Archive
FOOL’S GOLD – George Fenton
Original Review by Jonathan Broxton
A romantic comedy action-adventure directed by Andy Tennant and starring Matthew McConaughey, Kate Hudson and Donald Sutherland, Fool’s Gold follows the fortunes of Benjamin and Tess Finnegan – soon-to-be-divorced deep sea treasure hunters in the Caribbean who, despite being on the verge of a bitter separation, team up for one last adventure when they find directions to a lost Spanish treasure. Cue the light hearted action, the playful banter between the protagonists, and McConaughey with his shirt off and his abs on display, as is usually the case in films like this. Read more…
VALIANT – George Fenton
Original Review by Jonathan Broxton
The first British film to jump on the CGI animation bandwagon, Valiant is an entertaining (if a little un-ambitious) movie which does for pigeons what Chicken Run did for fowl. Set in a highly stylised England at the height of World War II, the film follows the exploits of the titular Valiant (voice of Ewan McGregor), a diminutive wood pigeon who dreams of joining the Royal Homing Pigeon Service and doing his bit for King and country. Valiant gets his opportunity when, after meeting the dashing Captain Gutsy (Hugh Laurie) at a rally to drum up new recruits, he decides to go to London to enlist. Teaming up with Cockney wide-boy pigeon Bugsy (Ricky Gervais), Valiant and his new cohorts find themselves in basic training under the gruff Sergeant (Jim Broadbent), and before long are embarking on their first mission – to retrieve and return with a secret message lost in occupied France. However, in order to complete the mission, they must face the evil General von Talon (Tim Curry), a ruthless falcon with a penchant for leather capes and Third Reich regalia, who has captured and eaten pigeons before… Read more…
GREY OWL – George Fenton
Original Review by Jonathan Broxton
Grey Owl, the latest work by director Richard Attenborough, is one of those rare films which suffers the indignity of not being able to find a distributor. Considering the talent both in front of and behind the camera, the American market was surprisingly reluctant to screen the film in theatres, and ultimately it went straight-to-video there (it played in Canada, and will receive a limited opening in the UK later this year). Attenborough, whose previous directorial masterpieces have included Gandhi, Cry Freedom and In Love and War, has by all accounts made a film which is visually beautiful but dramatically and emotionally lacking. Read more…
ANNA AND THE KING – George Fenton
Original Review by Jonathan Broxton
During the last couple of years, British composer George Fenton has suddenly burst to the forefront of the film music world, after years of being considered nothing more than a talented journeyman. As the force behind the sensational Ever After and Dangerous Beauty in 1998, Fenton’s reputation as the man for the romantic drama has been cemented beyond all doubt. However, the jewel in Fenton’s lyrical crown is surely Anna and the King, a new reworking of the classic romantic tale which first captured the imagination of the cinema-going public with Rodgers and Hammerstein’s The King and I. Read more…


