Archive
GHOSTBUSTERS: FROZEN EMPIRE – Dario Marianelli
Original Review by Jonathan Broxton
The fourth film in the ‘primary timeline’ series of Ghostbusters films that began in 1984, and the fifth Ghostbusters film overall, Frozen Empire picks up the story several years after the events of the last film, Ghostbusters: Afterlife. Callie Spengler (Carrie Coon), her boyfriend Gary Grooberson (Paul Rudd), and her children Trevor (Finn Wolfhard) and Phoebe (McKenna Grace) have now taken up residence in the New York firehouse used by the original Ghostbusters, and are using the ghostbusting equipment to fight supernatural entities across the city. However, the Ghostbusters face several threats: New York Mayor Walter Peck (William Atherton), who has never forgiven the ghostbusters for the humiliation of him back in the 80s, continues to try to have them shut down on environmental grounds, and as a result the under-age Phoebe is barred from taking part in ghost hunts, leading to her becoming estranged from her family. Meanwhile, original ghostbuster Ray Stantz (Dan Aykroyd) purchases a brass orb from local resident Nadeem Razmaadi (Kumail Nanjiani) for his occult books and memorabilia store, but quickly determines that the orb is actually a prison for Garraka, a malevolent god who has the ability to telepathically control ghosts, can lower temperatures to absolute zero, and can literally scare people to death. When Garraka escapes from the orb, Ray must come together with the new Ghostbusters – plus some old familiar faces – to stop him taking over the city. Read more…
THE RAZOR’S EDGE – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
20th Century Fox executive Darryl F. Zanuck decided that the 1944 novel “The Razor’s Edge” by W. Sommerset Maugham would be his next passion project, which would showcase the studio’s star, Tyrone Power. He purchased the film rights in March of 1945 for $250,000 plus 20% of the net profits. Zanuck took personal charge of production with a $1.2 million budget, tasked George Cuckor with directing, but later fired him over creative differences, replacing him with Edmund Gouling. Zanuck also collaborated with writer Lamar Trotti to write the screenplay. An exceptional cast was hired, including Tyrone Power as Larry Darrell, Gene Tierney as Isabel Bradley, John Payne as Gray Muturin, Ann Baxter as Sophie MacDonald, and Clifton Webb as Elliott Templeton. Read more…
FOUR WEDDINGS AND A FUNERAL – Richard Rodney Bennett
THROWBACK THIRTY
Original Review by Jonathan Broxton
One of the best romantic comedies of the 1990s, and one of my personal favorite comedies of all time, is Four Weddings and a Funeral, directed by Mike Newell and written by Richard Curtis. It follows the story of Charles, a charming but perpetually single British man, who over the course of a year repeatedly finds himself attending different weddings and funerals involving his extended group of friends. As time goes on, Charles begins a relationship with Carrie, an American woman in England with whom he shares a connection, but struggles to pursue due to various comic obstacles and embarrassing misunderstandings. The film explores themes of love, friendship, and the unpredictability of life, all set against the backdrop of a series of quintessentially British social gatherings. The film launched its leading man Hugh Grant into international superstardom, briefly re-kindled the career of Andie MacDowell, and features a superb supporting cast of British character actors including Kristin Scott Thomas, Simon Callow, James Fleet, John Hannah, Rowan Atkinson, and the late Charlotte Coleman. Read more…
THE KILLERS – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Successful producer Mark Hellinger decided to setup his own production company after departing Warner Brothers. He had recently paid Ernest Hemingway $36,750 for the film rights to his 1927 novel “The Killers,” which he intended to be his company’s inaugural effort. He would oversee production, Universal Pictures would manage distribution, Robert Siodmak would direct, and Anthony Veiller would write the screenplay. Hellinger assembled a fine cast, including Edmond O’Brien as Jim Reardon, Burt Lancaster in his acting debut as Pete Lund/Ole “Swede” Anderson, Ava Gardner as Kitty Collins, Albert Dekker as “Big Jim” Colfax, Jack Lambert as “Dum-Dum” Clarke, and Sam Levene as Lieutenant Sam Lubinsky. Read more…
SIRENS – Rachel Portman
THROWBACK THIRTY
Original Review by Jonathan Broxton
Sirens is an Australian comedy-drama film written and directed by John Duigan, starring Hugh Grant, Tara Fitzgerald, Sam Neill, and supermodel Elle MacPherson. It is loosely based on the life of artist and author Norman Lindsay, who was one of the most prolific and popular Australian artists of his generation, and is set in Australia in the 1920s. Grant plays Anthony Campion, an Anglican priest newly arrived in Australia from the United Kingdom, who is asked to visit Lindsay (Neill) by the church, who have concerns about a blasphemous painting of a crucifix that the artist plans to exhibit. When Campion and his reserved wife Estella (Fitzgerald) arrive at Lindsay’s home they are initially shocked to discover just how sexually free and uninhibited Lindsay, his wife Rose, and their beautiful ‘models’ are. However, as the days pass Estella finds herself increasingly intrigued by their relationship, which leads to her beginning to embrace her own sexuality in unexpected ways. Read more…
