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Mark Snow, 1946-2025
Composer Mark Snow died on July 4, 2025, at his home in Connecticut after a short illness. He was 78.
Martin Fulterman was born in August 1946, in Brooklyn, New York. He studied piano as a child, and he later attended New York’s High School of Music and Art and the Juilliard School of Music, where his roommate was fellow composer Michael Kamen. They co-founded the New York Rock & Roll Ensemble, and released several well-regarded albums.
Fulterman adopted the professional pseudonym ‘Mark Snow’ after he moved to Los Angeles in the mid-1970s. He began his film and TV career writing music for the ABC drama series The Rookies starring his then-brother-in-law, actor Georg Stanford Brown, and quickly established himself as one of the most in-demand composers working on American television, writing for massively popular shows such as Starsky & Hutch, The Love Boat, Hart to Hart, Dynasty, Cagney & Lacey, and T. J. Hooker.
However, it was his association with the 1993 sci-fi series The X-Files starring David Duchovny and Gillian Anderson that brought Snow to international fame. In addition to writing its iconic whistled main theme, Snow scored more than 200 episodes of the show across 11 seasons, as well as scoring its two spin-off theatrical movies in 1998 and 2008. The single of the instrumental main title theme was an unexpected chart hit in the United Kingdom and elsewhere, and he received five Emmy nominations for Outstanding Music Composition for a Series between 1997 and 2002 for different X-Files episodes.
Snow also received Emmy nominations for scoring the TV series Ghost Whisperer (2005-2010), writing the theme for Nowhere Man (1996), and for scoring the TV movies Something About Amelia (1984), An American Story (1993), Oldest Living Confederate Widow Tells All (1994), Children of the Dust (1995), and Helter Skelter (2004). Read more…
Lalo Schifrin, 1932-2025
Composer, pianist and conductor Lalo Schifrin died at his home in Los Angeles on June 26, 2025, at the age of 93, from complications of pneumonia.
One of the most versatile and distinctive film composers of the twentieth century, Schifrin wrote music for more than 100 films and television productions, received six Academy Award nominations and won four Grammy Awards. His scores encompassed jazz, funk, Latin music, avant-garde experimentation and large-scale symphonic writing, but his most famous composition remains the instantly recognizable theme for Mission: Impossible.
Boris Claudio Schifrin was born in Buenos Aires, Argentina, on June 21, 1932. His father Luis was concertmaster at the Teatro Colón, and Schifrin began studying piano at five. After early training in Argentina he received a scholarship to the Paris Conservatoire, where his studies included work with Olivier Messiaen and Charles Koechlin. At the same time he immersed himself in jazz, performing in Paris clubs and developing the combination of classical technique and rhythmic freedom that would become central to his musical personality.
Returning to Argentina in 1956, Schifrin formed a jazz orchestra and came to the attention of Dizzy Gillespie, who encouraged him to move to the United States. Schifrin subsequently became pianist and arranger for Gillespie and composed the acclaimed Gillespiana, beginning an enduring career in jazz alongside his work for the screen. He also arranged and recorded with musicians including Count Basie, Stan Getz, Sarah Vaughan and Ella Fitzgerald.
Schifrin moved to Los Angeles in 1963 and quickly became established in film and television. Early feature assignments included Rhino! (1964) and The Cincinnati Kid (1965), while television brought him work on The Man from U.N.C.L.E. and, in 1966, the assignment that changed his career. For Mission: Impossible he wrote a propulsive main theme in unusual 5/4 time, combining insistent percussion, brass and flute into one of the most instantly identifiable television themes ever composed. It won Grammys for Best Instrumental Theme and Best Original Score for a Motion Picture or Television Show and later became an essential part of the Tom Cruise film series. Read more…
Alf Clausen, 1941-2025
Composer Alf Clausen died on May 29, 2025, at his home in Los Angeles at the age of 84. He had been suffering from Parkinson’s disease since at least 2017.
Alfred Faye Heiberg Clausen was born in Minneapolis, Minnesota, in March 1941, and grew up in Jamestown, North Dakota. He learned piano and French horn as a child, and later studied music at North Texas State University and at Berklee College of Music in Boston. Clausen moved to Hollywood in 1967 in search of television work, wanting to become a full-time composer, and soon found himself working as a music director on shows as diverse as The Partridge Family, Donny & Marie, and The Mary Tyler Moore Hour.
