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COLOR OF NIGHT – Dominic Frontiere
THROWBACK THIRTY
Original Review by Jonathan Broxton
Color of Night is an erotic mystery/thriller directed by Richard Rush from a screenplay co-written by Billy Ray, who would later go on to receive an Oscar nomination for writing Captain Phillips in 2014. The film stars Bruce Willis as Bill Capa, a New York psychologist who falls into a deep depression after one of his patients commits suicide in front of him; the sight of her bloody body in a bright green dress causes Bill to suffer from psychosomatic color blindness, hence the name of the film. Bill travels to Los Angeles to stay with a friend, fellow therapist Bill Moore (Scott Bakula), who invites him to sit in on a group therapy session. However, when Bob is violently murdered in the office, Bill is plunged into the mystery of his friend’s death; the police suspect that any one of Bob’s patients could be the killer. Making things more complicated is Bob’s torrid affair with a mysterious, sexy young woman named Rose (Jane March), who may have a connection to the crime. Read more…
Dominic Frontiere, 1931-2017
Composer Dominic Frontiere died on December 21, 2017, in his home in Tesuque, New Mexico, after a short illness. He was 86.
Dominic Carmen Frontiere was born in New Haven, Connecticut, in June 1931. A classically trained accordion prodigy who performed at Carnegie Hall as a teenager, Frontiere went on to study at the Juilliard School before beginning a career in Hollywood that spanned more than four decades. He first gained recognition as musical director at 20th Century Fox, where he collaborated with Alfred Newman and contributed to a variety of studio productions.
His association with director and producer Leslie Stevens led to Frontiere scoring his first major film, The Marriage-Go-Round, in 1961. That relationship led Frontiere to became an executive of the television and film production company Daystar Productions, a company Stevens run. He composed several famous television themes of the 1960s, such as those for The Outer Limits, The Rat Patrol, Branded, and The Flying Nun, as well as The Invaders, The Fugitive, and 12 O’Clock High for producer Quinn Martin.
In cinema, he earned acclaim for his scores to films including Hang ‘Em High (1968), starring Clint Eastwood, and Freebie and the Bean (1974) while his score for The Stunt won a Golden Globe Award and earned him a Grammy nomination in 1980. Other notable films scored by Frontiere include On Any Sunday in 1971, Cleopatra Jones and the Casino of Gold in 1975, Brannigan in 1975, The Aviator in 1985, and Color of Night in 1994, which was his final major work. Read more…
THE AVIATOR – Dominic Frontiere
THROWBACK THIRTY
Original Review by Jonathan Broxton
I would wager than 99% of the people reading this didn’t know that there was a film called The Aviator released 19 years prior to the Oscar-winning Howard Hughes biopic directed by Martin Scorsese – but there was, and this is it. The film is a period action adventure directed by George Miller – not the famous director of Mad Max and The Witches of Eastwick, but the less famous George Miller who directed The Neverending Story Part II and that movie about a seal called Andre. It stars Christopher Reeve as Edgar Anscombe, a rough and ready pilot working for the postal service in the 1920s, who reluctantly agrees to take a passenger, a rich heiress’s daughter named Tillie Hansen played by Rosanna Arquette, on his latest run. Naturally, the plane crash lands on a remote mountain range in Nevada, and the pair must fight to survive against the elements, most notably a pack of hungry wolves that sees them as their next meal. Read more…
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