Archive
INTERSTELLAR – Hans Zimmer
Original Review by Jonathan Broxton
Christopher Nolan’s Interstellar is a science fiction epic on a grand scale. Set in a future where life on Earth is in jeopardy due to a series of environmental disasters, the film follows Cooper (Matthew McConaughey), a former pilot turned corn farmer, whose precocious daughter Murph (Mackenzie Foy) believes she is receiving messages written in dust from a ghost in her bedroom. One of these messages eventually leads Cooper to a secret NASA installation where, under the radar and away from the public eye, Professor Brand (Michael Caine) and astronauts Amelia (Anne Hathaway) and Doyle (Wes Bentley) have been working on a project to save humanity. Their plan involves piloting a ship to the space around Saturn, where friendly ‘fifth-dimensional beings’ have placed a wormhole to the far side of the galaxy. The hope is that, on the other side of the wormhole, a new planet capable of sustaining human life can be found and colonized. Read more…
THE LAST STARFIGHTER – Craig Safan
THROWBACK THIRTY
Original Review by Jonathan Broxton
The Last Starfighter was a popular science-fiction adventure film for kids, directed by Nick Castle. The film tells the story of Alex Rogan (Lance Guest), an average teenage boy living in a trailer park, who passes the time playing – and getting very good – at an arcade video game called Starfighter. One day, shortly after Alex breaks the all-time record points score of the game, he is approached by Centauri (Robert Preston), the ‘inventor of the game’. Before he knows what’s happening, Alex is whisked off into outer space, where he is recruited by an alien defense force to fight in an interstellar war: it turns out that Starfighter was actually a training tool to find the best starship pilots in the galaxy, and Alex is now the last line of defense for the peace-loving people of our solar system against the threat of the evil Xur and the Ko-Dan Armada. The film was a major commercial success in 1984, and has the distinction of being one of the earliest films to use extensive CGI effects to depict its many starships and battle scenes. Not only that, but the film boasts a rousing score by the great Craig Safan, in what was one of the most significant box-office hits of his career. Read more…
THE THEORY OF EVERYTHING – Jóhann Jóhannsson
Original Review by Jonathan Broxton
In the annals of human history, it is likely that Professor Stephen Hawking will go down as one of our most important scientific figures, alongside Leonardo da Vinci, Galileo, Sir Isaac Newton and Albert Einstein. As a theoretical physicist, he is known for his contributions to the fields of cosmology, general relativity and quantum gravity, especially in the context of black holes; however, to the public at large, he is also known for being disabled, having suffered from motor neuron disease since 1963, a condition which has rendered him almost entirely incapable of voluntary movement or speech, and which gets progressively more severe each passing year. However, these overwhelming health problems have not stopped Hawking from becoming a scientific celebrity, working non-stop on his ideas and theories, making many public appearances, writing books, and even appearing in TV shows like The Simpsons and The Big Bang Theory, complete with his instantly recognizable American-accented speech generating computer. Read more…
THE OLD MAN AND THE SEA – Dimitri Tiomkin
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The Old Man and the Sea was a novel written by Ernest Hemmingway in 1951 during his stay in Cuba. Warner Brothers Studio purchased the film rights, selected Fred Zinnemann to direct, hired Paul Osborne to adapt it to the big screen and used Hemmingway as a technical consultant. When live sea filming failed and Hemmingway raged against both the script and marlin prop, Zinnemann and Osborne resigned from the project. John Sturges took over directing and at Hemmingway’s insistence Peter Viertel reworked the script. Given that this was an intimate story of a man’s personal struggle, veteran actor Spencer Tracy was hired to play the lead role of Santiago, with Felipe Pazos Jr. playing the boy Manolin. Read more…
THE MONKEY KING – Christopher Young
Original Review by Jonathan Broxton
