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NO ESCAPE – Graeme Revell
THROWBACK THIRTY
Original Review by Jonathan Broxton
No Escape is a brutal, violent, but unexpectedly enjoyable action-thriller film directed by Martin Campbell, based on the 1987 novel The Penal Colony by Richard Herley. The film is set in a dystopian future – the hellscape of 2022! – where a former US marine named Robbins, played by Ray Liotta, is wrongfully convicted of murder and sent to a remote island prison called Absolom as punishment. This island is a lawless penal colony where the inmates are left to fend for themselves without guards or rules. Robbins must navigate this harsh and violent environment while trying to survive and escape from the island; he encounters different factions of inmates who have formed their own societies, some more hostile than others, and as Robbins learns the brutal ways of Absolom, he becomes determined to find a way off the island and regain his freedom. The film is a testosterone-fest that has an excellent supporting cast including Lance Henriksen, Stuart Wilson, Kevin Dillon, Kevin J. O’Connor, Michael Lerner, and Ernie Hudson. Read more…
NO ESCAPE – Marco Beltrami and Buck Sanders
Original Review by Jonathan Broxton
No Escape is an action/thriller/drama directed by John Erik Dowdle, starring Owen Wilson as American businessman Jack Dwyer, who arrives in Southeast Asia to begin a new life with his wife Annie (Lake Bell) and their two young daughters. As his company plans to improve the region’s water quality, the family quickly learns that they’re right in the middle of a political uprising, a situation which reaches boiling point when armed rebels attack the hotel where they’re staying, ordered to kill any foreigners that they encounter. Desperate to survive amid the utter chaos, Jack must find a way to save himself and his loved ones from the violence erupting all around them. The film, which also stars Pierce Brosnan, has unfortunately opened to largely negative reviews, many of which call the film “xenophobic,” “borderline offensive,” and “unpleasant” – the latter of which could also apply to Marco Beltrami and Buck Sanders’s difficult original score. Read more…
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