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Posts Tagged ‘100 Greatest Scores’

CONAN THE BARBARIAN – Basil Poledouris

August 13, 2018 1 comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Conan The Barbarian is based on the Conan stories penned by author Robert E. Howard. The movie adaptation tells the story of a young Conan who lives in the mythic Hyborean Age and suffers grievously at the hands of an evil ruler of the Snake Cult, Thulsa Doom, who kills his parents and sells him into slavery. Eventually after much suffering he gains his freedom and trains to become a mighty warrior. He then sets out to solve the riddle of steel and avenge his parent’s death. As such, this is a classic morality tale with an unambiguous hero and villain. The film was a commercial success, which spawned a sequel and served to reinvigorate the fantasy genre. Read more…

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E.T. THE EXTRA-TERRESTRIAL – John Williams

July 30, 2018 1 comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Steven Spielberg, like most kids, suffered with the divorce of his parents. He was 14, and to cope with his circumstances, he created an imaginary alien friend, who became a surrogate brother. Over time this evolved into a story, which his sought to film called “Growing Up”. After the success of Raiders of The Lost Ark, he returned to fashioning his childhood story, which would now incorporate elements from another story he had written called “Night Skies,” where aliens terrorize a family. He brought in screenwriter to Melissa Mathison to craft a story of a special needs child bonding with a friendly alien. The result was a story to be called “E.T. and Me,” which Spielberg pitched to Columbia Studios. Remarkably they rejected the project, believing that it would only appeal to small kids. Well, Spielberg was undeterred, and approached Sid Sheinberg of MCA, who saw the success of Raiders of the Lost Ark, and agreed to fund the project. They bought back the script from Columbia Pictures for $1 million dollars and granted 5% of the film’s net profits. Spielberg and Kathleen Kennedy would produce the film, with Spielberg also directing. For his creative team, he brought in Carlo Rambaldi, who had created the aliens seen in Close Encounters of the Third Kind. The story required Spielberg to cast child actors, and he screened hundreds. His patience and hard effort paid off as he managed to secure a perfect cast, which included; Henry Thomas as Elliot, Drew Barrymore as Gertie, Dee Wallace as Mary, Peter Coyote as Keys, and Robert MacNaughton as Michael. Read more…

RAIDERS OF THE LOST ARK – John Williams

July 23, 2018 1 comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

In 1973 George Lucas wrote a story titled “The Adventures of Indiana Smith”, drawing inspiration from adventure movies of the 1930s and 1940s. While on a shared vacation to Hawaii with Steven Spielberg, Lucas pitched his story, and convinced him to direct a trilogy of films. Upon Spielberg’s suggestion, the surname was changed to Jones and screenwriter Lawrence Kasdan was hired to create the script. The major Hollywood studios all rejected the project because of the $20 million price tag and Lucas’ exacting terms. Eventually Paramount took the gamble and Frank Marshall was tasked with producing the film. After exhausting efforts to cast the lead man, Spielberg convinced Lucas to cast Harrison Ford for the role of Indiana Jones. Joining him on the project would be Paul Freeman as Dr. René Belloq, Karen Allen as Marion Ravenwood, John Rhys-Davies as Sallah, Ronald Lacey as Major Arnold Toht, Denholm Elliot as Dr. Marcus Brody, and Wolf Kahler as Colonel Dietrich. Read more…

THE EMPIRE STRIKES BACK – John Williams

June 18, 2018 1 comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

The stunning success of Star Wars caused George Lucas to rethink his original vision of a single stand-alone film. He now saw opportunity for a story arc, which would span additional films. To that end, he hired veteran science fiction writer Leigh Brackett to write the next screenplay, based on his story titled The Empire Strikes Back. Lucas did not like her first draft, and when she died shortly there after of cancer, he was left to rewrite the script himself. He shifted the story into a much darker narrative, which critics today acknowledge as the best film of the franchise. Lucas did not want to direct and so brought in trusted friend Irvin Kershner, his former professor. Most of the original cast would reprise their roles; Mark Hamill as Luke Skywalker, Harrison Ford as Han Solo, Carrie Fisher as Princess Leia Organa, Anthony Daniels as C-3PO, Kenny Baker as R2-D2, Peter Mayhew as Chewbacca, and David Prowse as Lord Darth Vader (voiced by James Earl Jones). Joining them would be Frank Oz as Yoda, Billy Dee Williams as Lando Calrissian, and Jeremy Bulloch as Boba Fett. Read more…

