STAR WARS: THE RISE OF SKYWALKER – John Williams

December 23, 2019 5 comments

Original Review by Jonathan Broxton

WARNING: THIS REVIEW CONTAINS PLOT SPOILERS. IF YOU HAVE NOT YET SEEN THE FILM, YOU MIGHT WANT TO CONSIDER WAITING UNTIL AFTER YOU HAVE DONE SO TO READ IT.

When you’re a critic or reviewer, you often get accused of being biased, especially when you write a review that is contrary to the opinion of the accuser. And, of course, this is true. It’s impossible to remove bias from any opinion because your biases inform your feelings and your reactions to whatever it is you’re expressing an opinion about. Your bias comes from your life experience, your culture, your personality, and your taste: effectively, it’s the sum of who you are. For me, a piece of critical writing without bias is pointless because then you’re never actually sharing your point of view – in effect, you’re just describing something, and never describing how it makes you feel, and most importantly why. All art should make you feel something, good or bad, because otherwise what’s the point of art? Over time, a critic’s biases will become a clear and important part of what they write, and the reader, if they invest enough time into learning them, will be able to weigh those subjective biases against more objective standards, and tell whether or not the end result meshes with their own opinions, and their own biases. So, from the point of view of this review it’s important to point out that I am biased, heavily, to have a positive view of Star Wars. Read more…

DRIVING MISS DAISY – Hans Zimmer

December 19, 2019 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

Driving Miss Daisy is a story of the unlikely friendship that develops between Daisy Wertham, a retired white Jewish schoolteacher, and Hoke Colburn, an African American driver and handyman, set against the backdrop of racism and prejudice in the American South in the 1950s. When Miss Daisy (Jessica Tandy) crashes her car into her neighbor’s house, her son Boolie (Dan Aykroyd) hires Hoke (Morgan Freeman) to be her driver; despite initial misgivings from both parties, as time passes the unlikely pair grow to become friends and confidants, as both suffer slights and prejudices against them – Hoke for his skin color, and Daisy for her religion. The film was directed by Bruce Beresford, and written by Alfred Uhry, who adapted his own Pulitzer Prize-winning stage play for the big screen. It was a significant critical and commercial success too, winning Academy Awards for Best Picture, Best Adapted Screenplay, Best Makeup, and Best Actress for Tandy, who in doing so became the oldest winner in the history of the category at the age of 81. Read more…

KNIVES OUT – Nathan Johnson

December 17, 2019 Leave a comment

Original Review by Jonathan Broxton

Knives Out is a super-fun Agatha Christie-style murder mystery, given a contemporary twist by writer-director Rian Johnson. Daniel Craig stars as Benoit Blanc, a master detective with a Foghorn Leghorn accent, who is called to help the police solve the murder of wealthy novelist Harlan Thrombey (Christopher Plummer), who is found dead in his Connecticut mansion on the night of his 85th birthday. Blanc encounters a motley crew of family and staff members – played by an astonishing supporting cast including Chris Evans, Jamie Lee Curtis, Don Johnson, Michael Shannon, Toni Collette, and Ana de Armas – all of whom have sufficient motive and means to want Harlan dead. As the story progresses Blanc discovers an intricate web of lies, deceit, familial in-fighting, blackmail, and so much more, eventually leading to an ending when he deduces the facts of the crime and the guilty parties are revealed. It’s a tremendously entertaining story – less a whodunit, and more of a whydunit – featuring enjoyable performances, clever writing, and plenty of twists and turns. It’s a marked difference from Johnson’s last film – the polarizing Star Wars: The Last Jedi – and reminds viewers why his earlier films, like Brick, The Brothers Bloom, and Looper, were so well-received. Read more…

