Archive
SPEED – Mark Mancina
THROWBACK THIRTY
Original Review by Jonathan Broxton
Pop quiz, hotshot. There’s a bomb on a bus. What do you do? What do you do?
One of the landmark action movies of the 1990s, and one of my favorite action movies of all time, Speed is a hyper-kinetic thrill ride film directed by Jan de Bont, starring Keanu Reeves, Sandra Bullock, and Dennis Hopper. Reeves plays Jack Traven, a young and resourceful LAPD SWAT officer, who thwarts a bomb threat in an elevator orchestrated by the vengeful ex-bomb squad member Howard Payne (Hopper). Infuriated by Jack’s interference, Payne then rigs a city bus with a bomb that will detonate if the bus drops below 50 miles per hour. Jack boards the bus and teams up with Annie Porter (Bullock), a passenger who takes over driving after the normal bus driver is injured; together, Jack and Annie must work together to keep the speed above the critical limit by any means possible, while figuring out a way to save the passengers and thwart Payne’s plans. Read more…
A GENTLEMAN IN MOSCOW – Federico Jusid
Original Review by Jonathan Broxton
A Gentleman in Moscow is an 8-part British TV mini-series directed by Sam Miller and Sara O’Gorman, based on the on the 2016 novel by Amor Towles. Ewan McGregor stars as the fictional aristocrat Count Alexander Ilyich Rostov who, after recently returning to Russia from Paris, is arrested by Bolsheviks following the October Revolution of 1917, tried, and convicted for being a traitor to the Community Party. However, instead of receiving a death sentence, he is sentenced to a lifetime of house arrest inside a luxury hotel – the Hotel Metropol Moscow – where he subsequently spends several decades, banished to a small attic room. However Rostov – who is a brilliant conversationalist, with expertise in everything from evolution and philosophy, to art, literature, poetry, and food – finds himself becoming an integral part of the hotel, interacting with guests, while observing the development of post-revolution Russia and the birth of the Soviet Union. Read more…
ON THE TOWN – Leonard Bernstein, Roger Edens, Lennie Hayton
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
When the 1944 ballet “Fancy Free” by Jerome Robbins gained critical acclaim, it was brought to Broadway as a play with music by Leonard Bernstein and lyrics by Betty Comden and Adolph Green. It opened on December 28, 1944 at the Adelphi Theatre, running for 462 performances. Following this successful run MGM management decided to bring it to the big screen. It secured the film rights, Arthur Freed was placed in charge of production with a $2.1 million budget, Gene Kelly and Stanley Donen were tasked with directing, and Betty Comden and Adolph Green would write the screenplay. Kelly would also manage the choreography. For the cast, Gene Kelly would star as Gabey, joined by Frank Sinatra as Chip, Jules Munshin as Ozzie, Vera-Ellen as Ivy, Betty Garrett as Hildy Esterhazy, and Ann Miller as Claire Huddesen. Read more…
MAVERICK – Randy Newman
THROWBACK THIRTY
Original Review by Jonathan Broxton
1994’s Maverick was director Richard Donner’s attempt to bring the popular 1957 ABC TV show of the same name to the silver screen. That show starred James Garner as the eponymous Brett Maverick, a wise-cracking and charismatic poker player plying his trade on riverboats and in saloons across the American Wild West. The big-screen version of the story sees Maverick being played by Mel Gibson, who here is re-teaming with director Donner for the first time since Lethal Weapon 3 in 1992. In this story, Maverick finds himself needing to raise $25,000 to enter a high-stakes poker tournament on a riverboat; as he does so he repeatedly encounters the resourceful and sly con-artist Annabelle Bransford (Jodie Foster), while falling afoul of the stern lawman Marshal Zane Cooper (Garner). The film’s supporting cast features Graham Greene, James Coburn, and Alfred Molina, and has many cameo appearances by classic Western film actors and country music stars. Read more…
YOUNG WOMAN AND THE SEA – Amelia Warner
Original Review by Jonathan Broxton
Young Woman and the Sea is a biographical period sports drama directed by Joachim Rønning and written by Jeff Nathanson, based on the 2009 book of the same name by Glenn Stout. Produced by Jerry Bruckheimer for Disney, the film stars Daisy Ridley and tells the true story of Gertrude Ederle, an American competitive swimmer who, after winning a gold medal at the 1924 Olympic Games in Paris, attempted to become the first woman to swim across the English Channel. The film stars Tilda Cobham-Hervey, Stephen Graham, Kim Bodnia, Christopher Eccleston, and Glenn Fleshler in supporting roles, and has been received well by critics, many of whom favorably compared Ridley’s performance with the Oscar-nominated performance by Annette Bening in the similarly-themed Nyad last year. Read more…
