Archive
BACKDRAFT – Hans Zimmer
Original Review by Jonathan Broxton
Backdraft is one of the best action movies of the 1990s, an action thriller murder-mystery set within the world of hotshot Chicago firefighters. Kurt Russell and William Baldwin star as brothers Stephen and Brian McCaffrey; Stephen is a fearless hero, while Brian has always lived in his shadow. After an incident on the job where a fellow firefighter was almost killed, Brian is reassigned to help veteran arson investigator Donald Rimgale (Robert De Niro) with his latest case, in which a number of prominent local businessmen and politicians have been murdered in fires involving a phenomenon known as a ‘backdraft’. As Rimgale and Brian dig into the circumstances of the fires, the investigative trail soon leads them in the directions of both a corrupt local alderman, and back to Stephen’s firehouse. The film was directed by Ron Howard, co-stars Scott Glenn, Donald Sutherland, and Jennifer Jason Leigh, and is a magnificent edge-of-seat thriller that combines political skullduggery and familial drama with a number of sensational fiery action sequences that quicken the pulse and make your palms sweat with tension. The film was a massive commercial success, grossing almost $80 million in the US alone, and received three Academy Award nominations, for Visual Effects, Sound, and Sound Effects Editing. Read more…
THOSE WHO WISH ME DEAD – Brian Tyler
Original Review by Jonathan Broxton
Those Who Wish Me Dead is a new action/drama/thriller from director Taylor Sheridan, the man behind such acclaimed films as Sicario and Hell or High Water, as well as the popular TV series Yellowstone. The film stars Angelina Jolie as Hannah, a firefighter in rural Montana left traumatized by a tragedy during a forest fire a year previously. Hannah is forced to confront her demons and overcome her fears when she meets a teenage boy named Connor in the forest; he is being tracked by two ruthless assassins (Aidan Gillen and Nicholas Hoult), who were hired by a shadowy organization and have already eliminated Connor’s father. As Hannah and Connor attempt to reach safety, the killers set a new blaze in the forest, which quickly spirals out of control, and threatens to burn everything to the ground. The film was adapted from the popular novel by Michael Koryta, and also stars Jon Bernthal, Jake Weber, and Medina Senghore. Read more…
VIVA ZAPATA! – Alex North
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Director Elia Kazan and author John Steinbeck had long been friends and shared an interest in Mexican hero Emiliano Zapata, a champion of the peons who did what few men in history have done – achieved power and walked away from it, wary of its corrupting influence. In 1949 they decided to collaborate and bring the tale of this Mexican legend to the big screen. Steinbeck was tasked with writing the screenplay and he referenced Edgcomb Pinchon’s Zapata The Unconquerable (1941) as a guide. Kazan used his clout to obtain backing from Darryl F. Zanuck who agreed to produce the film for 20th Century Fox, providing a budget of $1.8 million. A fine cast was hired which included Marlon Brando in the titular role, Jean Peters as Josefa Zapata, Anthony Quinn as Eufemio Zapata, Alan Reed as Pancho Villa, and Fay Roope as Porfirio Diaz. Read more…
TEENAGE MUTANT NINJA TURTLES II: THE SECRET OF THE OOZE – John Du Prez
Original Review by Jonathan Broxton
The enormous success of the Teenage Mutant Ninja Turtles movie in 1990, as well as the continuing popularity of the related Saturday morning cartoon, led to an insta-sequel being commissioned by New Line Cinema. The result is this film, subtitled ‘The Secret of the Ooze,’ directed by Michael Pressman. The Secret of the Ooze follows the adventures of the four eponymous turtles – Leonardo, Donatello, Michelangelo, Raphael – and their Master Splinter. Following the events of the first film, the evil Shredder returns to take back command of the Foot Clan, and vows revenge against the Turtles who vanquished him – and sees away to take that revenge when he learns the secret behind the Turtles’ original mutation. The film stars Paige Turco and David Warner alongside the rubber-suited stuntmen performing the physical action of the turtles, and was a popular hit with the kids, who reacted favorably to the film’s broad humor and even more broad ninja action. Read more…
WRATH OF MAN – Chris Benstead
Original Review by Jonathan Broxton
Wrath of Man is a complicated action revenge thriller directed by Guy Ritchie, and is an English-language remake of the 2004 French film Le Convoyeur. The film stars Jason Statham as ‘H,’ the mysterious new employee of a security company which moves money all around Los Angeles in armored cars. The monosyllabic Englishman proves to be excellent at his job, and is instrumental in foiling an armed heist of the truck he is driving with his partner, Bullet (Holt McCallany). However, it slowly emerges that there is more to ‘H’ than meets the eye, and a labyrinthine plot emerges involving organized crime, a group of disgruntled former US marines, and the death of ‘H’s son. The film co-stars Scott Eastwood, Jeffrey Donovan, and Josh Hartnett, among others, and is an enjoyable festival of violence, filled with guns blazing, cars crashing, and Jason Statham doing Jason Statham things – although there was an undercurrent of misogyny and homophobia in the testosterone-overloaded screenplay that I found a little unpalatable. Read more…
