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Posts Tagged ‘Ryuichi Sakamoto’

LITTLE BUDDHA – Ryuichi Sakamoto

May 30, 2024 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

Little Buddha, directed by the Oscar-winning Italian filmmaker Bernardo Bertolucci, is a drama film that intertwines two primary narratives. The first narrative follows a young boy named Jesse Conrad, living in Seattle with his parents, Dean and Lisa. Tibetan monks, led by Lama Norbu, visit the Conrad family, believing that Jesse is the reincarnation of a revered Buddhist teacher, Lama Dorje. As Jesse and his parents grapple with this revelation, they travel to Bhutan to further explore this possibility, and he meets two other boys – Raju and Gita – who may also be reincarnations of Lama Dorje . The second narrative is a historical recount of the life of Prince Siddhartha, who would later become the first Buddha and the founder of the Buddhist religion This story is woven throughout the film as Lama Norbu tells Jesse about Siddhartha’s journey. The film depicts Siddhartha’s sheltered life in his father’s palace, his encounters with suffering in the world, his renunciation of royal life, and his path to enlightenment under the Bodhi tree. Read more…

Ryuichi Sakamoto, 1952-2023

April 2, 2023 1 comment

Composer Ryuichi Sakamoto died on March 28, 2023, in hospital in Tokyo, after a long battle with cancer. He was 71.

Sakamoto was born in Tokyo, Japan, in January 1952. He studied at the Tokyo National University of Fine Arts and Music, earning a B.A. in music composition and an M.A. with special emphasis on both electronic and ethnic music. He studied ethnomusicology there with the intention of becoming a researcher in the field, due to his interest in various world music traditions, particularly the Japanese (especially Okinawan), Indian and African musical traditions.

Sakamoto began his musical career while at university as a session musician, producer, and arranger. His first major success came in 1978 as co-founder of Yellow Magic Orchestra (YMO), and with bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres. He concurrently pursued a solo career, releasing the experimental electronic fusion album Thousand Knives in 1978, and then the influential B-2 Unit in 1980.

Sakamoto began working in films, as a composer and actor, in Nagisa Oshima’s Merry Christmas Mr. Lawrence in 1983. Sakamoto won the BAFTA Award for Best Film Music for his score – which was hugely popular in the UK. Then in 1987 Sakamoto wrote the score for Bernardo Bertolucci’s The Last Emperor with fellow composers David Byrne and Cong Su, and won the Academy Award, the Golden Globe, and a Grammy. Read more…

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THE SHELTERING SKY – Ryuichi Sakamoto

October 22, 2020 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

The Sheltering Sky is an epic romantic drama film directed by Bernardo Bertolucci, based on the 1949 novel of the same name by Paul Bowles. It stars Debra Winger and John Malkovich as married American couple Kit and Port Moresby, who arrive in Algeria in 1949 on a holiday which they hope will rekindle their failing marriage. However, the harshness of the Saharan environment, coupled with Port’s jealousy and his suspicions that Kit is having an affair with their friend and travelling companion George Tunner (Campbell Scott), only makes things worse, leading to tragedy, death, and madness. The novel is one of the most acclaimed works of the twentieth century, and has been described by many commentators as one of the most compelling explorations of alienation and existential despair ever written, but the film was less successful; although praised for its visual magnificence, some critics called it “insufferably dull,” and a film which “dries up in that symbolic desert sun, the victim of its own pretensions” that “gets stuck in the sand right at the start.” Read more…

THE HANDMAID’S TALE – Ryuichi Sakamoto

April 2, 2020 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

The recent Hulu television adaptation of Margaret Attwood’s novel The Handmaid’s Tale is one of the most critically acclaimed shows of all time. It tells of a dystopian future set in the aftermath of a second American Civil War, and the rise of a hard-line Christian theocracy called Gilead in what was once New York State. One of the issues that led to the civil war was a calamitous drop in fertility rates, and in Gilead women who are found to be capable of giving birth to children are commandeered and forced to work as ‘handmaids,’ essentially concubine sex-slaves who are raped monthly by their assigned regional Commanders in the hope that they become pregnant. With this religious authoritarianism, female disenfranchisement, and environmental disaster as its backdrop, the story unfolds through the eyes of a handmaid named Kate, re-named Offred, who is assigned to a family headed by the cruel Commander Waterford and his coldly indifferent wife Serena. What many people forget is that this story has been told once before, as a 1990 movie directed by the acclaimed German filmmaker Volker Schlöndorff from a screenplay by Harold Pinter, which starred Natasha Richardson as Offred, Robert Duvall as the Commander, and Faye Dunaway as Serena. Read more…

THE LAST EMPEROR – Ryuichi Sakamoto, David Byrne, and Cong Su

November 30, 2017 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

They don’t make movies like The Last Emperor anymore. A lavish historical epic directed by the great Italian filmmaker Bernardo Bertolucci and starring John Lone, Joan Chen, and Peter O’Toole, the film tells the life story of Pu Yi, the last monarch of the Chinese Qing dynasty prior to the republican revolution in 1911. It is set within a framing story wherein the adult Pu Yi – a political prisoner of communist leader Mao Zedong – looks back on his life, beginning with his ascent to the throne aged just three in 1908, and continuing through his early life growing up in the Forbidden City in Beijing, and the subsequent political upheaval that led to his overthrow, exile, and eventual imprisonment. It’s an enormous, visually spectacular masterpiece that balances great pageantry and opulence with the very personal story of a man trying to navigate his life as a figurehead and monarch, and how he balances that with his private life and his political and social importance. It was the overwhelming critical success of 1987, and went on to win nine Oscars, including Best Picture, Best Director, and Best Adapted Screenplay, as well as a slew of technical awards for Art Direction, Cinematography, Editing, Costume Design, and Score. Read more…

SILK – Ryuichi Sakamoto

September 14, 2007 Leave a comment

Original Review by Clark Douglas

No less than nine years after winning acclaim for “The Red Violin”, director Francois Girard has finally returned to the world of cinema. His latest effort is “Silk”, based on the much-lauded book of the same name by Alessandro Barrico. The main character of the story is Herve Joncour (Michael Pitt), a French silkworm merchant traveling through Japan with his wife (Keira Knightly). While in Japan, the merchant falls in love with the mistress (Sei Ashina) of a fearsome Japanese overlord (Koji Yakusho). Of course, suspicions begin to arise on both sides and unsuspected plot elements begin to unfold. It’s a rather promising set-up, but most critics were quite underwhelmed by the story, saying it lacked passion and coherent plotting. Also, the lead performance of Michael Pitt was savaged by most, as many felt he lacked the emotional skills required to play such a role. Read more…