BAFTA Nominations 2022
The British Academy of Film and Television Arts (BAFTA) has announced the nominations for the 76th British Academy Film Awards, honoring the best in film in 2022.
In the Best Original Music category, which is named in memory of the film director Anthony Asquith, the nominees are:
- VOLKER “HAUSCHKA” BERTELMANN for All Quiet on the Western Front
- CARTER BURWELL for The Banshees of Inisherin
- ALEXANDRE DESPLAT for Guillermo del Toro’s Pinocchio
- JUSTIN HURWITZ for Babylon
- SON LUX for Everything Everywhere All at Once
This is the second BAFTA nomination for Bertelmann, the 12th BAFTA nomination for Desplat (who won the award for “The King’s Speech” in 2011, “The Grand Budapest Hotel” in 2014, and “The Shape of Water” in 2017), the second BAFTA nomination for Burwell, and the second BAFTA nomination for Hurwitz (who won the award for “La La Land” in 2016). The members of Son Lux – Ryan Lott, Rafiq Bhatia, and Ian Chang – are celebrating their first BAFTA nomination.
The winners of the 76th BAFTA Awards will be announced on 19 February, 2023.
SCENT OF A WOMAN – Thomas Newman
THROWBACK THIRTY
Original Review by Jonathan Broxton
Scent of a Woman is a critically acclaimed drama film directed by Martin Brest. It’s a remake of the 1974 Italian film Profumo di Donna, directed by Dino Risi, which was itself an adaptation of the 1969 novel ‘Il Buio e il Miele’ by Giovanni Arpino. It stars Al Pacino and Chris O’Donnell, with James Rebhorn, Philip Seymour Hoffman, and Gabrielle Anwar in primary supporting roles. Pacino plays Frank Slade, a former lieutenant colonel in the US Army, who has become an irascible alcoholic following an accident that left him blind. Frank’s niece hires Charlie Simms, a young student with dreams of getting into Harvard, to be his temporary caretaker over the Thanksgiving weekend, and initially there is a terrible personality clash, but gradually the two unlikely companions warm to each other – until Frank calmly states that, at the end of the holiday, he intends to kill himself. Meanwhile, Charlie is having issues of his own, relating to an incident he witnessed at this school, the repercussions of which threaten to jeopardize his entire future. The film was roundly praised at the time, especially for the performance by Pacino, who won the Oscar for Best Actor for his work here. Read more…
INTERVIEW WITH THE VAMPIRE – Daniel Hart
Original Review by Jonathan Broxton
Anne Rice’s 1976 novel Interview With the Vampire, while not originally a success, has since become regarded as a modern classic of Gothic horror literature, which revitalized the vampire genre after decades where the public perception of them was either a grotesque monster (á la Nosferatu), or a debonair blood-sucking aristocrat (á la Christopher Lee’s Dracula). Rice re-imagined vampires with more depth and emotional complexity, and created a global society for them to inhabit, running parallel to that of the humans on which they prey. The film spawned multiple sequel novels in the ‘Vampire Chronicles’ series, as well as an excellent movie adaptation in 1994 starring Tom Cruise and Brad Pitt, which remains one of my favorite horror movies of all time. Now, the story is being re-told again as a TV series on the AMC network created by Rolin Jones, starring Jacob Anderson as Louis, Sam Reid as Lestat, Eric Bogosian as the interviewer Daniel Molloy, Bailey Bass as the child vampire Claudia, and Assad Zaman as the ancient leader of the Parisian coven, Armand. Read more…
THE GARDEN OF ALLAH – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The Garden of Allah was the brainchild of David O. Selznick, who decided to embark on a third big screen retelling of Robert S. Hichens’s 1904 novel of the same name, following on from previous versions in 1916 and 1927. His own company, Selznick International, would finance the film and he would personally manage production with a budget that ballooned from $1.6 to 1.97 million. William P. Lipscomb and Lynn Riggs were hired to write the screenplay and Richard Boleslawski was tasked with directing. For this romantic drama, Selznick decided to cast the two most carnal actors of the day, Charles Boyer and Marlene Dietrich, as Boris Androvsky and Domini Enfilden. Ironic and mystifying in their choice is that he would be playing a celibate monk, and her, a devout girl raised in a convent! Joining them would be Basil Rathbone as Count Ferdinand Anteoni, C. Aubrey Smith as Father J. Roubier, Joseph Schidkraut as Batouch, John Carradine as “Sand Diviner”, Alan Marshall as Captain de Trevignac and Lucile Wilson as Mother Superior Josephine. Read more…
Under-the-Radar Round Up 2022, Part 8
Original Reviews by Jonathan Broxton
Life has returned to world cinema in 2022 following the easing of the COVID-19 global pandemic, and at the end of the fourth quarter of the year I’m absolutely delighted to present the latest instalment in my on-going series of articles looking at the best under-the-radar scores from around the world. This article covers five scores for projects from Spanish-speaking countries, and includes a sci-fi drama series, a Mexican existential comedy-drama, two murder-mystery thriller movies, and a TV series about the life of explorer Ferdinand Magellan.