THE PRIMEVALS – Richard Band
Original Review by Jonathan Broxton
The story behind the new fantasy adventure movie The Primevals is quite fascinating. In the late 1960s filmmaker David Allen set out to make a movie paying homage to his beloved Edgar Rice Burroughs adventure stories, and he originally envisaged a film about an unevolved Viking society that was threatened by a race of malevolent lizard-men. As the years went by Allen had to repeatedly abandon and return to the project, due to lack of funding and various other issues, until eventually he teamed with low-budget filmmaker Charles Band and his production company Full Moon Entertainment. Finally, in the summer of 1994, Allen shot his film – now entitled The Primevals – but he was unable to finish the complicated post-production due to yet more financial difficulties. Allen tinkered with the special effects for almost five years, but then in 1999 he died of cancer, and the unfinished film sat dormant for nearly two decades afterwards, despite Charles Band and Allen’s protégé Chris Endicott repeatedly trying to raise enough money to finish the film. Eventually, in 2018, an online crowdfunding campaign was successful, and the film was completed – although, even here, much of the final FX work was done by Allen’s former colleagues donating their time for free. The film finally premiered at the Fantasia Film Festival in Canada in July 2023, and is now being released to the wider public, almost 55 years since it was first put into production. Read more…
HANGOVER SQUARE – Bernard Herrmann
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Actor Laird Cregar saw opportunity for a film adaptation of the popular 1941 novel “Hangover Square,” a murder melodrama by Patrick Hamilton. He convinced 20th Century Fox executive Darryl F. Zanuck to purchase the film rights, Robert Bassler was assigned production with a budget of $1.145 million, Barré Lyndon was hired to write the screenplay, and John Brahm was tasked with directing. A fine cast was recruited, including Laird Cregar as George Harvey Bone, Linda Darnell as Netta Langdon, George Sanders as Dr. Allan Middleton, Faye Marlowe as Barbara Chapman and Alan Napier as Sir Henry Chapman. Read more…
DUNE, PART TWO – Hans Zimmer
Original Review by Jonathan Broxton
The first true blockbuster of 2024, Dune Part Two is the continuation of director Denis Villeneuve’s epic adaptation of Frank Herbert’s classic science fiction novel. I’m not going to recap the plot of the first film – if you’ve seen it, you know it, if you haven’t, go watch it – but it essentially picks up immediately where the first film ends, with young Paul Atreides, having survived the attack on his family that killed his father, heading into the desert with the Fremen, the native inhabitants of the desert planet Arrakis. Meanwhile the Harkkonens – the sworn enemies of House Atreides – have taken back stewardship of the planet and resumed mining the valuable ‘spice’ that is only found in Arrakis’s vast sand dunes. However, as Paul begins to adopt the Fremen ways, and falls in love with Fremen warrior Chani, his mother Jessica is subtly manipulating events in the background to bring about the prophecy that has followed Paul since his birth – that he is both the kwisatz haderach and lisan al gaib, a messiah figure across different cultures. Timothée Chalamet, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, and Javier Bardem reprise their roles from the first film, while Austin Butler, Florence Pugh, and Christopher Walken, join the ensemble cast. Read more…
GOLDEN GATE – Elliot Goldenthal
THROWBACK THIRTY
Original Review by Jonathan Broxton
Golden Gate is a romantic drama written by acclaimed playwright David Henry Hwang, and directed John Madden. The film is set in San Francisco in the 1950s and stars Matt Dillon as FBI Agent Kevin Walker, who is sent with his partner to investigate potential links between the residents of San Francisco’s Chinatown and the emerging communist ‘threat’ posed by Chairman Mao’s China. His investigation leads to the prosecution and eventual imprisonment of several local residents on trumped-up charges, one of whom – Chen Jung Song – is clearly innocent. A decade later, Song and his cohorts are released, but Song has never recovered from his ordeal, and Walker watches as he jumps to his death from the Golden Gate Bridge. In the aftermath of this, Walker meets Song’s daughter Marilyn (Joan Chen), and the two of them unexpectedly embark on a torrid love affair – an affair which eventually causes Walker to begin to question his ethics and morals, and the part he played in her father’s death. Read more…
COVER GIRL – Jerome Kern, Ira Gershwin, Morris Stoloff, Carmen Dragon
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Columbia Pictures wanted to showcase their star Rita Hayworth, the most popular pinup girl for American soldiers in WWII, and chose a musical romantic comedy to be adapted from the story “Cover Girl” by Erwin Gelsey. Arthur Schwartz was assigned production, Charles Vidor was tasked with directing, and Virginia Van Upp was hired to write the screenplay. Gene Kelly was on loan from MGM and was given creative control and would also manage choreography. Rita Hayworth would star as Rusty Parker. Joining her would be Gene Kelly as Danny McGuire, Lee Bowman as Noel Wheaton, Phil Silvers as Genius, and Jim Falkenburg as Jinx Faulkenberg. Read more…