THE RIGHT STUFF – Bill Conti

December 16, 2019 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

The 1979 novel The Right Stuff by Tom Woolfe proved to be a hit with the public, which set-off a bidding war for screen rights between Universal Pictures and independent producers Robert Chartoff and Irwin Winkler. Chartoff and Winkler won the day and hired screenwriter William Goldman to adapt the novel to the big screen. Goldman was inspired by the project and was seeking a patriotic Americana tale, which celebrated the Mercury 7 astronauts involved. Philip Kaufman was tasked with directing, but he disliked Goldman’s script, believing it too patriotic, with not enough focus on test pilot Chuck Yeager. Goldman left the project, Woolfe declined to adapt his novel, and so Kaufman wrote the screenplay himself. He related; “if you’re serious about tracing where the future — read: space travel — began, its roots lay with Yeager and the whole test pilot-subculture. Ultimately, astronautics descended from that point.” Kaufman brought in a fine cast, which included Fred Ward as Gus Grissom, Dennis Quaid as Gordo Cooper, Ed Harris as John Glenn, Sam Shepard as Chuck Yeager, Scott Glenn as Alan Shepard, Lance Henriksen as Wally Schirra, Scott Paulin as Deke Slayton, Barbara Hershey as Glennis Yeager and Veronica Cartwright as Betty Grissom. Read more…

FROZEN II – Christophe Beck

December 10, 2019 3 comments

Original Review by Jonathan Broxton

I don’t think anyone – including the people at Walt Disney – could have predicted just how successful Frozen would be when it was released in the fall of 2013. With it’s winning combination of comedy and action, strong female leads, genuinely beautiful snow-capped animation, and of course *that* song, it quickly became the highest grossing-animated film of all time (although Snow White and the Seven Dwarfs still holds the true crown, adjusted for inflation). It made its two princess protagonists, Anna and Elsa, household names, and made snowmen cool again, but it was as much of a success critically as it was commercially, eventually going to pick up two Oscars, a Golden Globe, a BAFTA, and even two Grammys. Of course, no studio would ever sit on all this success without trying to capitalize on it with a sequel, and so here we are with Frozen II – the first traditional animated Disney sequel to hit theaters since The Rescuers Down Under in 1990. Read more…

Golden Globe Nominations 2019

December 9, 2019 Leave a comment

goldenglobeThe Hollywood Foreign Press Association (HFPA) has announced the nominations for the 77th Golden Globe Awards, honoring the best in film and American television of 2019.

In the Best Original Score category, the nominees are:

  • ALEXANDRE DESPLAT for Little Women
  • HILDUR GUĐNADÓTTIR for Joker
  • RANDY NEWMAN for Marriage Story
  • THOMAS NEWMAN for 1917
  • DANIEL PEMBERTON for Motherless Brooklyn

This is the first Golden Globe nomination for Guđnadóttir, and the first nomination for a solo female composer at the Globes since Rachel Portman’s nomination for Chocolat in 2000. This is the 11th nomination for Desplat, who previously won the Globe for The Painted Veil in 2006 and The Shape of Water in 2017; the third nomination for Randy Newman; the second nomination for Thomas Newman; and the second nomination for Pemberton.

In the Best Original Song category, the nominees are:

  • CYNTHIA ERIVO and JOSHUAH BRIAN CAMPBELL for “Stand Up” from Harriet
  • ELTON JOHN and BERNIE TAUPIN for “I’m Gonna Love Me Again” from Rocketman
  • BEYONCÉ KNOWLES-CARTER, TIMOTHY McKENZIE and ILYA SALMANZADEH for “Spirit” from The Lion King
  • ROBERT LOPEZ and KRISTIN ANDERSON-LOPEZ for “Into the Unknown” from Frozen II
  • TAYLOR SWIFT and ANDREW LLOYD WEBBER for “Beautiful Ghosts” from Cats

The winners of the 77th Golden Globe Awards will be announced on January 5, 2020.

CHARIOTS OF FIRE – Vangelis

December 9, 2019 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

Lauded English film producer David Puttnam was seeking a new film project, which offered sports heroism and dealt with matters of conscience. By chance he came upon the story of runner Eric Liddell, and found exactly the tale he wanted to tell. He hired screenwriter Colin Welland to adapt Liddell’s story, and he meticulous in his research of the 1924 Olympics. He crafted an Academy Award winning screenplay that provided the vehicle for Puttnam to realize his vision. Hugh Hudson was hired to direct and he decided early that he would cast young, unknown actors for the film’s major roles, with established actors in the supporting roles. He chose Ian Charleson to play Eric Liddell, Ben Cross as his rival Harold Abrahams, Nicholas Farrell as Aubrey Montague, and Nigel Havers as Lord Andrew Lindsay, while adding Sir John Gielgud, Nigel Davenport, Lindsay Anderson, Ian Holm, and Patrick Magee to the supporting cast. Read more…