FOREVER YOUNG – Jerry Goldsmith
THROWBACK THIRTY
Original Review by Jonathan Broxton
Forever Young was a romantic drama with a fantasy-science fiction twist, written by a young J. J. Abrams (credited as ‘Jeffrey’), and directed by Steve Miner. It was envisaged as a vehicle for Mel Gibson to establish himself as a romantic leading man; he plays Daniel McCormick, a test pilot with the US Army Air Corps in 1939. When his fiancé Helen (Isabel Glasser) falls into a coma after a car accident, and not wanting to watch her die, Daniel volunteers for a top-secret government program where he will be cryogenically frozen and placed into suspended animation for a year. However, when Daniel is finally woken up, he is shocked to discover that it is now 1992; with the help of an inquisitive 10-year old boy named Nat (Elijah Wood) and his charming mother Claire (Jamie Lee Curtis), Daniel resolves to find out what happened – but is soon presented with another problem, as he finds himself ageing rapidly. The film was a modest success at the box office and with critics, who enjoyed its old fashioned charm, unusual time-travel plot, and warm lead performances. Read more…
Golden Globe Winners 2022
The Hollywood Foreign Press Association (HFPA) have announced the winners of the 80th Golden Globe Awards, honoring the best in film and American television of 2022.
In the Best Original Score category composer Justin Hurwitz won the award for his score for Babylon, a raucous and debauched look at three characters making their way through 1920s Hollywood as the movies transition from silents to talkies. Hurwitz wrote a huge homage to big band jazz, coupled with some more sentimental music accompanying the central relationships. This is the fourth Golden Globe for Hurwitz, from four nominations – he previously won awards for La-La Land in 2016 (both Best Score and Best Song), and First Man in 2018. In his acceptance speech, Hurwitz said:
“Thank you, guys, thank you so much. I’m very grateful that I had the opportunity to figure out at a young age that music was the thing for me. I’m grateful to my parents. I’m grateful to the public schools I went to that had music classes. I think a lot about all of the people out there who are really talented at something but never get the chance to figure out what that thing is. So I just think it’s so important to spread opportunity around, to make sure that everybody – kids and adults and everybody – has the opportunity to be exposed to things, to try things out, to figure out what’s for them, because I think things would be so much better if people could… I was very fortunate but I would be… things would be better if people could figure out the thing that they were good at, the thing the love doing more than anything else, and we just need opportunity, we need to spread the opportunity. Thank you Team Babylon, and thank you HFPA.”
The other nominees were Carter Burwell for The Banshees of Inisherin, Alexandre Desplat for Guillermo del Toro’s Pinocchio, Hildur Guðnadóttir for Women Talking, and John Williams for The Fabelmans.
In the Best Original Song category, the winners were M. M. Keeravani and Kanukuntla Subhash Chandrabose for their song “Naatu Naatu” from the epic Bollywood action movie RRR.
