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PRIEST – Christopher Young
Original Review by Jonathan Broxton
You always know where you stand with a Christopher Young horror score. Throughout his career, going all the way back to Hellraiser in 1987 and continuing on through scores like Hellbound: Hellraiser II, Bless the Child and Drag Me to Hell, horror movies with religious overtones have defined the majority of his best work, brought him the most fans, and earned him the most acclaim. Although he is enormously accomplished at writing in literally dozens of styles, from the smooth jazz of scores like Rounders to the soaring orchestral beauty of scores like Murder in the First, his work in this genre remains the cornerstone of his writing, and Priest is yet another outstanding example of why he remains one of the best in the business as this kind of thing. Read more…