HOTEL FOR DOGS – John Debney
Original Review by Jonathan Broxton
Hotel for Dogs is a kid’s comedy adventure based on the novel by Lois Duncan, directed by Thor Freudenthal, and which stars Emma Roberts and Jake T. Austin as orphan siblings who, despite the misgivings of their foster parents and their patient social worker (Don Cheadle), start a home for abandoned dogs in a run-down hotel – hilarity, as they say, ensues.
The score for Hotel for Dogs is by John Debney, whose choice in films since picking up his Oscar nomination for The Passion of the Christ has been surprising, to say the least. Hotel for Dogs is the latest in a long line of children’s comedies which would seem to be better suited to less talented composers than Debney Read more…
ET APRÈS/AFTERWARDS – Alexandre Desplat
Original Review by Jonathan Broxton
Afterwards is a metaphysical romantic drama directed by Gilles Bourdos and starring Romain Duris as Nathan, a brilliant New York lawyer whose personal life has become a mess since his divorce from Claire (Evangeline Lilly), his only love. However, when everything changes when Nathan meets Kay (John Malkovich), a mysterious doctor who introduces himself as a “Messenger” and tells Nathan that he is able to sense when certain people are about to die. Read more…
BAFTA Nominations 2008
The British Academy of Film and Television Arts (BAFTA) has announced the nominations for the 62nd British Academy Film Awards, honoring the best in film in 2008.
In the Best Original Music category, which is named in memory of the film director Anthony Asquith, the nominees are:
- BENNY ANDERSSON and BJÖRN ULVAEUS for Mamma Mia!
- ALEXANDRE DESPLAT for The Curious Case of Benjamin Button
- THOMAS NEWMAN for Wall*E
- A. R. RAHMAN for Slumdog Millionaire
- HANS ZIMMER and JAMES NEWTON HOWARD for The Dark Knight
These are the first nominations Andersson, Howard, Rahman, and Ulvaeus. It is the second nomination for Newman, the third nomination for Desplat, and the fourth nomination for Zimmer. Newman previously won for American Beauty in 1999.
The winners of the 62nd BAFTA Awards will be announced on February 8, 2009.
THE UNBORN – Ramin Djawadi
Original Review by Clark Douglas
Anytime a film has a January release date, odds are pretty strong that it’s going to be a waste of time. When it’s a horror film directed by David S. Goyer, such odds are even stronger. Such was the case with “The Unborn”, a critically-reviled supernatural horror flick featuring such overqualified actors as Gary Oldman and Jane Alexander. The film tells the unusual story of a girl who is haunted by her dead twin brother. Apparently, the brother was killed as a baby during horrific Nazi experiments, and now the girl must find a way to get rid of her evil ghost twin before it does something nasty to her. The film was scored by Ramin Djawadi, another student of Hans Zimmer who continues to get plum assignments despite the lack of any discernible talent. So, has he shown any signs of improvement in his latest outing? Read more…
AFRIKA – Wataru Hokoyama
Original Review by Joseph W. Bat
Now here is an interesting combination: a Japanese developer making a game that is entirely set in Africa, and a musical score recorded in Hollywood. Announced in 2006 for Sony’s Playstation3 as simply Afrika, game developer Rhino Studios’ game has a simple approach. You play as a photographer hired to travel to Africa and are given missions to take photographs of the various wild animals and landscapes found within Africa. While not your typical game, Afrika has been praised for its vivid detailed recreation of Africa and many gamers have been importing the game from Japan since the game is only available in Asia. Read more…
DEFIANCE – James Newton Howard
Original Review by Jonathan Broxton
One of the less well-known stories of heroism in World War 2 is that of the Bielski Partisans, a family of Jewish brothers who, following the invasion of Poland by the Nazis in 1941, managed to flee the advancing troops and make their way to the inhospitable forests of what is now western Belarus. Over the course of the next two years, the Bielski brothers rescued and sheltered more than 1,200 Polish Jews from the Nazis, often fighting in hand-to-hand skirmishes alongside Soviet forces, and survived the war, and in doing so made one of the most significant contributions to the Jewish cause in the Holocaust in terms of lives saved. Director Edward Zwick’s acclaimed film Defiance stars Daniel Craig, Liev Schreiber, and Jamie Bell as the Bielski brothers, and has an emotional, powerful, Oscar-nominated score by composer James Newton Howard. Read more…
LAST CHANCE HARVEY – Dickon Hinchliffe
Original Review by Jonathan Broxton
A contemporary romantic comedy-drama directed by Joel Hopkins, Last Chance Harvey stars Dustin Hoffman as the eponymous Harvey Shine who, while visiting London to attend his estranged daughter’s wedding, meets and forms an unlikely relationship with Kate (Emma Thompson), a middle-aged woman with a somewhat downbeat outlook on life and romance. However, as the pair spend more time together, Harvey finds himself renewed, and vows to repair not only his relationship with his daughter, but everything else wrong with his life before it’s too late.
The music for Last Chance Harvey is by English composer Dickon Hinchliffe, a former member of the indie rock band Tindersticks, and who previously worked on films such as Keeping Mum and Married Life. Read more…
MARLEY & ME – Theodore Shapiro
Original Review by Jonathan Broxton
A light romantic drama based on the hugely popular best selling novel by John Grogan, Marley & Me is the story of the ups and downs in the relationship of a married couple, John and Jenny Grogan (Owen Wilson and Jennifer Aniston), told from the point of view of their boisterous, mischievous golden retriever, Marley. The film is directed by David Frankel, and has a score by Theodore Shapiro, who scored Frankel’s previous film, The Devil Wears Prada in 2006.