The other nominees were Alexandre Desplat, Roeben Katz, and Guillermo Del Toro for “Ciao Papa” from Guillermo del Toro’s Pinocchio; Stefani Germanotta (Lady Gaga), Michael Tucker (Bloodpop), and Benjamin Rice for “Hold My Hand” from Top Gun: Maverick; Temilade Openiyi (Tems), Robyn Rihanna Fenty, Ryan Coogler, and Ludwig Göransson for “Lift Me Up” from Black Panther: Wakanda Forever; and Taylor Swift for “Carolina” from Where the Crawdads Sing.
THE BANSHEES OF INISHERIN – Carter Burwell
Original Review by Jonathan Broxton
The Banshees of Inisherin is a dark comedy-drama written and directed by Martin McDonagh, set on a remote island off the coast of Ireland in 1923. Colin Farrell and Brendan Gleeson star as Pádraic Súilleabháin and Colm Doherty, long-time friends and drinking partners. Colm is a folk musician and fiddle player, and dreams of writing a classic song that will seal his legacy. Things change for the pair when, out of the blue, Colm decides that he no longer wants to be associated with Pádraic, and begins to ignore him. Pádraic, distressed by the loss of one of his few friends, begins hounding Colm, to the point where an exasperated Colm gives Pádraic an ultimatum: if he doesn’t stop bothering him, he will start cutting off his own fingers. From there, things escalate further, with the entire town eventually becoming involved in their feud. The film co-stars Kerry Condon as Pádraic’s kind sister Siobhán, and Barry Keoghan as troubled local boy Dominic, and has been a massive critical success, picking up awards at the Venice International Film Festival, and receiving multiple Oscar, BAFTA, and Golden Globe nominations. Read more…
PETER IBBETSON – Ernst Toch
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In early 1935 Paramount Pictures executives decided that they would adapt and bring to the big screen George du Maurier’s1891 romantic fantasy novel Peter Ibbetson. Louis D. Lighton was assigned production and provided a budget of $750,000. Henry Hathaway was tasked with directing, and a team of screenwriters lead by John Meehan were hired to write the screenplay. A fine cast was assembled, but not without controversy. Fredric March and Robert Donat were originally envisioned for the titular role, but in a dubious decision, Hathaway decided to cast against type, Gary Cooper, who had achieved fame in Westerns and heroic dramas. Joining him would be Ann Harding as Mary, Duchess of Towers, John Halliday as the Duke of Towers, and Ida Lupino as Agnes. Read more…
Under-the-Radar Round Up 2022, Part 7
Original Reviews by Jonathan Broxton
Life has returned to world cinema in 2022 following the easing of the COVID-19 global pandemic, and at the end of the fourth quarter of the year I’m absolutely delighted to present the latest instalment in my on-going series of articles looking at the best under-the-radar scores from around the world. This article covers six scores for projects from disparate parts of Europe, and includes a Dutch-Belgian Christmas family film, a powerful Croatian drama, a Belgian nature documentary, a Spanish supernatural horror film, and two different scores by the same French composer – one a period drama film, and one a historical TV series looking at the life of Queen Marie-Antoinette.