Throughout the 1980s Clausen was a prolific television composer, scoring 62 episodes of Moonlighting between 1985 and 1989, and scoring 96 episodes of Alf between 1986 and 2004, while also working as a film orchestrator for composers such as Ira Newborn (Weird Science, Ferris Bueller’s Day Off, Dragnet, The Naked Gun) and Lee Holdridge (The Beastmaster, Splash).
Clausen’s career took a defining turn in 1990, when he was hired as the principal composer for the massively successful animated sitcom The Simpsons, beginning with its second season. Over the next 27 years, he wrote original music for more than 560 episodes, contributing an eclectic blend of parody, pastiche, and heartfelt orchestration that became a hallmark of the show’s identity. His work earned him two Primetime Emmy Awards – for the songs “We Put The Spring In Springfield” in 1997 and “You’re Checkin’ In” in 1998 – and over 21 nominations, which when combined with the six Emmy nominations he earned for Moonlighting made him one of the most nominated composers in television history. Read more…
Academy Award Winners 2024
The Academy of Motion Picture Arts and Sciences (AMPAS) have announced the winners of the 97th Academy Awards, honoring the best in film in 2024.
In the Best Original Music category, the winner was Daniel Blumberg, who won the award for his score for The Brutalist, director Brady Corbet’s epic drama about the life of a fictional Hungarian architect who emigrates to the United States in the aftermath of the Holocaust. Accepting his award, Blumberg said:
Thank you to the Academy and everyone who watched the film and honored the work. It means a lot to be acknowledged like this. I’ve been an artist for twenty years now, since I was a teenager, and when I met Brady [Corbet] I found my artistic soulmate. For him to trust me in this work and to grow alongside him has been so special; thank you, Brady, I love you. I want to thank my collaborators, my co-producer Peter Walsh, and the artists who played on the score. The sounds you hear on The Brutalist are made by a group of hard-working radical musicians who have been making uncompromising music for many years; I’m accepting this award on behalf of them too. Thanks to my family and Stacy [Martin], and my manager Mark, Keith, and Mona [Fastvold] and Ada, and my friends at Café Oto.
The other nominees were: Volker Bertelmann for Conclave, Kris Bowers for The Wild Robot, Clément Ducol and Camille Dalmais for Emilia Pérez, and John Powell and Stephen Schwartz for Wicked.
In the Best Original Song category, the winners were Clément Ducol, Camille Dalmais, and Jacques Audiard for their song “El Mal” from the Spanish-language musical Emilia Pérez.
The other nominees were Abraham Alexander and Adrian Quesada for “Like a Bird” from Sing Sing, Clément Ducol and Camille Dalmais for “Mi Camino” from Emilia Pérez, Elton John, Bernie Taupin, Brandi Carlile, and Andrew Watt for “Never Too Late” from Elton John: Never Too Late, and Diane Warren for “The Journey” from The Six Triple Eight.
IFMCA Award Winners 2024
INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION ANNOUNCES WINNERS OF 2024 IFMCA AWARDS
BEAR MCCREARY WINS SCORE OF THE YEAR FOR SECOND SEASON OF THE LORD OF THE RINGS: THE RINGS OF POWER; ALAN SILVESTRI WINS TWO AWARDS FOR HERE, HIS 20TH COLLABORATION WITH ROBERT ZEMECKIS;COMPOSERS FROM UK, FRANCE, ITALY, ALSO TAKE HOME AWARDS
FEBRUARY 27, 2025 — The International Film Music Critics Association (IFMCA) announces its annual list of winners for excellence in musical scoring, in the 2024 IFMCA Awards.
The award for Score of the Year goes to American composer Bear McCreary, for his score for the second season of the Amazon Prime fantasy television series The Lord of the Rings: The Rings of Power. The score also won the award for its genre, being named Best Original Score for Television, while McCreary was also named Composer of the Year. McCreary’s work in 2024 in addition to The Rings of Power includes the nostalgic 1980s comedy The 4:30 Movie, the horror flick Imaginary, and music for the latest seasons of multiple TV shows such as Outlander, Halo, and Masters of the Universe, which he wrote along with his staff composers at Sparks & Shadows.