THE KEYS OF THE KINGDOM – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
After the critical success of translating two novels to the screen with Gone with the Wind in 1939 and Rebecca in 1940, producer David O. Selznick decided to roll the dice again with A. J. Cronin’s latest novel, The Keys of the Kingdom. He purchased the film rights for $100,000, with Cronin assisting with writing the screenplay. However, he could not secure the cast he desired and so sold the film rights to Darryl F. Zanuck of 20th Century Fox. Zanuck tasked director Joseph Mankiewicz with the project, providing a budget of $3 million. A new screenplay was provided by Nunnally Johnson and Mankiewicz, and a fine cast was assembled including Gregory Peck as Father Francis Chisholm, Thomas Mitchell as Dr. Willie Tulloch, Vincent Price as Angus Mealey, Rose Stradner as Reverend Mother Maria-Veronica, Edmund Gwenn as Reverend Hamish MacNabb, Benson Fong as Joseph, Roddy McDowell as Francis Chisholm as a boy, and Sir Cedric Hardwicke as Monsignor Sleeth. Read more…
THE DOUBLE LIFE OF VERONIKA – Zbigniew Preisner
Original Review by Jonathan Broxton
The Double Life of Veronika, or La Double Vie de Véronique, is a French-Polish drama film written and directed by the late great auteur Krzysztof Kieślowski. It tells the story of two nearly identical women, one living in Poland, the other in France, who do not know each other, but whose lives are nevertheless profoundly connected. Irène Jacob plays both women; Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher, who embarks on an unusual romance with Alexandre (Philippe Volter), a puppeteer who may be able to help her with her existential issues. The Criterion Collection DVD of the film calls it “a ravishing, mysterious rumination on identity, love, and human intuition,” and there’s really nothing more I can add to that. It’s a visual tone poem, an enigmatic exploration of these two women’s lives, in which music plays an important part. Read more…
MORTAL KOMBAT – Benjamin Wallfisch
Original Review by Jonathan Broxton
The video game Mortal Kombat, originally created and developed by the American video game developer Midway Games in 1992, is one of the most popular and successful fighting games in the history of the industry. Originally conceived as a video game spinoff of Jean-Claude Van Damme movies such as Kickboxer and Bloodsport, it eventually morphed into a fantasy setting in which human warriors, chosen by the gods, face off against assorted demons and monsters in a fighting tournament, the victors of which would go on to control the universe. The game is notorious for its incredibly gruesome and graphic in-game ‘fatalities,’ the realism of which eventually led to the creation of the Entertainment Software Rating Board and its age-based rating system, but this has not stopped it from becoming an expanding franchise that now comprises several spinoff games, comic books, an animated TV series, and several movies. Read more…
SYMPHONY OF SIX MILLION – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In late 1931 legendary David O. Selznick became RKO Studio’s Production Chief. He decided that his inaugural film would be the melodrama “Night Bell”, which would be adapted from the story of the same name by Fannie Hurst. He first changed the film title to “Symphony of Six Million” – a reference to the population of New York City – and then rejected the first screenplay, demanding that it reclaim the cultural sensibilities offered in the original story. He wanted his film to offer a mirror to the life of Jewish immigrants in America and the challenges created by the cultural assimilation of their children. Selznick and Pandro S. Berman would produce the film, Gregory La Cava was hired to direct, and a budget of $270,000 was provided. The cast would include Ricardo Cortez as Dr. Felix Klauber, and his family, Gregory Ratoff as his father Meyer Klauber, Anna Appel as his mother Hannah Klauber, Noel Madison as his brother Magnus Klauber, and Lita Chevret as his sister Birdie Klauber. Irene Dunne would play love interest Jessica, and John St. Polis his colleague Dr. Schifflen. Read more…
HONEYDEW – John Mehrmann
Original Review by Jonathan Broxton
Honeydew is a new low-budget horror drama written by Dan Kennedy and directed by Devereux Milburn. It tells the story of a young couple, Sam and Rylie (played by Sawyer Spielberg, the son of Steven, and Malin Barr), who seek shelter in the home of an aging farmer named Karen (Barbara Kingsley) and her peculiar near-mummified son Gunni (Jamie Bradley), and gradually begin to experience strange cravings and hallucinations. Roger Ebert’s website called it a “camping-trip-gone-wrong horror” and a “tribute to The Texas Chain Saw Massacre with some Hansel and Gretel mixed in,” and talked about the unnerving atmosphere the film creates, with its oddly orange-hued color filters, oddball characters, and atmosphere of encroaching dread. This latter element is increased enormously by the film’s score by composer John Mehrmann. Read more…
