreign Press Association (HFPA) have announced the winners of the 78th Golden Globe Awards, honoring the best in film and American television of 2020.

In the Best Original Score category composers Trent Reznor, Atticus Ross, and Jon Batiste won the award for their work on the Pixar animated movie Soul, about a jazz musician who travels to an existential realm beyond the bounds of human existence, and must help a pre-born ‘soul’ to find the spark to inspire her to become human. This is the second Golden Globe for both Reznor and Ross, them having won the award for The Social Network in 2010, and the first award for Batiste. In his acceptance speech, which was conducted remotely via Zoom because of the COVID-19 pandemic, Batiste said:

“We must follow our dreams, because we only have one life to live, and one soul, and this soul is happy today to be recognized by the Hollywood Foreign Press for this masterpiece of a film. Pixar, thank you for the work, and the collaboration. Pete Docter, Dana Murray, Kent Powers, Trent Reznor, Atticus Ross, Jamie Foxx, everybody involved in creating this masterpiece that has touched people across the world, and I’d like to thank God for music and film and the togetherness that it brings when put together in such innovative and collaborative ways as this has been.”

Reznor continued by saying:

“Thanks John, and thank you Hollywood Foreign Press Association, it really means a lot. I’d just like to add Tom McDougall’s name to that list. Thanks for looking after us and shepherding us through this project. And also I think the first piece of art I’ve ever made in my life that I can actually show my kids, so thank you Pixar! Huge thanks to my wife Mariqueen, and all our kids, I love you guys more than anything.

Ross finished by saying:

“A big thank you to everyone who has already been thanked. I’d just like to add my wife Claudia, and my children, I love you. Thanks so much”

The other nominees were Alexandre Desplat for The Midnight Sky, Ludwig Göransson for Tenet, James Newton Howard for News of the World, and Trent Reznor and Atticus Ross again for Mank.

In the Best Original Song category, the winners were Niccolò Agliardi, Laura Pausini, and Diane Warren for their song “Io Sì (Seen)” from The Life Ahead, the Italian coming-of-age drama starring Sophia Loren.

The other nominees were Sam Ashworth and Leslie Odom Jr. for “Speak Now” from One Night in Miami; Andra Day and Raphael Saadiq for “Tigress & Tweed” from The United States vs. Billie Holiday; Dernst ‘D’Mile’ Emile II, Gabriella Wilson (HER), and Tiara Thomas for “Fight for You” from Judas and the Black Messiah; and Celeste Waite and Daniel Pemberton for “Hear My Voice” from The Trial of the Chicago 7.

SOUL – Trent Reznor, Atticus Ross, and Jon Batiste

January 1, 2021 Leave a comment

Original Review by Jonathan Broxton

It’s been quite fascinating to observe the gradual tonal shift in Pixar’s movies over the years. Although their earliest entries – Toy Story in 1995, A Bug’s Life in 1998, Toy Story 2 in 1999 – contained their fair share of interesting adult and emotional themes in amongst the toy-and-bug based comedy and antics, in recent years the studio has become much more interested in exploring deeply existential themes of life and death. 2017’s Coco saw its Mexican protagonist journey to the fabled ‘land of the dead’ to seek a deceased family member, while Onward from earlier this year saw two alternate-reality fantasy elves trying to spend one more day with their deceased father. Pixar’s new film, Soul, may be the most ambitious one yet. It follows the story of Joe Gardner, a middle school band teacher who dreams of being a jazz musician; after an accident on the way back from a gig audition Joe finds himself literally separated from his soul and on his way to the ‘great beyond’. However, when Joe rebels against his fate because he doesn’t believe he has achieved what he was destined to do, he instead finds himself acting as a mentor to a pre-born soul named 22 who has been unable and unwilling to find the ‘spark’ she needs in order to achieve life on Earth. The film is directed by Pete Docter and features the voices of Jamie Foxx, Tina Fey, Graham Norton, and Rachel House. Read more…

MANK – Trent Reznor and Atticus Ross

December 8, 2020 3 comments

Original Review by Jonathan Broxton

Herman Mankiewicz was one of the most important and influential Hollywood screenwriters of the 1930s and 40s. As the oldest member of the Mankiewicz filmmaking family that also included brother Joseph (The Philadelphia Story, All About Eve) and nephew Tom (Superman, several Bond films), Herman’s main contribution to the cinematic pantheon was the screenplay for the 1941 film Citizen Kane, which many still believe to be the greatest movie ever made. David Fincher’s film Mank tells Herman Mankiewicz’s life story, and is a lusciously nostalgic look back at the heyday of old Hollywood, using the making of Citizen Kane as a framing story. The film was written by the director’s father Jack Fincher, and was originally supposed to be filmed in the 1990s with Kevin Spacey in the lead role, but the project was shelved for more than 20 years, and sadly Jack never lived to see it made as he died in 2003. Instead of Spacey, Fincher eventually cast Gary Oldman to play Mankiewicz, and surrounded him with a superb supporting cast, including Amanda Seyfried as actress Marion Davies, Lily Collins as his secretary Rita, Arliss Howard as producer Louis Mayer, Tom Pelphrey as his brother Joseph, Tuppence Middleton as his wife Sara, Tom Burke as Orson Welles, and Charles Dance as William Randolph Hearst, upon whom the character of Kane is reportedly based. Read more…