As one would expect, considering the film’s subject matter, Shpiro’s score is generally light, romantic and contemporary, consisting mainly of upbeat orchestral themes augmented by electric and acoustic guitars and various urban percussion items. Read more…
REVOLUTIONARY ROAD – Thomas Newman
Original Review by Jonathan Broxton
It’s been almost a decade since Thomas Newman wrote, and was Oscar nominated for, his score for American Beauty. In the intervening period, Newman’s work on that film has, arguably, become the most copied piece of music in recent history: the plinking and plonking and rhythmic quirkiness of that score has become cinematic (and televisual) musical shorthand for suburban life, and the things that go on behind the manicured lawns and the white picket fences. Thomas Newman has collaborated with American Beauty’s director, Sam Mendes, twice since then, on Road to Perdition in 2002 and Jarhead in 2005, but Revolutionary Road marks the first return to the setting which initially inspired both men. Like American Beauty, Revolutionary Road is a tale of suburban malaise and malcontent, hidden behind the sheen of a perfect marriage and the American dream. Based on the novel by Richard Yates and set in Connecticut in the 1950s, it stars Leonardo DiCaprio and Kate Winslet – on screen for the first time together since Titanic – as married couple Frank and April Wheeler. Frank is stuck in a dead-end job, and resorts to alcoholism to escape the mind-numbing drudgery of his life, while April dreams of moving to Paris to become an actress. Their neighbors see a perfect partnership living a perfect life, but in private their marriage is slowly dissolving into an endless cycle of bitter arguments and jealous recriminations, ultimately leading to a devastating conclusion. Read more…
THE SPIRIT – David Newman
Original Review by Jonathan Broxton
A dark, highly-stylized super-hero action film, written and directed by comic book legend Frank Miller, The Spirit stars Gabriel Macht as rookie cop Denny Colt who, having been killed in the line of duty, returns from the dead to fight crime in Central City as the mysterious, shadowy Spirit. In this adventure, The Spirit locks horns with two master criminals: The Octopus (Samuel L. Jackson), as super-villain who wants to wipe Central City off the map, and Sand Saref (Eva Mendes), a sexy femme fatale who seduces and marries wealthy men, has them killed, and uses their money to fund her crime empire. Read more…
VALKYRIE – John Ottman
Original Review by Jonathan Broxton
Valkyrie is a film based on the true story of Colonel Claus von Stauffenberg, a German aristocrat and officer in the Wehrmacht who, despite progressing to a position of some power during the Hitler regime at the height of World War II, was a leading member of the anti-Nazi resistance movement, and led a plot to assassinate the Führer in 1944. The film, which is directed by Bryan Singer, stars Tom Cruise as Stauffenberg, Kenneth Branagh, Bill Nighy, Terence Stamp and Eddie Izzard as Stauffenberg’s co-conspirators in the resistance, and Tom Wilkinson, Carice van Houten and Thomas Kretschmann in supporting roles. Inevitably, with Singer directing, his frequent collaborator John Ottman is also part of the production team, pulling double-duty as film editor and composer. Read more…
WALTZ WITH BASHIR – Max Richter
Original Review by Jonathan Broxton
Waltz With Bashir is a very unusual animated documentary, directed by Ari Folman, which examines the horrors of the 1982 Lebanon war from the point of view of the director himself, when he was a 19-year old soldier in the Israeli Defence Force. The film has been the recipient of much praise on the independent film and festival circuit, receiving award nominations from the Cannes Film Festival, the European Film Awards, and the Los Angeles Film Critics Association. The score for Waltz With Bashir is by Scots-German composer Max Richter, a former student of Luciano Berio, and whose first major film score this is.
The word ‘eclectic’ doesn’t even come close to describing this score; it runs the gamut from modern dance music and percussive electronica Read more…
LARGO WINCH – Alexandre Desplat
Original Review by Jonathan Broxton
Largo Winch is a French action/thriller directed by Jérôme Salle, based on the popular Belgian comic book character created by Philippe Francq and Jean Van Hamme. It stars Tomer Sisley as the eponymous character, the estranged son of Nerio Winch, the incredibly wealthy international corporation, who is plucked from an Amazonian prison where he had been falsely accused of drug trafficking after Nerio is murdered. With the vast resources of his father’s company now at his disposal, Largo suddenly finds himself facing danger at every turn, as he tries to unravel the mysteries of his father’s death and his own imprisonment, and unmask those who want to take it the company, by any means possible. Read more…
SEVEN POUNDS – Angelo Milli
Original Review by Jonathan Broxton
An affecting drama which reunited actor Will Smith with his Pursuit of Happiness director Gabriele Muccino, Seven Pounds tells the story of IRS agent Ben Thomas who, for reasons which initially are unclear, embarks on an extraordinary journey of redemption by changing the lives of seven strangers, including a greeting card maker with a heart condition played by Rosario Dawson, and a blind meat salesman played by Woody Harrelson.
The score for Seven Pounds is by 33-year-old Venezuelan composer Angelo Milli, whose only previous international exposure came in 2006 with the Peruvian drama La Mujer De Mi Hermano. Milli’s music for Seven Pounds is performed by a fairly traditional orchestral complement, with emphasis on piano and strings Read more…