OSCAR – Elmer Bernstein
Original Review by Jonathan Broxton
Oscar is a comedy film starring Sylvester Stallone, directed by John Landis, adapted from Édouard Molinaro’s 1967 French film of the same name. Stallone plays Angelo “Snaps” Provolone, a gangster in New York in the 1930s, who promises his dying father that he will give up a life of crime and go straight. However, no matter how hard he tries, he keeps getting pulled back into his old ways, and the local police refuse to believe that he has reformed. Not only that, Snaps has to deal with a series of comic misunderstandings involving his accountant, his wanderlust-stricken daughter, a case of mistaken identity, a fake pregnancy, and his former chauffeur Oscar, who unwittingly becomes the center of attention of everything. The film has an astonishing supporting cast – including Ornella Muti, Don Ameche, Tim Curry, Chazz Palminteri, Kirk Douglas, and Marisa Tomei in her mainstream screen debut – but unfortunately the film was a flop, mostly because people couldn’t see Stallone in a comedy role. As director Landis said later, “people couldn’t understand why he didn’t take his shirt off and kill anybody”. Read more…
THE FATHER and NOMADLAND – Ludovico Einaudi
Original Review by Jonathan Broxton
Two of the most critically acclaimed films of the 2020-2021 Oscar season were The Father and Nomadland. The Father is a searing, emotionally devastating look at the effects of dementia; it’s directed by Florian Zeller and stars Anthony Hopkins as Anthony, an ageing man whose deteriorating mental faculties are brought into sharp relief through his interactions with four individuals – Olivia Colman, Rufus Sewell, Olivia Williams, and Mark Gatiss – all of whom appear as different members of his family, or not, at any given time. The way Zeller creates an atmosphere of disorientation and confusion for the audience, reflecting the disorientation and confusion felt by Anthony, is masterful and terribly moving, while Hopkins himself gives one of his career best performances. Nomadland, on the other hand, is a slow and naturalistic road movie directed by Chloe Zhao, starring Frances McDormand as a woman who seeks to escape from contemporary life by joining a community of people who live out of camper vans as modern-day nomads. Read more…
THE INFORMER – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Director John Ford came across a 1925 novel, The Informer by Liam O’Flaherty, which explored the dark underside of the Irish War of Independence. He felt that the story provided suspense, drama, betrayal, and tragedy, which would translate well to the big screen. RKO Studios however was reticent to proceed with the project due to its depressing subject matter and unsympathetic lead, but they relented following Ford’s great success with his prior film The Lost Patrol, which earned their trust and permission to proceed with a budget of $250,000. Dudley Nichols was hired to write the screenplay and a fine cast was assembled which included Victor McLaglen as Gypo Nolan, Heather Angel as Mary McPhillip, Preston Foster as Dan Gallagher, Margot Grahame as Katie Madden, Wallace Ford as Frankie McPhillip, and Una O’Connor as Mrs. McPhillip. Read more…
TOY SOLDIERS – Robert Folk
Original Review by Jonathan Broxton
Toy Soldiers is an action drama directed by Daniel Petrie Jr., from a screenplay written by David Koepp. The plot concerns a Colombian terrorist, Luis Cali (Andrew Divoff), who launches a violent assault on an elite American prep school where the son of the judge who is prosecuting his drug lord father is a student. When his intended target cannot be found, Cali instead takes the entire school hostage, including the dean (Louis Gossett) and headmaster (Denholm Elliott), demanding that his father be released. However, Cali doesn’t count on a group of resourceful and rebellious students – Sean Astin and Wil Wheaton among them – who take steps to end the siege before the authorities can end it themselves. The film was a modest box office success back when it was released, but it has mostly been forgotten these days, which is quite unfortunate because it is not without its guilty pleasures. Read more…
MANIPULATED – Scott Glasgow
Original Review by Jonathan Broxton
Manipulated is a new low-budget mystery thriller whodunit, written and directed by Matt Berman. The film stars Kelly Perine as Scott Keating, an experienced interrogator who works with law enforcement to track down serial killers. In the aftermath of a personal tragedy, Keating returns to his hometown, but soon becomes embroiled in a new murder case, and is enlisted to help the police solve a case mystery can’t crack, and figure out which of three women killed a man in cold blood. The film has a fun B-movie supporting cast including the likes of Traci Lords, Chase Masterson, Michael Paré, and John de Lancie, and recently premiered straight-to-streaming in the United States. Read more…