In Chinese folklore and mythology, the story of The Monkey King is as important and well known as The Iliad and The Odyssey are to the Greeks, or as The Wizard of Oz is to Americans. Technically, The Monkey King is part of “Journey to the West,” one of the four great classical novels of Chinese literature, which was written in the 16th century during the Ming Dynasty by Wu Cheng En. It tells the story of Sun Wukong, a monkey born from a magical stone who acquires supernatural powers. After rebelling against heaven and being imprisoned under a mountain for 500 years, he later accompanies a monk named Xuanzang on a journey to India, and subsequently brings Buddhism to ancient China. The story his been told in film and on TV several times, but never so lavishly as in this big-budget 3D Chinese film (Xi You Ji: Da Nao Tian Gong in its native language), which is directed by Pou-Soi Cheang and stars Donnie Yen and Chow-Yun Fat. It is the first of three planned movies, and is essentially the origin story – beginning with the birth of Sun Wukong and ending with his imprisonment for his crimes under the Five-Peaked Mountain. Along the way he acquires incredible powers, battling the armies of the gods and the armies of the demons to find his rightful place in the heavens. Read more…
A NIGHTMARE ON ELM STREET – Charles Bernstein
THROWBACK THIRTY
Original Review by Jonathan Broxton
The world was introduced to the iconic horror movie character Freddy Krueger in 1984 in the film A Nightmare on Elm Street, written and directed by Wes Craven. Set in the fictional Midwestern town of Springwood, Ohio, the plot revolves around several teenagers who are stalked and killed in their dreams (and thus killed in reality) by Krueger, who appears to them as a horribly burned man wearing a red-and-green hooped sweater, a battered hat, and a glove with knives attached to its fingers. The teenagers are unaware of the cause of this strange phenomenon, but their parents hold a dark secret from long ago. The film starred Heather Langenkamp, John Saxon, Robert Englund as Krueger, and Johnny Depp in his feature film debut, and was a massive critical success; along with John Carpenter’s Halloween, Sam Raimi’s Evil Dead, and Sean S. Cunningham’s Friday the 13th, A Nightmare on Elm Street is considered one of the most influential and important horror movies of the late 1970s and early 1980s. The film spawned an astonishing eight sequels (including a crossover with Friday the 13th and a reboot in 2010), but none of them truly captured the raw, visceral terror of the original, which tapped into deep-seated fears about the nature of dreams versus reality. Read more…
THE IMITATION GAME – Alexandre Desplat
Original Review by Jonathan Broxton
Alan Turing was a British mathematician who was highly influential in the development of computer science and artificial intelligence. During World War II, Turing worked for the British Government Code and Cypher School at Bletchley Park, and was responsible for creating ‘Christopher’, an electromechanical machine that cracked the codes of the German Enigma machine, and in turn enabled the Allies to defeat the Nazis in several crucial battles. Winston Churchill said that Turing made the single biggest contribution to the Allied victory in the war against Nazi Germany, and that his work shortened the war in Europe by as many as four years. The Imitation Game is the story of Turing’s life, and follows him through his work in WWII and beyond, where it is revealed that, in addition to unearthing German secrets, Turing had some secrets of his own. The film is directed by Danish director Morten Tyldum, stars Benedict Cumberbatch and Keira Knightley, and has an original score by the ever-busy Alexandre Desplat, the fourth of his five scores written in 2014. Read more…
THE TERMINATOR – Brad Fiedel
THROWBACK THIRTY
Original Review by Jonathan Broxton