GONE GIRL – Trent Reznor and Atticus Ross

October 6, 2014 35 comments

gonegirlOriginal Review by Jonathan Broxton

Gone Girl is a mystery-thriller based on the novel by Gillian Flynn, directed by David Fincher, and starring Ben Affleck, Rosamund Pike, Neil Patrick Harris and Tyler Perry. It follows the life of Nick Dunne, whose world is turned upside down when he returns to his suburban home to find his wife, Amy, missing and apparently abducted. Before long, and despite his protestations to the contrary, the police and the media have fingered Nick – who is awkward and sometimes behaves inappropriately in front of the camera – as being responsible for Amy’s disappearance. Not only that, but secrets are revealed which show that Nick and Amy’s marriage was not as idyllic as they liked to portray, leading to further scrutiny of Nick and his actions. But, of course, things are never quite as they seem in films of this type, with more revelations and twists before the final reel which I’m not going to spoil here. Suffice to say, Gone Girl is a dark, nihilistic movie with a lot of points to make about levels of trust in relationships, unreliable narration, and trials by media, although, ironically, it doesn’t work as well as an actual thriller, with numerous plot holes and illogical jumps in narrative flow. Where Fincher excels, however, is in creating an oppressive atmosphere of uncertainty, through his muted color palette, understated acting choices, and the score, by Oscar-winners Trent Reznor and Atticus Ross. Read more…

THE GIRL WITH THE DRAGON TATTOO – Trent Reznor and Atticus Ross

December 27, 2011 40 comments

Original Review by Jonathan Broxton

There’s a lot of discussion going on in film music circles these days about the direction the art is taking, and a lot of it stems from Trent Reznor and Atticus Ross’s Oscar win for their score for The Social Network last year. Amongst many mainstream film critics, Reznor and Ross’s ambient drones are seen as ushering a newer, better way of scoring films, one that moves away from the “schmaltzy emotional manipulation” written by the likes of John Williams and James Horner, and instead embraces a cold, clinical musical style that is more akin to sound effects than traditional film music. In his review of The Girl With the Dragon Tattoo, Variety film critic Justin Chang said the score “blends dread with driving momentum, establishing a richly unsettling mood with recurring dissonances, eerie wind chimes and pulsating reverb effects”. In his simultaneously-published review of War Horse, he criticized the film for “a cloying strain of bucolic whimsy driven by John Williams’ pushy score”, so you see what we’re up against. Read more…

Golden Globe Winners 2010

January 16, 2011 2 comments

reznor-ross-globesThe Hollywood Foreign Press Association (HFPA) have announced the winners of the 68th Golden Globe Awards, honoring the best in film and American television of 2010.

In the Best Original Score category composers Trent Reznor and Atticus Ross won the award for their score for David Fincher-directed Facebook movie The Social Network. In their acceptance speech, Reznor said:

“This is really flattering to be recognized in this field, thank you very much. A year ago I had no idea I’d be having the opportunity to score a film, and the idea of standing up here accepting this award is completely surreal. Thank you. We would like to collectively thank David Fincher, Aaron Sorkin, Scott Rudin, Amy Pascal, Lia Vollack, Ren Klyce, and everyone involved with this picture, as well as our wives and families. Thank you so much.”

The other nominees were Alexandre Desplat for The King’s Speech, Danny Elfman for Alice in Wonderland, A.R. Rahman for 127 Hours, and Hans Zimmer for Inception.

In the Best Original Song category, the winner was Diane Warren won for her song “You Haven’t Seen the Last of Me” from the Christina Aguilera/Cher screen musical Burlesque. Warren dedicated her award to the late music publicist Ronni Chasen, who had been tragically murdered several weeks previously.

The other nominees were Christina Aguilera, Samuel Dixon and Sia Furler for “Bound to You” from Burlesque; Bob Di Piero, Tom Douglas, Hillary Lindsey and Troy Verges for “Coming Home” from Country Strong; Alan Menken and Glenn Slater for “I See the Light” from Tangled; and Carrie Underwood, David Hodges and Hillary Lindsey for “There’s a Place for Us” from The Chronicles of Narnia: The Voyage of the Dawn Treader.

THE SOCIAL NETWORK – Trent Reznor and Atticus Ross

November 18, 2010 1 comment

Original Review by Jonathan Broxton

A film about Facebook, the online phenomenon of the 21st century, doesn’t sound especially interesting when you first think about it, but the history of its creation is actually quite fascinating. Mark Zuckerberg was a 20-year-old student at Harvard University when he and his roommate Dustin Moskovitz launched the first incarnation of Facebook into the world in 2004; despite various lawsuits, development problems, and other issues, Facebook eventually became the dominant social networking website with 500 million users worldwide, and eventually making Zuckerberg the world’s youngest multi-billionaire, worth $6.9 billion according to the Forbes 2010 Rich List. The film is directed by David Fincher from a screenplay by Aaron Sorkin, and stars Jesse Eisenberg, Andrew Garfield, Justin Timberlake and Rooney Mara. Read more…