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IRIS – James Horner
Original Review by Jonathan Broxton
In collaborating with the virtuoso violinist Joshua Bell on his latest score, Iris, it would seem that James Horner is developing a reputation akin to that of John Williams in the way that he is attracting top-quality classical talent with whom to work. With Charlotte Church also working with him on A Beautiful Mind, these two latest scores could be taken as an indication that Horner’s standing in the crossover classical music world is growing at a steady rate, after the commercial successes and album sales his scores have enjoyed of late. It is perhaps worth noting that Horner, Bell and Church are all contracted Sony Classical artists, and it is no coincidence that Sony are marketing both scores by heavily publicizing the soloists, but the optimist in me would like to think that it is Horner’s creativity rather than a marketing strategy who have brought them together. Nevertheless, an artist as talented as Bell brings a definite sense of class to the project – and it doesn’t hurt that Horner’s music is superb in its own right. Read more…
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