STAR TREK: THE MOTION PICTURE – Jerry Goldsmith

June 11, 2018 1 comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

The rebirth of the science fiction genre with Star Wars in 1977, and the continued success of the Star Trek series in syndication, convinced Paramount Studio to begin work on a feature film. In 1978, Paramount assembled the largest press conference held at the studio since the 1950s to announce that double Academy Award winning director Robert Wise would direct a $15 million film adaptation of the television series. The film in the finest tradition of Star Trek is a classic morality play, which speaks to a universal and transcendent yearning shared by all cultures, namely La Ricerca di Dio – the quest for God. The story line reveals the menace of a massive energy cloud of enormous power on a set course to Earth. Admiral James Kirk reassumes command of a newly refitted Enterprise and leads a desperate mission to save humanity. But all is not as it seems as we see Kirk discover that he faces a first contact encounter with an entity of insurmountable power programmed to a singular purpose – to find its creator. By maintaining fidelity to the fundamental Federation principles of seeking out new life forms in the spirit of peace and understanding, Kirk, using his usual guile and experience, is able to overcome technological, linguistic and conceptual challenges and establish a dialogue. With Spock’s assistance, he ultimately succeeds in potentiating within the mechanistic alien entity a spiritual epiphany, which catalyzes a breath-taking transformation, thereby saving the Earth. The film was slow paced, cerebral and ponderous, yet never the less became a huge commercial success. It earned Paramount three times its production costs, there-by setting the stage for a second film. Goldsmith was also honored with Golden Globe and Oscar nominations for best score. Regretfully, he failed to win. Read more…

SUPERMAN – John Williams

June 4, 2018 2 comments

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

In 1973 producers Ilya Salkind and Pierre Spengler believed it was time to bring a classic super hero to the big screen. After protracted negotiations with DC Comics, they secured film rights to produce two Superman movies, which they would shoot back to back. A number of screenwriters were hired and let go before until a team comprised of Mario Puzo, David Newman, Leslie Newman and Robert Benton took up the project. Yet Salkind and Spengler were still not satisfied and so hired Tom Mankiewiicz to do the final rewrite, which was completed in July 1976. Thematic for the film was taking the long and tortuous road to hire a director and cast. Richard Donner finally won out over nine other directors. As for the titular role, almost all of the leading men of the day were either turned down, or showed no interest. As such, Spengler decided to cast an unknown, and after over 200 auditions, newcomer Christopher Reeve won the part – bu it was felt he was too skinny. Rather than wear a muscle suit, Reeve went on a weight-lifting regimen, adding a massive 24 pounds of muscle. Joining the cast would be Marlon Brando as Jor-El, Gene Hackman as Lex Luthor, Ned Beatty as Otis, Jackie Cooper as Perry White, Glenn Ford as Jonathan Kent, Phyllis Thaxter as Martha Kent, Margot Kidder as Lois Lane, and Valerie Perrine as Eve Teschmacher. Read more…

CLOSE ENCOUNTERS OF THE THIRD KIND – John Williams

May 28, 2018 1 comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Since his youth, Steven Spielberg had aspired to create a feature length science fiction film. His 1970 short story Experiences was his initial conception, which explored teenagers witnessing a wondrous “meteor shower light show” in the night sky. He pitched his idea and secured backing from Columbia Studios to proceed with “Watch the Skies”. Rewrites caused delays, and it was decided that he proceed with another project first, “Jaws”. The enormous financial success of “Jaws” resulted in Columbia Studios granting him significant creative control, which allowed for the development of the science fiction film he had always dreamed of. The script was written by Spielberg, but had input and additional refinements by several screenwriters. The title was changed to its final form as a derivation of ufologist J. Allen Hynek’s classification methodology for “close encounters”. Spielberg assembled a fine cast anchored by “Jaws” star Richard Dreyfuss as Roy Neary, Francois Truffault as Claude Lacombe, Melinda Dillon as Jillian Guiler, Teri Garr as Veronica Neary, and Cary Guffey as Barry Guiler. Read more…