Archive
OTHELLO – Charlie Mole
THROWBACK THIRTY
Original Review by Jonathan Broxton
O, beware, my lord, of jealousy, it is the green-eyed monster which doth mock the meat it feeds on.
One of William Shakespeare’s most enduring and celebrated plays, Othello is a classic tale of jealousy, manipulation, and betrayal, with hint of racism thrown in for good measure. In the story Othello, a respected Moorish general in Venice, secretly marries Desdemona, the daughter of a nobleman. His ensign, Iago, jealous of Othello’s success and resentful at being passed over for promotion, schemes to destroy him. Iago tricks Othello into believing that Desdemona has been unfaithful with his lieutenant, Cassio. Consumed by jealousy, Othello murders Desdemona – only to discover too late that she was innocent and that Iago deceived him. Overcome with grief and guilt, Othello takes his own life, while Iago is exposed and punished. Read more…
RED SONJA – Sonya Belousova and Giona Ostinelli
Original Review by Jonathan Broxton
The character Red Sonja was created for Marvel comics in 1973 by writer Roy Thomas and artist Barry Windsor-Smith as a companion to their already-established Conan the Barbarian character, who was himself created by the groundbreaking writer Robert Howard in the 1930s. A flame-haired female warrior in a savage world, she used her sexuality as a weapon as much as her sword, and she accompanied Conan on many comic book adventures; when Conan got his own movie franchise starring Arnold Schwarzenegger in 1982, Sonja quickly followed suit in 1985, with Danish supermodel Brigitte Nielson in the title role. Now, almost 40 years later, a new version of Red Sonja has emerged, directed by M. J. Bassett, and starring Italian actress Matilda Lutz in the title role. The film follows the adventures of Sonja, who unites with a group of unlikely warriors to face off against the evil emperor Dragan and his cruel sorceress wife Annisia, who slaughtered her family when she was a child. Read more…
DOWN TO THE SEA IN SHIPS – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
20th Century Fox Studio CEO Darryl F. Zanuck had always been drawn to seafaring tales. He began planning for one in 1939, but it took seven years to set his dream into motion. In 1946 he purchased the screenplay “The Princess and the Pirate, 13 Rue Madeleine” by Sy Bartlet, and tasked John Lee Mahin to rewrite the story into this film, entitled Down to the Sea in Ships. Zanuck was satisfied with the rewrite, and placed Louis D. Lighton in charge of production with a $2.5 million budget, with Henry Hathaway tasked with directing. A fine cast was hired, including Richard Widmark as First Mate Dan Lunceford, Lionel Barrymore as Captain Bering Joy, and Dean Stockwell as Jed Joy. Read more…
DR. JEKYLL AND MS. HYDE – Mark McKenzie
THROWBACK THIRTY
Original Review by Jonathan Broxton
A classic sci-fi horror tale with a comic twist, Dr. Jekyll and Ms. Hyde is a modern reimagining of Robert Louis Stevenson’s 1886 novella The Strange Case of Dr Jekyll and Mr Hyde. Directed by David Price, the film stars Tim Daly as Dr. Richard Jacks, a chemist working at a fragrance company, who also happens to be the great-grandson of Dr Henry Jekyll, the protagonist of the original story. After he receives his great-grandfather’s scientific notes as part of an inheritance, the shy and bumbling Jacks tinkers with and creates a new serum, intending to use it as a base for a new women’s perfume; unfortunately, when he tests the serum on himself, he finds himself transformed into the beautiful, confident, and very female Helen Hyde (Sean Young) – and Helen is determined to take over Richard’s life. However, despite having a fun supporting cast – Lysette Anthony, Harvey Fierstein, Stephen Tobolowsky, Jeremy Piven – the film was both a critical and commercial flop, and is mostly forgotten today. Read more…
DRACULA – Danny Elfman
Original Review by Jonathan Broxton
Bram Stoker’s classic 1897 novel Dracula, which introduced the world to the modern concept of the vampire, has been made into films dozens and dozens of times over the years, from the early German expressionist silent version by F.W Murnau, to Bela Lugosi’s classic Hollywood portrayal in 1931, to the Christopher Lee-Peter Cushing British Hammer horrors of the 1950s and 60s, and many more besides. Last year director Robert Eggers made one of the best ever versions of the story with his Nosferatu, which portrayed the undead count as more plague than man, twisted and evil. Now, the latest director to take on the story is French director Luc Besson, but his version of the story is different from Eggers’s, and is instead closer in tone to the luxurious romanticism of Francis Ford Coppola’s Dracula from 1992, which remains my personal favorite of all Dracula films. Besson’s film – which was made entirely by a French crew – was nevertheless shot in English, and stars Caleb Landry Jones in the title role as the blood-sucking count who is both debonair and demonic, with Christoph Waltz, Zoë Bleu, and Matilda De Angelis in major supporting roles. Read more…
THE LUCK OF THE IRISH – Cyril J. Mockridge
