Archive
THE AMERICAN SOUTHWEST – Noah Sorota
Original Review by Jonathan Broxton
Nature documentaries have always provided fertile ground for film composers. From the epic scores by Elmer Bernstein and Jerome Moross for National Geographic in the 1960s, to Georges Delerue and John Scott’s work for Jacques Cousteau; from the groundbreaking work by composers like Edward Williams and George Fenton for the BBC Natural History Unit, to more recent international works by composers like Panu Aaltio, the world and its wonders have inspired some truly compelling orchestral music. The latest title to join this list is The American Southwest; directed by Ben Masters and narrated by indigenous environmentalist Quannah Chasinghorse, the film examines the astonishing beauty and biodiversity of the Colorado River as it flows through the U.S. states of Arizona, Nevada, and Utah. It looks at the uncertain future the river faces as is it threatened by environmental destruction from dams, and features never-before-seen wildlife sequences such as beavers building wetlands, condors recovering from the brink of extinction, and jaguars returning to American soil. Read more…
SEVEN – Howard Shore
THROWBACK THIRTY
Original Review by Jonathan Broxton
The world is a fine place and worth fighting for. I agree with the second part. — Ernest Hemingway.
What’s in the box?!? — Detective David Mills.
Seven – usually stylized as ‘Se7en’ – is a dark psychological crime thriller written by Andrew Kevin Walker and directed by David Fincher, in what was his second feature film after his 1992 debut Alien 3. The film follows two homicide detectives – weary veteran William Somerset (Morgan Freeman), who is on the verge of retirement, and impulsive newcomer David Mills (Brad Pitt), who has recently transferred to the city with his wife Tracy (Gwyneth Paltrow) – as they investigate a string of grisly murders staged around the seven deadly sins: gluttony, greed, sloth, lust, pride, envy, and wrath. Each crime scene is meticulously designed by the killer to reflect the sin being punished, and the murders grow increasingly disturbing. The investigation eventually leads the detectives to a deranged but calculating serial killer known only as John Doe (Kevin Spacey), who sees himself as a moral avenger exposing society’s corruption through his crimes, and whose final murder is directly targeted at the detectives investigating him. Read more…
AMERICANA – David Fleming
Original Review by Jonathan Broxton
Americana is a modern western crime thriller written and directed by Tony Tost, starring Sydney Sweeney, Paul Walter Hauser, Eric Dane, Zahn McClarnon, and Halsey. The film centers on a rare Native American artifact that falls into the black market, sparking an increasingly violent conflict between various characters including a waitress, a US military veteran, a hardened criminal, and an indigenous leader. The film was shot in 2022 in New Mexico and premiered at the South by Southwest Film & TV Festival in 2023, but then it languished in distribution hell for a couple of years, before finally receiving a belated theatrical release in August 2025. Unfortunately, despite decent critical reviews, the film was an enormous commercial flop and disappeared from cinemas after just a couple of weeks, with some people suggesting that a backlash to Sweeney’s recent controversial American Eagle jeans commercial may have contributed to its failure. Read more…
UNSTRUNG HEROES – Thomas Newman
THROWBACK THIRTY
Original Review by Jonathan Broxton
Unstrung Heroes is a coming-of-age comedy-drama directed by Diane Keaton, adapted from journalist Franz Lidz’s memoir of the same name. The story is set in the 1960s and follows twelve-year-old Steven Lidz (Nathan Watt), a sensitive and imaginative boy growing up in Los Angeles. Steven’s father Sid (John Turturro) is a brilliant but eccentric inventor who is emotionally distant, while his mother, Selma (Andie MacDowell), is warm, loving, and supportive. However, when Selma is diagnosed with terminal cancer, the family is shaken; struggling to cope with his mother’s illness and his father’s inability to express vulnerability, Steven decides to leave home and live with his two eccentric uncles, Arthur (Michael Richards) a paranoid conspiracy theorist, and Danny (Maury Chaykin), a gentle, childlike dreamer. Though unconventional, the uncles provide Steven with comfort, eccentric wisdom, and a sense of belonging, and through their unconventional guidance, Steven learns to process grief, embrace imagination, and find resilience in the face of loss. Read more…
APPLEWOOD – Penka Kouneva and Deniz Aktaş
Original Review by Jonathan Broxton
It’s not often than I feel compelled to write about the music for low-budget straight-to-streaming horror movies because, frankly, they are not usually very good. More often than not they are little more than basic string and keyboard textures punctuated with stingers and musical jump-scares. Unsophisticated, disappointing, just barely functional, with very little to recommend and even less to like out of context. They are often the domain of young up-and-coming composers still finding their feet, and although many of today’s top film music names cut their teeth in the genre, there remain dozens and dozens of others toiling away down there, writing music that nobody hears for films that few people see. Applewood is different. It’s certainly a low-profile and low-budget film, but what it lacks in prestige it more than makes up for in terms of talent and impact. Read more…
SANDS OF IWO JIMA – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Writer Harry Brown wrote a story that offered an account of the epic battle by the Marines to take the island of Iwo Jima during WWII. He then teamed with fellow writer Edward Grant to adapt it and write a screenplay, which they presented to Republic Pictures. Republic Pictures management thought the story of one of America’s greatest achievements in the war would resonate with the public. As such they purchased the film rights, placed Herbert Yates in charge of production with a $1.4 million budget, and tasked Allan Dwan with directing. An outstanding cast was assembled, which included John Wayne in the starring role of Sergeant John Stryker. He was joined by John Agar as PFC Pete Conway, Forest Tucker as PFC Al Thomas, Adele Mara as Allison Bromley, and Arthur Franz as Corporal Robert Dunne, and the narrator. Read more…
THE USUAL SUSPECTS – John Ottman
THROWBACK THIRTY
Original Review by Jonathan Broxton
The greatest trick the devil ever pulled was convincing the world he didn’t exist.
This famous quote from the writings of 19th century French poet Charles Baudelaire is at the heart of the story of The Usual Suspects, the film which marked the mainstream debuts of director Bryan Singer and screenwriter Christopher McQuarrie. It is a neo-noir crime thriller that unfolds as a story within a story, as told to federal agent Dave Kujan (Chazz Palminteri) by Verbal Kint (Kevin Spacey), a small-time con artist with cerebral palsy; Kint is one of two survivors of an explosion on a ship docked in San Pedro harbor in Los Angeles. Kint recounts the events leading up to the explosion, telling Kujan that five criminals – himself, plus Michael McManus (Stephen Baldwin), Fred Fenster (Benicio del Toro), Dean Keaton (Gabriel Byrne), and Todd Hockney (Kevin Pollak) – met during a police lineup in New York, and began committing heists together. Eventually, they are drawn into the orbit of the mysterious, almost mythical crime lord Keyser Söze, a figure so feared that most refuse to speak his name. Söze coerces the group into attacking the ship in San Pedro in order to eliminate witnesses who can identify him, and eventually Kujan comes to believe that Keaton – a former corrupt cop apparently trying to go straight – must have been Söze. Read more…
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