MR. SKEFFINGTON – Franz Waxman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Executive Jack L. Warner of Warner Brothers decided that the popular American Book of The Month Club novel “Mr. Skeffington” (1940) by Elizabeth von Arnim could be successfully adapted to the big screen. He purchased the film rights and would manage production along with the Epstein brothers, Julius and Philip. A $1.521 million budget was provided, the Epstein brothers would write the screenplay, and Vincent Sherman would direct. Casting was a challenge in that studio stars Merle Oberon, Hedy Lamar and Paul Henreid all turned down offers. Eventually Bette Davis accepted the role of Fanny Trellis Skeffington. Joining her would be Claude Rains as Job Skeffington, and Richard Waring as Trippy Trellis. Read more…
ON DEADLY GROUND – Basil Poledouris
THROWBACK THIRTY
Original Review by Jonathan Broxton
An action thriller with an environmental protection theme, On Deadly Ground marked the directorial debut of action star Steven Seagal, who was hot off the unexpected critical and commercial success of his previous film Under Siege in 1992. Here Seagal plays Forrest Taft, an expert firefighter who gets involved in a conflict between an unscrupulous Alaska oil company and a local indigenous tribe, whose lands are being damaged by the oil company’s drilling methods and poor safety record. Things escalate when the head of the oil company orders his henchmen to eliminate anyone who knows about his company’s indiscretions, and the tribal leader is murdered; angered by the injustice, Taft teams up with the tribal leader’s daughter to take down the company. Despite an excellent supporting cast that included Joan Chen, John C. McGinley, R. Lee Ermey, a young Billy Bob Thornton, and Michael Caine chewing the scenery as the despicable head of the evil oil company, the film was unfortunately a critical disaster, appearing on many end-of-year ‘worst’ lists; much criticism was leveled at Seagal’s ham-fisted and amateurish direction, as well as the preachy tone of the film’s screenplay. Read more…
THE UNINVITED – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
During WWII Hollywood began to explore a new genre – paranormal or supernatural themed films. When Irish author Dorothy Macardle’s 1941 novel “Uneasy Freehold” was published in the United States as “The Uninvited” producer Charles Brackett believed he had found a story that needed to be brought to the big screen. He sold his vison to Paramount and would oversee production, Lewis Allen was tasked with directing, and the team of Dodie Smith and Frank Partos would write the screenplay. For the cast, Ray Milland would star as Roderick “Rick” Fitzgerald, joined by Ruth Hussey as Pamela Fitzgerald, Donald Crisp as Commander Beech, Cornelia Otis Skinner as Miss Holloway, and Gail Russel as Stella Meredith. Read more…
STORMSKERRY MAJA – Lauri Porra
Original Review by Jonathan Broxton
Stormskerry Maja is a new Finnish drama film directed by Tiina Lymi based on the acclaimed and famous ‘Stormskärs-Maja’ novels written by Anni Blomqvist in the 1960s and early 1970s. The film is set in the 19th century on the remote Åland Islands between Sweden and Finland and stars Amanda Jansson as the titular protagonist Maja. At the age of seventeen she is placed into an arranged marriage with a local fisherman, Janne, and immediately has to adapt to her new life as a fisherman’s wife, coping with her husband’s long absences at sea and taking care of her family alone. However, over time, Maja steadily grows into a strong-willed and independent woman who faces whatever life throws at her with strength and determination; the film follows the various hardships of her life, her triumphs and her tragedies, all against the atmospheric backdrop of this barren cluster of rocky islands in the Baltic Sea. Read more…
SHADOWLANDS – George Fenton
THROWBACK THIRTY
Original Review by Jonathan Broxton
Shadowlands is a British romantic drama film which looks at the profound personal and intellectual relationship between C. S. Lewis, the author of The Chronicles of Narnia fantasy books series, and the American poet Joy Gresham. The film is set in the 1950s and finds Lewis, a reserved, middle-aged bachelor teaching at Oxford University. He meets Gresham and her young son Douglas while she is on an academic tour of England; she is unhappily married, but does not reveal her troubles. What begins as a formal meeting of two minds slowly develops into a feeling of connection and love, and after Gresham divorces they marry – but their relationship will be tested when Joy is diagnosed with cancer. The film is directed by Richard Attenborough from a screenplay adapted from the stage work by William Nicholson, and stars Anthony Hopkins as Lewis and Debra Winger as Gresham. The film is one of those quiet, reserved, impeccably well-mannered British costume dramas, but it was nevertheless an enormous critical success, receiving Oscar nominations for Best Actress and Best Screenplay, and winning the BAFTA for Best British Film of 1993. Read more…
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