Archive for February, 2007

BREACH – Mychael Danna

February 16, 2007 Leave a comment

Original Review by Clark Douglas

You have to admire a film that manages to underplay the greatest security breach in U.S. history. Those who follow the news will remember the arrest of F.B.I. Agent Robert Hanssen, who was found guilty of giving top-secret information to the Russians and compromising the safety of all sorts of things, many of them too secret to be revealed. The story could have easily been turned into a sensational thriller full of all sorts of shocking elements, but “Breach” isn’t interested in that. It places all the cards on the table from the very start, taking away suspense and tension and offering the chance to view a carefully designed character study. The trade-off is more than acceptable. Read more…


February 13, 2007 Leave a comment

Original Review by Clark Douglas

If composers were construction workers, I’m pretty sure that I would want Ennio Morricone to build my house. There is not another composer working today who is as reliable and consistent as Morricone, no one who creates such excellent and admirable music on such a regular basis. At his best, Morricone takes us to the heights of musical ecstasy, showing us levels of beauty that we had previously only fantasized about. At his worst, Morricone writes difficult, challenging, harsh music that is easy to admire but incredibly difficult to listen to. Even if you hate the album, you have a hard time saying anything bad about it, because it’s done so well. Read more…

NORBIT – David Newman

February 9, 2007 Leave a comment

Original Review by Jonathan Broxton

Pity David Newman. No other working composer in Hollywood today has such a disparity between the size of his composing talent and the quality of the films he is asked, or agrees, to score. It has not always been this way. In late 80s and early 1990s, he scored a succession of generally well-regarded highbrow comedy films such as Throw Momma from the Train, Heathers, The War of the Roses, and even the occasional quality drama, like Hoffa in 1992. His career trajectory finally seemed to be taking an upward turn following his double Oscar nomination for Anastasia in 1997, but since then he has found himself in a continual and inexplicable rut, scoring the most inane comedies Hollywood has to offer: the likes of Daddy Day Care, Death to Smoochy and Monster-in-Law. Once in a while something comes along which briefly makes you think he might have turned a corner – Ice Age, or Serenity, for example – but before you know it he’s back again, scoring the new Eddie Murphy comedy. Which brings us to Norbit. Read more…

HANNIBAL RISING – Ilan Eshkeri and Shigeru Umebayashi

February 9, 2007 2 comments

Original Review by Clark Douglas

I don’t believe I’ve ever seen a franchise fall as far as this one. “Silence of the Lambs” is often unfairly labeled a horror film, it is so much more than that. It’s a brilliant character study featuring one of the most fascinating characters ever to grace the movie screen. Hannibal “The Cannibal” Lecter, as played by Anthony Hopkins, was nothing short of pure evil, magnetic and seductive, a layer of intelligent charm covering the terrifying monster underneath. When Hopkins played the role in two sequels, “Hannibal” and “Red Dragon”, the character lost a bit of fascination, but watching Hopkins play the character was so enjoyable that those movies were tolerable, particularly “Red Dragon”. Read more…


February 9, 2007 Leave a comment

Original Review by Jonathan Broxton

In such a crowded market as the today’s international film music world, it’s difficult to make a splash. Hundreds of films are released each year, many of which never make any kind of box office impact or draw any kind of press, positive or negative. The vast majority of these undiscovered films have scores by jobbing composers, looking to make a name for themselves, looking to be attached to that one, golden movie which can launch a career. One such film is the Danish supernatural fantasy-adventure “De Fortabte Sjæles Ø”, better known internationally as Island of Lost Souls, which could very well be the break-out score for the comparatively little known English composer Jane Antonia Cornish. Read more…


February 2, 2007 Leave a comment

Original Review by Jonathan Broxton

A romantic comedy which is one part sweet and entertaining, yet one part highly irritating, director Michael Lehmann’s chick flick was one of the successes of the early part of the year. Mandy Moore stars as Milly Wilder, a young chef whose lackluster love life is cause for concern for her overbearing, overprotective mother Daphne (Diane Keaton); so, in a last-ditch attempt to finally find a dream husband for her daughter, Daphne begins auditioning potential suitors, and forces straight-laced architect Jason (Tom Everett Scott) in Milly’s direction.

Meanwhile, and without Daphne’s knowledge, Milly begins dating jazz musician Johnny (Gabriel Macht) – the polar opposite of Jason, but in whom Milly sees a future… Read more…