THE OMEN – Jerry Goldsmith

April 16, 2018 Leave a comment

theomen100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Bob Munger, a friend of Producer Harvey Bernhard of 20th Century Fox, suggested that he consider making a supernatural horror drama based on the anti-christ of the apocalypse. Bernhard was intrigued by the idea, and hired screenwriter David Seltzer to come up with a story, who exceeded Bernhard’s expectations and delivered a classic story. Richard Donner was hired to direct and he assembled a stellar cast, which included Gregory Peck as Ambassador Robert Thorn, Lee Remick as his wife Katherine, David Warner as photographer Keith Jennings, Billie Whitelaw as the sinister Mrs. Baylock, Patrick Troughton as Father Brennan, and young Harvey Stephens as Damien Thorn, he young boy at the center of the narrative. Read more…

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MARY MAGDALENE – Hildur Guðnadóttir and Jóhann Jóhannsson

April 13, 2018 1 comment

Original Review by Anže Grčar

The unfortunate and unexpected passing of Jóhann Jóhannsson in early February, sent shockwaves through the film community, and lovers of modernist music at large. Not only was he flourishing and enjoying a fruitful career highlight since the indie world took his scores for mainly Denis Villeneuve-helmed films to the heart, but the death of any person at barely 48 years of age is a sad reminder of how fragile our existence can be. Jóhannsson is leaving behind a stunning body of work, ranging from independent studio albums in his native Iceland, that gained a loyal following due to their experimental sonic blends of traditional orchestration with contemporary electronic elements, to his recent film scores, which exposed so many traditional scoring aficionados to variety of post-modernist styles – all coming from an artist who always managed to encapsulate life from a different, more introverted angle that was singular only to him. Read more…

THE LIGHTHORSEMEN – Mario Millo

April 12, 2018 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

The Lighthorsemen was one of a series of critically acclaimed Australian films in the 1980s which looked at the experiences of that country’s soldiers during World War I and World War II, while also commenting specifically on the emergence of an Australian national culture and identity as it moved from being a British colony to attaining full independence. Capitalizing on the success of 1980’s Breaker Morant and 1981’s Gallipoli, which launched the international careers of directors Bruce Beresford and Peter Weir, The Lighthorsemen was directed by Simon Wincer and followed the experiences of four young and inexperienced Australian soldiers in a mounted brigade, fighting for the British against the Ottoman Empire in the Middle East as part of World War I. The movie culminates with an extraordinary depiction of the Battle of Beersheba, which has since come to be regarded as one of the greatest mounted infantry charges in history, and one of the finest moments of Australian military success. Read more…

A QUIET PLACE – Marco Beltrami

April 10, 2018 1 comment

Original Review by Jonathan Broxton

A Quiet Place is an effective, exciting, and scary horror-thriller, directed by John Krasinski, hitherto best known as the easy-going Jim from the American version of the sitcom The Office. This film is a very different kettle of fish; it is set an indeterminate period in the future in the aftermath of an invasion by some sort of race of monsters – possibly aliens, possibly something else, it’s never quite explained. The monsters are blind but have intensely acute hearing, and attack and slaughter any living thing that makes a noise. Krasinski and his real-life wife Emily Blunt play Lee and Evelyn, a husband and wife with three children – one of whom is deaf and wears a cochlear implant – and a baby on the way. The film follows their efforts to survive – scavenging for food, maintaining their farmhouse home, and raising the children, trying to build a life in this nightmarish scenario – while all the while trying to remain utterly silent so as not to attract the monsters who roam the woods around their property. Read more…

OBSESSION – Bernard Herrmann

April 9, 2018 Leave a comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Brian De Palma had long admired Alfred Hitchcock’s masterwork Vertigo, and resolved to revisit its themes with a new rendering. He convinced Paramount studio executives of his vision for a retelling, and brought in trusted writer Paul Schrader to create a screenplay. Schrader’s crafted a fine original screenplay, titled Déjà Vu, but it was so voluminous that De Palma judged it to be unfilmable. As such he truncated the third act, which was set ten years in the future to achieve a more cogent and filmable storyline. Well, Schrader was outraged, refused to make the requested changes, and the two friends had a falling out, but development of the film continued regardless, ultimately resulting in Obsession. De Palma brought is a seasoned cast, which included Cliff Robertson as Michael Courtland, Geneviève Bujold as Elizabeth Courtland/Sandra Portinari, John Lithgow as Robert Lasalle, and Stocker Fontelieu as Dr. Ellman. Read more…

BEETLEJUICE – Danny Elfman

April 5, 2018 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

Beetlejuice is an irreverent supernatural comedy, one of the best of the 1980s, and is the film which introduced the world to one of the most iconic characters of the period – the ghoulish, disgusting, undead horror-for-hire played by Michael Keaton at his most madcap. The film is set in an idyllic New England town, where blissful newlyweds Adam and Barbara Maitland are renovating their dream home; unfortunately, they are killed in a car crash on their way back from the hardware store, and become ghosts, stuck haunting their home for 125 years. Some time later the home is sold to a new family, the Deetzes, comprising the insufferable and talentless artist Delia, her henpecked developer husband Charles, and his goth daughter Lydia; immediately, Delia begins ripping out the country charm of the house, replacing it with garish modern art. Desperate to save their home, the Maitlands travel to the afterlife – a dreary netherworld set up like the universe’s worst DMV office – where they are advised that they can scare out the Deetzes if they so desire. To accomplish this, the Maitlands find and hire a ‘bio-exorcist’ named Betelgeuse, who can be summoned by saying his name three times – but the perverted, irreverent ghost quickly causes more chaos then he cures. Not only that, but it quickly becomes apparent that the introverted and sensitive Lydia can actually see the ghosts… Read more…

READY PLAYER ONE – Alan Silvestri

April 3, 2018 2 comments

Original Review by Jonathan Broxton

Nostalgia for the late 1970s and 1980s is massively pervasive in pop culture right now, with TV shows like Stranger Things and big screen remakes and re-imaginings of period icons like Star Wars and It proving to be massively popular with audiences across the world. The new film Ready Player One may prove to be the pinnacle of the nostalgia festival; it’s a science fiction action adventure film based on an enormously popular novel by Ernest Cline, directed by the cinematic king of the 1980s, Steven Spielberg. The film is set 50 years into the future, in the aftermath of some sort of economic collapse which has left American society in disarray. Wade Watts (Tye Sheridan) is a teenage kid living in The Stacks – a futuristic trailer park from hell – who escapes from his bleak daily life by retreating to The Oasis, a virtual reality alternative universe, along with literally billions of other people all over the world. The Oasis was created years before by James Halliday (Mark Rylance), a Steve Jobs-esque wunderkind, and after he died he left instructions for a ‘quest’ in his will: somewhere hidden deep inside the Oasis are three magical keys – Easter Eggs – and the first person to find all three will inherit control of the Oasis universe, as well as Halliday’s trillion dollar fortune. As his Oasis alter-ego avatar Parzival, Wade has spent years searching for the first of the Easter Eggs, with little success; however, shortly after teaming up with another avatar named Artemis (Olivia Cooke), Wade/Parzival locates the first key – an event which brings him to the attention of Nolan Sorrento (Ben Mendelsohn), the unscrupulous executive of IOI, a rival tech company which wants to control and exploit the Oasis for their own gain. Read more…