HOFFA – David Newman
THROWBACK THIRTY
Original Review by Jonathan Broxton
The disappearance of Jimmy Hoffa remains one of the United States’s most intriguing mysteries. Hoffa was a union leader with the International Brotherhood of Teamsters in Detroit, an important man with political influence, but who was also involved with a number of criminal organizations, including the mafia. Hoffa went missing in 1975 after leaving to have a meeting with two local organized crime kingpins; to this day his body has never been found and, although he was declared legally dead in 1982, speculation about his fate and what exactly happened to him remains rife. This film, directed by Danny DeVito and written by David Mamet, looks back at Hoffa’s life and ends with his mysterious disappearance. Jack Nicholson plays Hoffa, and DeVito plays Robert Ciaro, an amalgamation of several Hoffa associates over the years. The film also features John C. Reilly, Robert Prosky, Kevin Anderson, Armand Assante, and J. T. Walsh in key supporting roles. The film was a modest critical and commercial hit; it earned two Oscar nominations for Cinematography and Makeup, and Nicholson received a Golden Globe nomination for Best Actor. Read more…
BABYLON – Justin Hurwitz
Original Review by Jonathan Broxton
The first half hour of Babylon, director Damien Chazelle’s epic look at the excesses of early Hollywood in the 1920s, is a sensory overload that feels like too much of everything. It’s a literal orgy of sex, drugs, and debauchery, drinking and dancing and music and good times blended with the sort of bacchanalian overkill that would make even the most hardened party goer question their judgement. Within the opening few minutes we are treated to scenes of, among other things, a grossly overweight man receiving a golden shower, someone snorting a literal mountain of cocaine, dwarves on phallus-shaped pogo sticks ‘ejaculating’ onto a crowd, a lounge singer crooning about playing with ‘her girl’s pussy’, and an elephant with the worst case of diarrhea you have ever seen. But, somehow, out of this initially overwhelming celebration of Pasolini-esque depravity, a compelling story emerges focusing on three main characters: silent film matinee idol actor Jack Conrad (Brad Pitt), ambitious but damaged starlet Nellie LaRoy (Margot Robbie), and idealistic Mexican immigrant Manny Torres (Diego Calva), who just wants to work in the movies. Read more…
THE BLACK ROSE – Richard Addinsell
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The Black Rose was conceived as a follow-up to the 1949 film Prince of Foxes, reuniting the two male lead actors Tyrone Power and Orson Welles in a new adventure. It would be based on the 1945 novel of the same name by Thomas B. Costain, with Talbot Jennings writing the screenplay. 20th Century Fox Studios and its British counterparts joined together to finance the film, with Louis D. Lighton assigned production, and Henry Hathaway tasked with directing. The cast included Tyrone Power as Walter of Gurnie, Orson Welles as Bayan of the Hundred Eyes, Cécile Aubry as Maryam, Jack Hawkins as Tristam Griffen, and Michael Rennie as King Edward I. Read more…
AVATAR: THE WAY OF WATER – Simon Franglen
Original Review by Jonathan Broxton
WARNING: THIS REVIEW CONTAINS PLOT SPOILERS. IF YOU HAVE NOT YET SEEN THE FILM, YOU MIGHT WANT TO CONSIDER WAITING UNTIL AFTER YOU HAVE DONE SO TO READ IT.
For a while, people sort of forgot what a big deal Avatar was. When James Cameron’s spectacular sci-fi epic first hit screens in December of 2009 it was immediately heralded as a visual masterpiece, boasting some of the most impressive and realistic special effects in the history of cinema, as well as being a groundbreaking step forward in the use of 3D technology and motion-capture. It won three Oscars, was nominated for another six (including Best Picture), and grossed something in the region of $2.9 billion at the global box office, making it one of the most financially successful films ever. But then the backlash came, with some people (rightfully) criticizing the story as being a tired re-tread of both the Pocahontas legend and movies like Dances With Wolves and Ferngully: The Last Rainforest, while also noting its ‘white savior’ tropes. And then… well… it all sort of drifted away. Cameron announced that there would be sequels – possibly four of them – and then he went away to go and make them. And, slowly, over the course of more than a decade, almost everyone forgot about the whole thing. Every once in a while some bit of Avatar news would leak out – shooting began way back in 2017 – but more than anything the Avatar sequels felt a little like a mythical thing, some fairy-tale idea seemingly destined to never come to fruition. Read more…
RASHOMON – Fumio Hayasaka
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Renowned director Akira Kurosawa found inspiration for his next film from two short stories by Ryunosuke Akutagawa – In a Bamboo Grove (1922) and Rashomon (1915). He decided to blend the two narratives and collaborated with Shinobu Hashimoto to adapt a screenplay. Financial backing was secured from the Daiei Film company, Minoru Jingo was assigned production with a very small budget of $250,000, and Kurosawa took the reins to direct. For his cast, Kurosawa brought in Takashi Shimura as Kikori the woodcutter, Minoru Chiaki as Tabi Hõshi the priest, Masayuki Mori as Takehiro the samurai, Machiko Kyõ as the samurai’s wife Masako, and Toshiro Mifune as Tajomaru the bandit. Read more…
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