IFMCA member Jon Broxton wrote that Season Two of The Rings of Power was “the equal of the score for Season One in every way, because not only does McCreary revisit each of his fantastic recurring themes, he augments them with a handful of brand new ones, and incorporates them all together to create a dramatically potent, musically compelling, emotionally satisfying, intelligently structured blockbuster that, to me, confirms why this type of leitmotivic approach to film scoring is the pinnacle of the art.”
This is McCreary’s second Score of the Year victory in three years, having previously won for the first season of The Lord of the Rings: The Rings of Power in 2022. These wins also take McCreary’s all-time IFMCA win tally to 12, making him the fifth most successful composer in IFMCA history after John Williams, Michael Giacchino, James Newton Howard, and Alexandre Desplat. Read more…
BAFTA Winners 2024
The British Academy of Film and Television Arts (BAFTA) have announced the winners of the 78th British Academy Film Awards, honoring the best in film in 2024.
In the Best Original Music category, the winner was Daniel Blumberg, who won the award for his score for The Brutalist, director Brady Corbet’s epic drama about the life of a fictional Hungarian architect who emigrates to the United States in the aftermath of the Holocaust. Accepting his award, Blumberg said:
“Thank you so much for acknowledging the work and the BAFTAs. And thanks to Brady [Corbet], its been amazing to work with one of my best friends. And I want to thank my co-producer Peter Walsh, who’s here for working so hard on the film. And all these incredible musicians who played on the score, like John Tilbury and Axel Dorner. Oh yeah, and John’s wife Janice for making lunch every day! Thanks to Mark my manager, and my family Stacy [Martin] and Keith, and my friends at Oto. Thank you.”
The other nominees were Volker Bertelmann for Conclave, Kris Bowers for The Wild Robot, Robin Carolan for Nosferatu, and Clément Ducol and Camille Dalmais for Emilia Pérez.
IFMCA Award Nominations 2024
INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARDS NOMINATIONS ANNOUNCED
BEAR MCCREARY LEADS LIST OF NOMINATED COMPOSERS WITH SIX NOMINATIONS; ANIMATED FILMS, TELEVISION SHOWS, DOMINATE ‘SCORE OF THE YEAR’ CATEGORY; SHORT FILMS INCLUDED AS A NEW CATEGORY FOR FIRST TIME
FEBRUARY 13, 2025. The International Film Music Critics Association (IFMCA) announces its list of nominees for excellence in musical scoring in 2024, for the 21st annual IFMCA Awards. Composer Bear McCreary leads the list of composer nominees with six nominations, followed by Kris Bowers, who has four.
Four of American composer McCreary’s nominations are for his work on the second season of the Amazon Prime fantasy television series The Lord of the Rings: The Rings of Power, which is nominated as Score of the Year and Best Television score, and also received two nominations for Composition of the Year. McCreary also received a Comedy Score nomination for his work on the Kevin Smith’s nostalgic coming-of-age film The 4:30 Movie, and was himself nominated for Composer of the Year; his work in addition to The Rings of Power and The 4:30 Movie includes a creative and entertaining score for the horror flick Imaginary, and music for the latest seasons of multiple TV shows such as Outlander, Halo, and Masters of the Universe, which he wrote along with his staff composers at Sparks & Shadows. Read more…
SCL Award Winners 2024
The Society of Composers and Lyricists (SCL) has announced the winners of the sixth annual SCL Awards, honoring the best in film and television music in 2024. The SCL is the premier professional trade group for composers, lyricists, and songwriters working in the motion picture, television, and game music industry, and is headquartered in Los Angeles. The winners are:
OUTSTANDING ORIGINAL SCORE FOR A STUDIO FILM
- KRIS BOWERS for The Wild Robot
OUTSTANDING ORIGINAL SCORE FOR AN INDEPENDENT FILM
- DANIEL BLUMBERG for The Brutalist
OUTSTANDING ORIGINAL SCORE FOR A TELEVISION PRODUCTION
- ATTICUS ROSS, LEOPOLD ROSS, and NICK CHUBA for Shōgun
OUTSTANDING ORIGINAL TITLE SEQUENCE FOR A TELEVISION PRODUCTION
- JEFF TOYNE for Palm Royale
OUTSTANDING ORIGINAL SONG FOR VISUAL MEDIA – DRAMA/DOCUMENTARY
- DIANE WARREN for “The Journey” from The Six Triple Eight
OUTSTANDING ORIGINAL SONG FOR VISUAL MEDIA – MUSICAL/COMEDY
- TRENT REZNOR, ATTICUS ROSS, and LUCA GUADAGNINO for “Compress/Repress” from Challengers
OUTSTANDING ORIGINAL SCORE FOR INTERACTIVE MEDIA
- WINIFRED PHILLIPS for Wizardry: Proving Grounds of the Mad Overlord
DAVID RAKSIN AWARD FOR EMERGING TALENT
- ANDREA DATZMAN
SPIRIT OF COLLABORATION AWARD
- HARRY GREGSON-WILLIAMS and RIDLEY SCOTT
SCL JURY AWARD
- JEFF BEAL for The Cabinet of Dr. Caligari
Movie Music UK Awards 2024
2024 has been a difficult, challenging year for multiple reasons, but one aspect that continues to impress was the overall quality of its film music. I heard more than 800 scores in 2024 – either as a soundtrack album, in movie context, or both – and I ended up rating 98 of them **** or better, a decent rate of return by anyone’s standards.