BEYOND THE FOREST – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Warner Brothers Pictures purchased the film rights to the 1948 novel Beyond The Forest by Stuart D. Engstrand believing the film noir tale would translate well to the big screen. Studio star Bette Davis was assigned the role of Rosa Moline, much to her displeasure. She continuously fought against the director throughout shooting and halfway through filming threatened studio executive Jack L. Warner to walk out unless he agreed to void her contract after the film was completed. For Warner, this was a deal he was happy to make, thus ending her eighteen-year contract. Henry Blanke was assigned production with a $1.589 million budget, King Vidor would direct, and Lenore Coffee was tasked with writing the screenplay. Bette Davis would star as Rosa Moline, joined by Joseph Cotton as Doctor Lewis Moline, Davide Brian as Neil Latimer, and Minor Watson as Moose. Read more…
LITTLE BUDDHA – Ryuichi Sakamoto
THROWBACK THIRTY
Original Review by Jonathan Broxton
Little Buddha, directed by the Oscar-winning Italian filmmaker Bernardo Bertolucci, is a drama film that intertwines two primary narratives. The first narrative follows a young boy named Jesse Conrad, living in Seattle with his parents, Dean and Lisa. Tibetan monks, led by Lama Norbu, visit the Conrad family, believing that Jesse is the reincarnation of a revered Buddhist teacher, Lama Dorje. As Jesse and his parents grapple with this revelation, they travel to Bhutan to further explore this possibility, and he meets two other boys – Raju and Gita – who may also be reincarnations of Lama Dorje . The second narrative is a historical recount of the life of Prince Siddhartha, who would later become the first Buddha and the founder of the Buddhist religion This story is woven throughout the film as Lama Norbu tells Jesse about Siddhartha’s journey. The film depicts Siddhartha’s sheltered life in his father’s palace, his encounters with suffering in the world, his renunciation of royal life, and his path to enlightenment under the Bodhi tree. Read more…
KINGDOM OF THE PLANET OF THE APES – John Paesano
Original Review by Jonathan Broxton
Kingdom of the Planet of the Apes is the fourth installment of the rebooted Planet of the Apes film series, inspired by the novels of Pierre Boulle and the 1960s film series originally starring Charlton Heston. It is set several hundred years after the time of Caesar, the leader of a community of increasingly intelligent apes who in the first film, Rise of the Planet of the Apes, was given increased intelligence and the ability to speak after being infected by a genetically modified virus intended to cure Alzheimer’s disease, but which accidentally killed a large portion of the world’s human population instead. Through the second and third films – Dawn of the Planet of the Apes, and War for the Planet of the Apes – Caesar struggled to create a stable ape society while trying to broker an uneasy truce with the few humans who remained; he eventually died at the end of War for the Planet of the Apes, leaving the future of ape society uncertain. Read more…
THE RED DANUBE – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
MGM Studios took an interest in the 1947 novel “Vespers in Vienna” by Bruce Marshall, believing that it would be well received by the post WWII American public beset by the rising tide of fear related to Communism. Carey Wilson was assigned production with a $1.96 million budget, George Sidney was tasked with directing, and Gina Kaus and Arthur Wimperis were hired to write the screenplay. An excellent cast was assembled, including Walter Pidgeon as Colonel Michael “Hooky” Nicobar, Ethel Barrymore as Mother Superior, Peter Lawford as Major John “Twingo” McPhimister, Angela Lansbury as Audrey Quail, and Janet Leigh as Maria Buhlen. Read more…
Richard M. Sherman, 1928-2024
Composer Richard M. Sherman, one of the greatest and most influential songwriters in the history of Hollywood, died on May 25, 2024, after a short illness. He was 95 years old.
Richard Morton Sherman was born in New York, New York, in June 1928, the son of Russian Jewish immigrants. He grew up in a musical household – his father, Al, was a composer and arranger in Tin Pan Alley in New York, and was a contemporary of George Gershwin – and then after the Shermans relocated to Los Angeles in 1937 Richard attended Beverly Hills High School, where he was a classmate of André Previn. After completing his national service, Sherman and his brother Robert started a songwriting company, and they enjoyed success writing popular songs for artists including Annette Funicello. This success brought them to the attention of producer Walt Disney, who eventually hired them as staff songwriters for the Walt Disney Studio.
