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Posts Tagged ‘Geoff Zanelli’

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES – Geoff Zanelli

June 16, 2017 1 comment

Original Review by Jonathan Broxton

Dead Men Tell No Tales is the fifth entry in Disney’s tentpole Pirates of the Caribbean franchise, based on the classic dark rides found at Disney theme parks the world over. Directed by Norwegian filmmakers Joachim Rønning and Espen Sandberg, it picks up the story of Captain Jack Sparrow (Johnny Depp) several years after the events of the fourth film, On Stranger Tides. Down on his luck and having to resort to robbing banks to make ends meet, Jack becomes embroiled in a new adventure when the ghost of Captain Salazar (Javier Bardem), fearsome pirate hunter of the Spanish Navy, is released from a cursed prison in the so-called Devil’s Triangle; Salazar, who blames Jack for his long imprisonment, begins to track Jack’s ship looking for revenge. In an effort to stop Salazar, Jack teams up with Carina Smyth (Kaya Scodelario), an intelligent young woman accused of being a witch; his old nemesis Barbossa (Geoffrey Rush), now a wealthy shipping fleet owner; and Henry Turner (Brenton Thwaites), the now-adult son of Jack’s old friends Will and Elizabeth. Together, they search for the mythical Trident of Poseidon, which they believe has the power to break Salazar’s curse… and may hold other magical powers too. Read more…

THE ODD LIFE OF TIMOTHY GREEN – Geoff Zanelli

October 1, 2012 2 comments

Original Review by Jonathan Broxton

A couple of years ago I wrote a review of the soundtrack for the film Gamer, by Geoff Zanelli and Robb Williamson, in which I posted my now-famous ‘polar bear with a migraine’ photo, and basically called it was one of the worst film scores I have ever heard in my life. Despite hating the music for that particular film, I was very careful not to criticize the composer himself, who was clearly providing exactly what the director and producer of that film wanted in terms music – which just happened to be music I cannot tolerate. A lot of us tend to forget, myself included sometimes, that a film composer’s primary motivation is to support with music the director’s vision of the film being made, and any secondary life the music takes on apart from the film is entirely inconsequential to the reason the music exists in the first place. A composer might be asked to write grating and grinding electronics for one film, as Zanelli was on Gamer, and a less-experienced critic might call him a hack, or whatever other derogatory terms spring to mind. But all composers, by necessity, have to be versatile, and Geoff Zanelli’s versatility and talent is highlighted by his work on The Odd Life of Timothy Green, a film score at the other end of the musical spectrum from Gamer as it is possible to be. Read more…

THE PACIFIC – Hans Zimmer, Geoff Zanelli and Blake Neely

March 12, 2010 Leave a comment

Original Review by Jonathan Broxton

When the TV mini-series Band of Brothers first aired in 2001 it was hailed as a great piece of television art; a thoughtful, emotional, well-produced, well-acted and well-directed look at the lives – and deaths – of the men who served in the US military in Europe during World War 2. Almost a decade later, the same group of talented individuals have come together again to make The Pacific, which tells the simultaneous story of the men and women who fought in the Pacific theater against the Japanese at Guadalcanal, Iwo Jima, Okinawa, and all across the Pacific Ocean. The series stars Joseph Mazzello, Jon Seda, William Sadler and James Badge Dale, and began airing on HBO in the United States on March 14, 2010.

The late, great Michael Kamen wrote one of the finest scores of his career for the original Band of Brothers series. For The Pacific, the producers turned to the composing trifecta of Hans Zimmer, Geoff Zanelli and Blake Neely to write almost nine hours Read more…

GAMER – Geoff Zanelli and Robb Williamson

September 4, 2009 Leave a comment

Original Review by Jonathan Broxton

The official website for Gamer calls it a “high-concept action thriller set in a near future when gaming and entertainment have evolved into a terrifying new hybrid where humans can control other humans in mass-scale, multi-player online gaming environments”. Directed by Mark Neveldine and Brian Taylor, it’s basically an excuse for lead actors Gerard Butler, Michael C. Hall and Terry Crews to run around shooting things, making things explode, and generally behaving in an unseemly manner ill-befitting a gentleman.

I was going to write a long and vociferous diatribe on everything that is wrong with the score for Gamer, which was written by Geoff Zanelli and Robb Williamson. Read more…

OUTLANDER – Geoff Zanelli

January 23, 2009 Leave a comment

Original Review by Jonathan Broxton

A science fiction Viking epic, Outlander is a genre-bending action movie starring Jim Caviezel as Kainen, a soldier from a faraway planet who crashes his spaceship on Earth in Norway in the year 709, and is captured by the local Norsemen; however, when a deadly alien creature called the Moorwen – which had stowed away on Kainen’s ship – begins a vicious killing rampage through the Viking village, Kainen and the Vikings team up to stop the intruder.

The film is directed by Howard McCann, features an eclectic supporting cast that includes Sophia Myles, Ron Perlman and John Hurt, and has an original score by Geoff Zanelli. The score sounds pretty much like you would expect it to sound, and is built around a rousing brass main theme in the finest Zimmer power anthem tradition Read more…

DISTURBIA – Geoff Zanelli

April 13, 2007 Leave a comment

Original Review by Clark Douglas

“The Island”. “Mr. Brooks”. “Deja Vu”. “The Texas Chainsaw Massacre”. “When a Stranger Calls”. “Poseidon”. “16 Blocks”. These are just a few of the incredibly limp thriller scores that leapt to mind when I heard that Geoff Zanelli was scoring “Disturbia”. You see, Zanelli is one of a large group of Hollywood composers who learned his craft under Mr. Hans Zimmer and the good folks at Zimmer’s company, Remote Control (formerly known as Media Ventures). Despite Zimmer’s remarkable talents, very few of his protégés have developed unique voices in any way whatsoever, and are often content to provide recycled versions of recycled versions of better film scores. Still, every score deserves to be judged on it’s own merits, and “Disturbia” has a little bit more than some of the aforementioned titles. Read more…