Television music and video game music continues to exceed expectations, and at this point scores written for those media can easily stand shoulder-to-shoulder with traditional film scores – and often exceed them in terms of quality. I always say that there is great film music being written all over the world if you are prepared to put in a little effort to seek it out, but this year I’m very happy to also report that five of my ten nominees for Score of the Year were for major, mainstream Hollywood productions, and all of them feature the big, bold, thematic orchestral writing that drew me to the genre in the first place.
These are joined by a trio of excellent scores from the UK, from France, and from Poland, as well as the TV and game scores I previously mentioned, while my winners and nominees in the various genres are taken from an enormous cross-section of world cinema, and include films and TV shows from locales as disparate as Finland, South Korea, Hungary, Japan, Spain, China, Sweden, and more. After going through what it has gone through over the past few years film music’s resurgence continues, and I hope that this article allows you to discover some gems that catch your ear and touch your heart.
So, without further ado, here are my choices for the best scores of 2024! Read more…
Academy Award Nominations 2024
The Academy of Motion Picture Arts and Sciences (AMPAS) have announced the nominations for the 97th Academy Awards, honoring the best in film in 2024.
In the Best Original Score category, the nominees are:
- VOLKER BERTELMANN for Conclave
- DANIEL BLUMBERG for The Brutalist
- KRIS BOWERS for The Wild Robot
- CLÉMENT DUCOL and CAMILLE DALMAIS for Emilia Pérez
- JOHN POWELL and STEPHEN SCHWARTZ for Wicked
These are the first Oscar nominations for Blumberg, Bowers, Ducol, and Dalmais, although Bowers is a 2-time Oscar nominee in a different category – Best Documentary Short – which he won in 2023 for The Last Repair Shop. It is the third nomination for Bertelmann (who previously won for All Quiet on the Western Front in 2022), the second nomination for Powell, and the fourth nomination for Schwartz (who previously won for Pocahontas in 1995). Schwartz also has five previous nominations as a songwriter, with wins for Pocahontas in 1995 and The Prince of Egypt in 1998.
In the Best Original Song category, the nominees are:
- ABRAHAM ALEXANDER and ADRIAN QUESADA for “Like a Bird” from Sing Sing
- CLÉMENT DUCOL, CAMILLE DALMAIS, and JACQUES AUDIARD for “El Mal” from Emilia Pérez
- CLÉMENT DUCOL and CAMILLE DALMAIS for “Mi Camino” from Emilia Pérez
- ELTON JOHN, BERNIE TAUPIN, BRANDI CARLILE, and ANDREW WATT for “Never Too Late” from Elton John: Never Too Late
- DIANE WARREN for “The Journey” from The Six Triple Eight
The winners of the 97th Academy Awards will be announced on March 2, 2025.
Los Angeles Wildfires
As many of you will have noticed, there has been a slight pause in new film music reviews recently. My mind has somewhat been preoccupied with other matters, so I thought I would just take a moment to explain, for anyone who is unaware.
Los Angeles was ravaged by two devastating wildfires last week. At the time of writing 28 people have died, more than 12,000 structures have been destroyed or damaged, and more than 200,000 people had to be evacuated from an area of more than 60 square miles.