Sherman wrote songs for several Disney productions in the early 1960s, including The Absent Minded Professor (1961), The Parent Trap (1961), and The Sword in the Stone (1963), but achieved lasting fame and critical acclaim following the release of Mary Poppins in 1964. The songs that Sherman wrote for that production – “Feed the Birds,” “A Spoonful of Sugar,” “Supercalifragilisticexpialidocious,” “Chim-Chim-Cheree,” and “Let’s Go Fly a Kite,” among others – became immediate classics and pop culture icons, and won Sherman Oscars for Best Original Score and Best Original Song. Read more…
THE CROW – Graeme Revell
THROWBACK THIRTY
Original Review by Jonathan Broxton
The Crow is a dark supernatural action thriller directed by Alex Proyas, based on the comic book of the same name by James O’Barr. The story follows Eric Draven, played by Brandon Lee, a rock musician who is brutally murdered along with his fiancée, Shelly, by a gang of criminals. One year after their deaths, Eric is resurrected by a mystical crow to seek vengeance on those who wronged him. Eric soon discovers he has supernatural abilities and is invulnerable to pain; guided by the crow, he methodically tracks down and eliminates the gang members responsible for his and Shelly’s deaths, until eventually he comes face-to-face with the gang’s vicious leader, Top Dollar. The film co-starred Michael Wincott, Sofia Shinas, and Michael Massee, as well as Ernie Hudson as sympathetic cop Albrecht, and Rochelle Davis as a young girl named Sarah who was close to Eric and Shelly. Read more…
THELMA THE UNICORN – John Powell
Original Review by Jonathan Broxton
Thelma the Unicorn is an animated musical comedy adventure film written and directed by Jared and Jerusha Hess, based on the children’s book series of the same name by Aaron Blabey. The story follows the life of a pony named Thelma who dreams of becoming a famous musician; one day, after she and her bandmates Otis (a donkey) and Reggie (a llama) mess up their chance to qualify for a famous singing contest, Thelma uses a carrot as a fake horn, and is accidentally covered in pink paint and glitter; she is mistaken for a unicorn, and becomes famous overnight, adored by fans and living a life of luxury. However, Thelma soon realizes that fame comes with its downsides; she feels lonely and overwhelmed by the constant attention, and she starts to miss her simple life on the farm. The film has a voice cast that includes Brittany Howard as Thelma, alongside comedy stars such as Will Forte, Jemaine Clement, Fred Armisen, Zach Galifianakis, and Jon Heder, latter of whom famously appeared in the leading role in Hess’s cult film Napoleon Dynamite. The film debuted on Netflix in May 2024 to mostly positive reviews, with commentators praising the film for its wholesome message and cheerful, kid-friendly attitude. Read more…
Jan A.P. Kaczmarek, 1953-2024
Composer Jan A.P. Kaczmarek died on May 21, 2024, at the age of 71. He had been in hospice care for several years, after being diagnosed with multiple system atrophy in 2022.
Jan Andrzej Paweł Kaczmarek was born in Konin, Poland, in April 1953. Originally intending to be a lawyer, he graduated from Adam Mickiewicz University in Poznań with a law degree, specializing in legal theory and philosophy of law. However, he switched careers to focus on music in the 1970s, and spent several years working with experimental theater companies, and writing music for stage productions. He and his first wife Elżbieta moved to Los Angeles in the 1980s, where he wrote music for the Mark Taper Forum and Chicago’s Goodman Theatre. In 1992 he won the Drama Desk Award for Outstanding Music in a Play for his incidental music for director JoAnne Akalaitis’s new version of ‘Tis Pity She’s a Whore.
Kaczmarek had written music for a handful of small-budget features and TV movies in his native Poland in the 1980s and early 1990s, but he first came to international attention in 1995 with his score for director Agnieszka Holland’s Total Eclipse, about the life of poet Arthur Rimbaud, played by Leonardo di Caprio. He continued to work on a series of acclaimed films throughout the 1990s and early 2000, including arthouse dramas like Bliss (1996), Washington Square (1997), Aimée & Jaguar (1999), and The Third Miracle (1999), and more mainstream fare like the horror thriller Lost Souls (2000), and the erotic drama Unfaithful (2002). He often worked with Polish directors making English-language films – Holland, Janusz Kamiński, Yurek Bogayevicz – and he invariably wrote music that was elegant, technically masterful, emotionally poignant, but subtle, conveying a distinctly European sensibility. Read more…
SHE WORE A YELLOW RIBBON – Richard Hageman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
After the massive commercial success of his prior film Fort Apache, director John Ford decided to embark on a second film of what has come to be known as his famous “Cavalry Trilogy”. On conceiving the film, Ford decided to draw upon two short stories he read from the Saturday Evening Post, “The Big Sky” and “War Party”. Ford’s Argosy Pictures production company would fund the film with a $1.6 million budget, he would direct, and Frank S. Nugent and Laurence Stallings were tasked with writing the screenplay. For his cast, he was initially opposed to casting John Wayne in the lead, as the lead character Captain Nathan Brittles at 61 was 20 years older than Wayne, and he did not believe Wayne had the acting ability to provide the gravitas the role demanded. However, after watching his outstanding performance in Red River, he changed his mind. Joining him would be Joanne Dru as Olivia Dandridge, John Agar as Lieutenant Flint Cohill, Ben Johnson as Sergeant Tyree and Harry Carey Jr. as Lieutenant Ross Pennell. Read more…
CHAMPION – Dimitri Tiomkin
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Director Mark Robson was intrigued when presented with the short story “Champion” by Ring Lardner. He decided the riveting film noir boxing drama would translate well to the big screen and so secured financial backing from producer Stanley Kramer whose production company provided a $600,000 budget. Robson would direct and tasked Carl Foreman to write the screenplay. For the cast, Kramer took a gamble and offered the lead role of Midge Kelly to Kirk Douglas, and both benefited greatly with Kramer making a huge profit, and Douglas being rocketed into stardom. Joining him would be Marilyn Maxwell as Grace, Arthur Kennedy as Connie, Paul Stewart as Haley, and Ruth Roman as Emma. Read more…
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