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DEAR WENDY – Benjamin Wallfisch
Original Review by Jonathan Broxton
A new name in the film scoring community, until now Benjamin Wallfisch has been best known for his work orchestrating and conducting Dario Marianelli’s acclaimed scores Pride & Prejudice, The Brothers Grimm and V for Vendetta. What may not be immediately apparent from those projects is that the 27-year-old Englishman is a talented hugely talented composer in his own right – as his debut score for Dear Wendy attests. A Danish/British co-production directed by Thomas Vinterberg and produced by Lars Von Trier, Dear Wendy stars Jamie Bell as Dick, a young boy in a nameless, timeless American town, who establishes a gang of misfits who are in love with guns as a way of livening up their lives. It’s an unusual, typically Scandinavian film about youthful angst, socio-political issues, and alienation, which opened in the UK in August 2005, but has not received wide distribution in North America beyond the festival circuit, despite actors such as Bill Pullman appearing in supporting roles. Read more…
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