Archive
LARA CROFT – TOMB RAIDER – Graeme Revell
Original Review by Jonathan Broxton
Few films have had as troubled a post-production than Tomb Raider, the first big-screen outing for the pneumatically-breasted super heroine from the world of computer games, Lara Croft. Musically, the entire set-up was a shambles, eclipsing even such scoring debacles as The Avengers and What Dreams May Come. The first name attached to the project was John Powell; then, game composer Nathan McCree was announced as being the film’s composer. To the utter dismay of score fans, it was then announced that dance DJ Norman Cook (aka Fat Boy Slim) would co-ordinate the soundtrack. Then, in an amazing about-face, Cook was bumped off and Michael Kamen came in. Sigh of relief. But then, with just weeks to go before the film’s high profile premiere, Kamen downed tools and bolted the project, leaving poor old Graeme Revell with less than 10 days to write and record a 50-minute score for a full orchestra augmented by electronics. The Hollywood composing merry-go-round seemingly knows no depths of stupidity. Read more…
Shop at the Movie Music UK Store
Member of the
MOVIE MUSIC UK 