The Terminator is one of the most acclaimed and important science fiction action movies ever made. Written and directed by James Cameron – then a fresh-faced 29-year-old making his mainstream debut after spending his apprenticeship working with Roger Corman’s New World Pictures – it took inspiration from the classic genre writings of people like Harland Ellison, and told the story of a young woman named Sarah Connor, who when the film begins is living a mundane life in suburban America in 1984. Connor’s world is turned upside down when a Terminator, an unstoppable human/robot cyborg assassin, is sent back in time from the year 2029 to murder her. She is saved by Kyle Reese, who explains that he was also sent back in time on the orders of John Connor, the leader of a group of resistance fighters on the brink of victory against the machine army that took over the world following a nuclear holocaust, and who is Sarah’s future son. The Terminator’s mission is to kill Sarah before John is born; Kyle’s mission is to protect her. The film was a massive success at the box office, reaping in almost $80 million from its paltry $6.5 million budget, and made stars of its young cast, which included Linda Hamilton, Michael Biehn, and Arnold Schwarzenegger, whose career was subsequently launched into the cinematic stratosphere. Read more…
FURY – Steven Price
Original Review by Jonathan Broxton
Fury is a World War II action-drama written and directed by David Ayer, about the crew of an armored Sherman tank during the final days of the European Theatre. As the Allies make their final push toward Berlin, a battle-hardened army sergeant named Wardaddy (Brad Pitt) commands the tank and her experienced crew (Shia LaBeouf, Jon Bernthal, Michael Peña), but are forced to replace their gunner, previously killed in action, with a recently enlisted Army typist, Norman Ellison (Logan Lerman) who, it transpires, has never even seen the inside of a tank before, let alone experienced the ravages of war. As Wardaddy and the crew of Fury are tasked with carrying out a deadly mission behind enemy lines, outnumbered and outgunned, we experience the horrors of conflict through Norman’s eyes. Read more…
THE BOOK OF LIFE – Gustavo Santaolalla
Original Review by Jonathan Broxton
The Book of Life is an animated film with a Mexican influence, directed by Jorge Gutierrez and co-produced by Guillermo Del Toro. It tells the story of two gods – La Muerte and Xibalba – who rule over two different realms of the spirit world, and who make a bet with each other when they realize that two young brothers, Manolo and Joaquin, are in love with the same young girl, Maria. Manolo grows up to be a bullfighter, but dreams of being a musician, while Joaquin becomes a soldier, defending his village from a bandit. Eventually, a terrible turn of events requires Manolo to journey from the real world and into the magical, mythical and wondrous spirit world in order to rescue his one true love and defend his village. The film, which has a spectacular visual style based on Mexican Día de Muertos iconography, has an interesting voice cast that includes Diego Luna, Channing Tatum, Zoe Saldana, and Ron Perlman, and features music from composer Gustavo Santaolalla and songwriter Paul Williams. Read more…
THE RAZOR’S EDGE – Jack Nitzsche
THROWBACK THIRTY
Original Review by Jonathan Broxton
The Razor’s Edge is an epic poetic drama film, written and directed by John Byrum, adapted from the acclaimed 1944 novel by W. Somerset Maugham. It tells the story of Larry Darrell, played by Bill Murray, an American pilot traumatized by his experiences in World War I, who journeys through Asia in search of some transcendent meaning in his life after the war has ended. The film was the first dramatic leading role of Murray’s career, who prior to this was known almost exclusively as a comedic actor, through his work on Saturday Night Live, and films such as Caddyshack and Stripes. Murray and director Byrum had trouble finding a studio to finance it, such was the incredulity that Murray could pull off such a demanding dramatic leading role, and the film was only put into production when Dan Aykroyd suggested a deal to Columbia Pictures whereby Murray would appear in Ghostbusters if the studio subsequently greenlit The Razor’s Edge. However, despite the presence of such luminaries as Theresa Russell, Denholm Elliott and Peter Vaughan in the supporting cast, and unlike Ghostbusters, The Razor’s Edge was a critical and commercial flop, taking just $6.5 million at the US box office in 1984. Apparently, Columbia was right, and audiences didn’t buy Murray as a tortured, sensitive man undergoing an existential crisis. Read more…
ANNABELLE – Joseph Bishara
Original Review by Jonathan Broxton