The Palisades fire destroyed much of the city of Malibu, and the Los Angeles neighborhood of Pacific Palisades, and forced people to evacuate all the way down into Santa Monica. Similarly, the Eaton fire destroyed much of the city of Altadena and affected people in nearby Pasadena. There were also smaller fires in the Hollywood Hills, in the northern part of the San Fernando Valley near Sylmar, and in the western part of the San Fernando Valley near Woodland Hills (close to where I live), which also resulted in mass evacuations, although thankfully very little damage was done to property in those latter three.
I am fine, my family is fine, and my property is fine, but nevertheless it has been a mentally exhausting week not conducive to film music criticism. With the Santa Ana winds howling across the bone-dry terrain that has not seen rain in nine months, you spend days in a constant state of anxiety, worrying whether a new fire is going to crop up near you, forcing to you to evacuate, threatening everything.
Having lived in the greater Los Angeles area since 2005 I am very familiar with the cycle of wildfires that are a part of everyday life here, but even knowing that they are a natural – and sometimes necessary – phenomenon doesn’t lessen the impact of such devastation when you see it happening in front of your eyes, in places you know and love. I know dozens of people who have been affected by this: many people have lost their homes, all their possessions, sometimes their entire communities, and it’s just horrifying.
Wealth and status are not respected by these fires: yes, some multi-millionaire celebrities lost their homes, but hundreds and hundreds of everyday working people have also seen their lives go up in flames, especially in Altadena, and the impact of this is devastating no matter who you are. These people have families, children, animals. Many of them came from humble beginnings and worked for decades to build these lives for themselves, only to see it turn to ash in a matter of hours.
Many people in the film music industry have been affected by this – not just composers whose names we know, but many working musicians and technical staff behind the scenes who all contribute significantly to the music we love so much – and at this point they need all the help they can get to rebuild. From what I have been reading online, one of the best charities to donate to appears to be the National Academy of Recording Arts and Sciences’ MusiCares foundation, and so if you are able to do so, and if you feel so inclined, I would recommend donating to them here: https://musicares.org/. There is also an excellent website, Media Musicians United, which gives information about other resources for affected individuals, and other opportunities for charitable donations, which can be found here: https://www.mediamusiciansunited.com/
We at Movie Music UK are heartbroken at these events, and on behalf of myself and Craig we wish everyone who has been impacted strength and hope going forward.
BAFTA Nominations 2024
The British Academy of Film and Television Arts (BAFTA) has announced the nominations for the 78th British Academy Film Awards, honoring the best in film in 2024.
In the Best Original Music category, which is named in memory of the film director Anthony Asquith, the nominees are:
- VOLKER BERTELMANN for Conclave
- DANIEL BLUMBERG for The Brutalist
- KRIS BOWERS for The Wild Robot
- ROBIN CAROLAN for Nosferatu
- CLÉMENT DUCOL and CAMILLE DALMAIS for Emilia Pérez
This is the third BAFTA nomination for Bertelmann, who previously won for All Quiet on the Western Front in 2022. All the other nominees are first time nominees.
The winners of the 78th BAFTA Awards will be announced on 16 February, 2025.
Golden Globe Winners 2024
The Golden Globe Foundation (GGF) has announced the winners of the 82nd Golden Globe Awards, honoring the best in film and American television of 2024.
In the Best Original Score category composers Trent Reznor and Atticus Ross won the award for their upbeat electro-pop inspired score for Challengers, director Luca Guadagnino’s spicy drama starring Zendaya, Josh O’Connor, and Mike Feist, about a love triangle that develops over several years in the world of professional tennis. This is the third Golden Globe win for Reznor and Ross – they previously won for The Social Network in 2010, and for Soul in 2020. In the acceptance speech Ross, speaking on behalf of both men, said:
“Thank you to Golden Globes, this really means a lot, particularly in this special moment. First I’d like to thank my best friend, my musical partner, the great talent Trent Reznor. The music that revealed itself as the voice to Challengers never felt like a safe choice, but it always felt like the right one. I’d like to thank the maestro, the visionary director, and our friend Luca Guadagnino – where is he? – for his unwavering support and commitment to the idea. In fact I’d like to thank everyone that helped bring this film to life, and to acknowledge Amy Pascal, Rachel O’Connor, and the fabulous Zendaya, for their encouragement. To be honest we always we thought we’d get the call – ‘can you just turn it down a little bit’ – but it never came, and here we are. Lastly, we want to thank the most important people in our lives, our wives and our children. Mariqueen [Maandiq], Trent loves you. Claudia [Sarne], I love you. And all the kids, we love you. Thank you! ”
The other nominees were Volker Bertelmann for Conclave, Daniel Blumberg for The Brutalist, Kris Bowers for The Wild Robot, Clément Ducol and Camille Dalmais for Emilia Pérez, and Hans Zimmer for Dune: Part 2
In the Best Original Song category, the winners were Clément Ducol, Camille Dalmais, and Jacques Audiard for “El Mal” from the audacious Mexican drug cartel musical drama Emilia Pérez.