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The husband and wife writing team of Guy and Constance Jones caught the attention of Hollywood studios after Universal successfully adapted their story “Peabody’s Mermaid” for the film Mr. Peabody and the Mermaid, released in August 1948. 20th Century Fox decided to roll the dice and so in July 1947 they purchased the film rights for their second novel “There Was a Little Man” for $50,000, which was adapted into this film, The Luck of the Irish. Fred Kohlmar was placed in charge of production, Henry Koster was tasked with directing, and Philip Dunne would write the screenplay. A fine cast was hired, with Tyrone Power starring as Stephen Fitzgerald, joined by Ann Baxter as Nora, Cecil Kellaway as Horace and Lee J. Cobb as David Augur. The film was made quickly and eventually released just one month later, in September 1948. Read more…
WASHINGTON BLACK – Cameron Moody
Original Review by Jonathan Broxton
Washington Black is a new Hulu drama-adventure TV series based on the 2018 ‘bildungsroman’ novel of the same name by Canadian-Ghanaian author Esi Edugyan. The story follows the adventures of George Washington ‘Wash’ Black, who is born into slavery on a sugar plantation in Barbados in the early 1800s. When a brutal new overseer named Erasmus Wilde takes charge of the plantation, Wash is unexpectedly chosen to be the assistant to Erasmus’s brother Christopher, nicknamed ‘Titch,’ a kindhearted inventor who is also secretly an abolitionist seeking to end slavery. Titch teaches Wash to read, write, and appreciate scientific exploration, introducing him to a world of wonder. However, a traumatic event forces Titch and Wash to flee Barbados in a flying machine, and their escape sets them on an adventurous globe spanning journey across the Americas to Nova Scotia, the Arctic, then to London, Morocco, and beyond, all with Erasmus’s slave-hunting henchman Willard hot on their trail. The show was written by Selwyn Seyfu Hinds, produced under the auspices of showrunner Kimberly Ann Harrison, and stars Ernest Kingsley Jr. and Eddie Karanja as the younger and older Wash, with Rupert Graves, Tom Ellis, Billy Boyd, and Sterling K. Brown in major supporting roles. Read more…
LAST OF THE DOGMEN – David Arnold
THROWBACK THIRTY
Original Review by Jonathan Broxton
A wilderness action adventure with elements of mystery and historical fantasy, Last of the Dogmen stars Tom Berenger as Lewis Gates, a rugged bounty hunter tracking three escaped convicts in the remote and treacherous wilderness of the Montana Rockies near the Canadian border. During his search, Gates comes across bizarre signs that suggest the presence of a mysterious and elusive group living deep in the mountains – people who shouldn’t exist. After teaming up with anthropologist Professor Lillian Sloan (Barbara Hershey), an expert on Native American history, they investigate the mystery, and discover a hidden valley inhabited by a Native American tribe descended from the Cheyenne Dog Soldiers, fierce warriors who evaded the U.S. Cavalry over a century earlier and have lived in complete isolation ever since. Read more…
THE NAKED GUN – Lorne Balfe
Original Review by Jonathan Broxton
Sassafras Chicken in D. Make it extra lumpy, boys.
As much as I enjoy witty repartee and sophisticated but humorous observations about the human condition, there is something enormously satisfying about a comedy that is unashamedly, gleefully stupid. My favorite out-and-out comedy of this type is Airplane! from 1980, which was written and directed by Jim Abrahams, David Zucker, and Jerry Zucker, and my second favorite comedy of all time of this type is The Naked Gun from 1988, which ZAZ co-wrote with Pat Proft. The Naked Gun was itself a spinoff of the short-lived comedy TV series Police Squad, which aired on ABC for one season in 1982, and starred Leslie Nielsen as the inept LAPD detective Lt. Frank Drebin. Over the course of the show and the three subsequent films he investigates various murders, robberies, and extortion rackets – all of which are framing devices on which to hang all manner of goofy one-liners, ridiculous sight gags, and hilarious pratfalls, all centered around Nielsen’s unique brand of comedy. Read more…
THE STRANGE LOVE OF MARTHA IVERS – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The Paramount Pictures development team was seeking a new film noir project given that the genre was blossoming in the 1940s, captivating audiences far and wide. They believed they found it in the short story “Love Lies Bleeding” by playwright John Patrick, which was re-titled The Strange Love of Martha Ivers for the big screen. Screenwriter Robert Rossen acquired the film rights for $35,000 and was tasked to write the screenplay. Hal B. Wallis was placed in charge of production and Lewis Milestone would take the reins directing. For the cast Barbara Stanwyck would star in the titular role as Martha Ivers, joined by Van Heflin as Sam Masterson in his comeback role following his discharge from the military, Lizabeth Scott as Toni Marachek, Kirk Douglas in his acting debut as Walter O’Neil, and Judith Anderson as Mrs. Ivers. Read more…
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