A prequel to last year’s popular movie The Conjuring, Annabelle tells the story of a young couple in the 1960s who, after being attacked in their home by members of a satanic cult, both of whom are subsequently killed by the police, begin experiencing a number of terrifying supernatural occurrences. After consulting with several experts familiar with the cult, the woman, Mia, starts to believe that the supernatural events are linked to one of her vintage dolls, Annabelle, which the female cult member was holding when she was killed; worse still, Mia comes to the realization that the supernatural events seem to be targeting her newborn daughter… The film is directed by long-time cinematographer John Leonetti, stars Annabelle Wallis, Ward Horton and Alfre Woodard, and has an original score by composer Joseph Bishara, whose music has graced some of the most popular and successful horror movies of the past few years. Read more…
BATTLE OF NERETVA/THE NAKED AND THE DEAD – Bernard Herrmann
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
BATTLE OF NERETVA
Battle of Neretva is based on actual historical events and was made to celebrate the victory of Yugoslav partisans over the Nazis. In the beginning of 1943 Hitler issued a personal order for his generals to commence operation “Weiss”, which was designed to root out and destroy Yugoslav partisan units. Pushed by far more powerful enemy, the partisans reeled under the attack incurring many casualties, 4500 wounded and a typhus outbreak. As they retreated, they found themselves surrounded in Neretva valley. Only one bridge remained, with heavy enemy forces waiting on the other side, set to massacre the remaining fighters and fleeing non-combatants. Marshall Tito ordered the partisans to destroy the bridge apparently trapping his forces. The move surprised the Germans who responded by transferring their forces to the other side, predicting that Partisans would attempt the suicidal break through. But, during only one night, the partisans managed to build a provisional bridge near the destroyed one and cross to the other side, tricking the enemy. The film earned an Oscar nomination for Best Foreign Language Film but failed to win. Read more…
THE JUDGE – Thomas Newman
Original Review by Jonathan Broxton
The Judge is a family drama film directed by David Dobkin, who previously helmed such popular movies as Wedding Crashers and Fred Claus, and starring Robert Downey Jr. as Hank Palmer, a hotshot defense attorney living the high life in the big city, who returns to his sleepy Indiana hometown following the death of his mother. However, further problems await Hank when his estranged and distant father Joseph (Robert Duvall) – the town’s long-serving judge – is unexpectedly arrested, suspected of murder. Suddenly forced to become his own father’s lawyer, Hank sets out to discover the truth and, along the way, reconnects with his fractured family, while rekindling his relationship with an old flame. The film has a stellar supporting cast including Vera Farmiga, Billy Bob Thornton, and Vincent d’Onofrio, and has an original score by Thomas Newman, who excels at writing music for this type of film. Read more…
POLICE ACADEMY – Robert Folk
THROWBACK THIRTY
Original Review by Jonathan Broxton
Major cities in the United States were dangerous places in 1984. Murders, drive-by shootings and gang violence was rampant, and drug pushers, hookers and pimps harassed the good people of the cities on every street corner. In response to this urban decay, the leadership of the Police Department opened their doors to anyone who wanted to become an officer of the law, even if they had previously been turned away – with hilarious results! This unlikely scenario is the backdrop to one of the most popular and enduring comedies of the 1980s, director Hugh Wilson’s Police Academy, which followed the adventures of a group of misfits as they try to navigate their way through basic training. The characters are now familiar – Steve Guttenberg’s cocksure, wisecracking Mahoney; Bubba Smith’s imposing but loveable Hightower; David Graf’s dumb, trigger-happy Tackleberry; Michael Winslow’s motor-mouthed human beatbox Jones; Marion Ramsey’s timid and mousey Hooks; GW Bailey’s short-fused, ill-tempered Lieutenant Harris; and George Gaynes’s barely competent Commandant Lassard; as well as a sex kitten role for a young Kim Cattrall – and the film was so successful that it spawned an astonishing six sequels, each one progressively worse and less successful than its predecessor – in fact, by the time Police Academy 5 rolled around in 1988, even Steve Guttenberg refused to appear! Read more…
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