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Archive for January, 2009

MY BLOODY VALENTINE – Michael Wandmacher

January 16, 2009 Leave a comment

Original Review by Jonathan Broxton

A nostalgic throwback to the early 80s era of the slasher film, My Bloody Valentine was the first modern horror film to fully embrace the new 3D craze, shocking its audiences with realistically realized axes and body parts shooting from the screen, as well as with all manner of grisly and gruesome special effects to bring the bloody story to life. A remake of the 1981 classic horror film of the same name, the film is directed by Patrick Lussier and stars Jensen Ackles as Tom Hanninger, a young man who returns to his Pennsylvania mining hometown on the tenth anniversary of the Valentine’s night massacre that claimed the lives of 22 people. Despite the original murderer having been apparently killed a decade a go, the murders begin again, and before long Tom finds himself being accused of the crimes. Turning to his old girlfriend Sarah (Jaime King) – who survived the massacre a decade before – Tom sets out to solve the brutal mystery and prove his innocence. Read more…

HOTEL FOR DOGS – John Debney

January 16, 2009 2 comments

Original Review by Jonathan Broxton

Hotel for Dogs is a kid’s comedy adventure based on the novel by Lois Duncan, directed by Thor Freudenthal, and which stars Emma Roberts and Jake T. Austin as orphan siblings who, despite the misgivings of their foster parents and their patient social worker (Don Cheadle), start a home for abandoned dogs in a run-down hotel – hilarity, as they say, ensues.

The score for Hotel for Dogs is by John Debney, whose choice in films since picking up his Oscar nomination for The Passion of the Christ has been surprising, to say the least. Hotel for Dogs is the latest in a long line of children’s comedies which would seem to be better suited to less talented composers than Debney Read more…

AFTERWARDS (ET APRÈS) – Alexandre Desplat

January 16, 2009 Leave a comment

Original Review by Jonathan Broxton

Afterwards is a metaphysical romantic drama directed by Gilles Bourdos and starring Romain Duris as Nathan, a brilliant New York lawyer whose personal life has become a mess since his divorce from Claire (Evangeline Lilly), his only love. However, when everything changes when Nathan meets Kay (John Malkovich), a mysterious doctor who introduces himself as a “Messenger” and tells Nathan that he is able to sense when certain people are about to die.

This mysterious, moody film has a score by Alexandre Desplat, returning to work with director Bourdos for the first time since the pair collaborated on the score for Inquiétudes in 2003. Read more…

THE UNBORN – Ramin Djawadi

January 9, 2009 Leave a comment

Original Review by Clark Douglas

Anytime a film has a January release date, odds are pretty strong that it’s going to be a waste of time. When it’s a horror film directed by David S. Goyer, such odds are even stronger. Such was the case with “The Unborn”, a critically-reviled supernatural horror flick featuring such overqualified actors as Gary Oldman and Jane Alexander. The film tells the unusual story of a girl who is haunted by her dead twin brother. Apparently, the brother was killed as a baby during horrific Nazi experiments, and now the girl must find a way to get rid of her evil ghost twin before it does something nasty to her. The film was scored by Ramin Djawadi, another student of Hans Zimmer who continues to get plum assignments despite the lack of any discernible talent. So, has he shown any signs of improvement in his latest outing? Read more…