The other nominees were Brittany Amaradio (Delacey), Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, and Ali Tamposi for “Kiss The Sky” from The Wild Robot; Clément Ducol and Camille Dalmais for “Mi Camino” from Emilia Pérez; Trent Reznor, Atticus Ross, and Luca Guadagnino for “Compress/Repress” from Challengers; Robbie Williams, Freddy Wexler, and Sacha Skarbek for “Forbidden Road” from Better Man; and Andrew Wyatt, Miley Cyrus, and Li Lykke Zachrisson (Lykke Li) for “Beautiful That Way” from The Last Showgirl.
SCL Award Nominations 2024
The Society of Composers and Lyricists (SCL) has announced the nominations for the sixth annual SCL Awards, honoring the best in film and television music in 2024. The SCL is the premier professional trade group for composers, lyricists, and songwriters working in the motion picture, television, and game music industry, and is headquartered in Los Angeles. The nominees are:
OUTSTANDING ORIGINAL SCORE FOR A STUDIO FILM
- VOLKER BERTELMANN for Conclave
- KRIS BOWERS for The Wild Robot
- CLÉMENT DUCOL and CAMILLE DALMAIS for Emilia Pérez
- HARRY GREGSON-WILLIAMS for Gladiator II
- JOHN POWELL and STEPHEN SCHWARTZ for Wicked: Part 1
- HANS ZIMMER for Dune: Part Two
OUTSTANDING ORIGINAL SCORE FOR AN INDEPENDENT FILM
- CHRIS BACON for Heretic
- DANIEL BLUMBERG for The Brutalist
- STEPHANIE ECONOMOU for The Book of Jobs
- FABRIZIO MANCINELLI for Here After
- HEATHER MCINTOSH for Winner
- DARA TAYLOR for Meet Me Next Christmas
Golden Globe Nominations 2024
The Golden Globe Foundation (GGF) has announced the nominations for the 82nd Golden Globe Awards, honoring the best in film and American television of 2024.
In the Best Original Score category, the nominees are:
- VOLKER BERTELMANN for Conclave
- DANIEL BLUMBERG for The Brutalist
- KRIS BOWERS for The Wild Robot
- CLÉMENT DUCOL and CAMILLE DALMAIS for Emilia Pérez
- TRENT REZNOR and ATTICUS ROSS for Challengers
- HANS ZIMMER for Dune: Part 2
These are the first nominations for Blumberg, Bowers, Ducol, and Dalmais. It is the second nomination for Bertelmann, the sixth nomination for Reznor and Ross, and the fifteenth nomination for Zimmer. Reznor and Ross previously won for The Social Network in 2010 and Soul in 2020. Zimmer previously won for The Lion King in 1994, Gladiator in 2000, and Dune in 2021
In the Best Original Song category, the nominees are:
- BRITTANY AMARADIO (DELACEY), JORDAN K. JOHNSON, STEFAN JOHNSON, MAREN MORRIS, MICHAEL POLLACK, and ALI TAMPOSI for “Kiss the Sky” from The Wild Robot
- CLÉMENT DUCOL and CAMILLE DALMAIS for “Mi Camino” from Emilia Pérez
- CLÉMENT DUCOL, CAMILLE DALMAIS, and JACQUES AUDIARD for “El Mal” from Emilia Pérez
- TRENT REZNOR, ATTICUS ROSS, and LUCA GUADAGNINO for “Compress/Repress” from Challengers
- ROBBIE WILLIAMS, FREDDY WEXLER, and SACHA SKARBEK for “Forbidden Road” from Better Man
- ANDREW WYATT, MILEY CYRUS, and LI LYKKE ZACHRISSON (LYKKE LI) for “Beautiful That Way” from The Last Showgirl
The winners of the 82nd Golden Globe Awards will be announced on January 5, 2025.


