Posts Tagged ‘Craig Armstrong’

THE BONE COLLECTOR – Craig Armstrong

November 5, 1999 Leave a comment

bonecollectorOriginal Review by Jonathan Broxton

Taking films such as Silence of the Lambs and Seven as its starting point, The Bone Collector is another entry into the “thriller noir” genre, in which saturated color, rain-soaked streets and grisly murders are the order of the day. Directed by Phillip Noyce, the film stars Denzel Washington as Detective Lincoln Rhyme, one of New York’s finest forensic cops, whose career is cut tragically short when he is paralyzed following a freak accident on the job. Now the recipient of round the clock care and confined to his state of the art apartment-cum-hospital, Rhyme’s skills are unexpectedly called upon once more after a beat cop named Amelia Donaghy (Angelina Jolie) discovers a murder victim within an elaborately staged crime scene. Uncovering her untapped potential for forensics, Rhyme urges Amelia to be his feet on the ground while he, with his intellect still very much intact, tries to piece together the clues and identify the murderer before he takes more victims. Read more…

PLUNKETT & MACLEANE – Craig Armstrong

October 1, 1999 Leave a comment

plunkett&macleaneOriginal Review by Jonathan Broxton

The phenomenal success of the film William Shakespeare’s Romeo + Juliet was not only responsible for making bonafide movie stars out of its leading players, Leonardo Di Caprio and Clare Danes – it also thrust the name of Scottish composer Craig Armstrong into the soundtrack limelight. Armstrong, who won a BAFTA Award for his work with Nellee Hooper and Marius De Vreis on that film, is an interesting and somewhat unconventional writer. He doggedly refuses to be labeled either as an orchestral or electronic specialist, and has proven that he is adept at creating both modern soundscapes, as in Romeo + Juliet and his other recent work, Best Laid Plans, as well as “proper” music, as heard in Peter Mullan’s acclaimed drama Orphans. With Plunkett & Macleane, Armstrong has shifted again and combined both these markedly different styles into one engaging whole. Read more…